AC/DC · Stiff Upper Lip

Can’t Stop Rock ’n’ Roll

Can’t Stop Rock ’n’ Roll is in D minor at 85.2 beats per minute.

4080120160200

Tempo

85 BPM · Andantemedian of 136 analyses · 85.1–85.3 across the middle eight tenths
Key
D minor1 flat · the key most of the analyses agreed on
Agreement
98%share of analyses that agreed
Analyses
136people who ran the extractor
One beat
704.2milliseconds, 60,000 ÷ BPM
Tuning
439Hz · -4 cents from A 440
Dynamics
2.08dB the level wanders from its average
Loudness
0.964Essentia's 0–1 scale, not dB
Danceability
1.352Essentia's danceability, 0–3

Source: AcousticBrainz, dump of 2022-06-23 (CC0) · MusicBrainz core data, 2026-09-17 (CC0) · how each number is measured. Measured up to 23.06.2022 — AcousticBrainz stopped collecting in 2022, so nothing released after that date is here.

What the numbers say

136 independent analyses of this recording were submitted to AcousticBrainz. All but a handful of them — 98% — put it in D minor, a key signature of 1 flat. The tempo printed above is the median of the 136 readings; 99% of them land within 2% of it, and they barely differ at all.

At 85.2 BPM one beat lasts 704.2 milliseconds, so a sixteenth note is 176.1 ms and a dotted eighth 528.2 ms — the delay times for this recording. Counted half as fast it is 42.6 BPM, counted twice as fast 170.4. A score would mark that Andante, by the ranges this site uses.

The analyses put the reference pitch of the recording at 439 Hz, which is 4 cents below concert A at 440 Hz — close enough to standard that a tuner would not argue. That is a fact about this transfer of the music, not about how it was played.

The dynamic complexity of the recording measures 2.08 dB: that is how far the level wanders from its own average, so a small number means a loud, flat master and a large one means a recording that still breathes. Its average loudness is 0.964 on Essentia's 0-to-1 scale, which is not decibels and is not comparable to a streaming service's number.

10 other recordings here are in D minor; the ones listed below are the closest in tempo.

Beats per bar are not in this dataset. AcousticBrainz's analysis reports a tempo, a key and a loudness, and no time signature at all, so this page does not print one — a 4/4 here would be a guess dressed as a measurement.

Keys that fit with D minor

Each of these differs from D minor by at most one accidental, or shares its tonic. That is the whole of what a mixing wheel encodes; here the relations are named instead of numbered.

Delay times at 85 BPM

Note valueBeatsMillisecondsHertz
Whole note42816.90.36
Half note21408.50.71
Dotted quarter1.51056.30.95
Quarter note (one beat)1704.21.42
Quarter triplet0.667469.52.13
Dotted eighth0.75528.21.89
Eighth note0.5352.12.84
Eighth triplet0.333234.74.26
Dotted sixteenth0.375264.13.79
Sixteenth note0.25176.15.68
Sixteenth triplet0.167117.48.52
Thirty-second note0.1258811.36

Half time 42.6 BPM · double time 170.4 BPM. Every row is one beat (704.2 ms) times the fraction in the second column.

Closest in key and tempo

  1. LoserBeckD minor85BPM
  2. KarmaAlicia KeysD minor85BPM
  3. So What’cha WantBeastie BoysD minor85BPM
  4. I Knew I Loved YouSavage GardenD minor85BPM
  5. PipelineThe Alan Parsons ProjectD minor86BPM
  6. WarningThe Notorious B.I.G.D minor86BPM
  7. DramaErykah BaduD minor86BPM
  8. Meet the ParentsJay‐ZD minor84BPM
  9. Negative CreepNirvanaD minor83BPM
  10. She’s on FireAerosmithD minor87BPM

Recordings in D minor, ordered by how near their tempo is to 85 BPM. A calculation, not a recommendation.

All songs in D minorAll songs at 85 BPMD minor at 80–89 BPMAC/DC

MusicBrainz collapses 1 recording id into this one. Recording id 12b5bf23-6b38-4620-ab1d-459625457438.