Jay‐Z · The Blueprint²: The Gift & The Curse

Meet the Parents

Meet the Parents is in D minor at 83.6 beats per minute.

4080120160200

Tempo

84 BPM · Andantemedian of 212 analyses · 83.6–93.5 across the middle eight tenths
Key
D minor1 flat · the key most of the analyses agreed on
Agreement
83%share of analyses that agreed
Analyses
212people who ran the extractor
One beat
717.7milliseconds, 60,000 ÷ BPM
Tuning
448.7Hz · +34 cents from A 440
Dynamics
3.38dB the level wanders from its average
Loudness
0.862Essentia's 0–1 scale, not dB
Danceability
1.31Essentia's danceability, 0–3

Source: AcousticBrainz, dump of 2022-06-23 (CC0) · MusicBrainz core data, 2026-09-17 (CC0) · how each number is measured. Measured up to 23.06.2022 — AcousticBrainz stopped collecting in 2022, so nothing released after that date is here.

What the numbers say

212 independent analyses of this recording were submitted to AcousticBrainz. Most of them — 83% — put it in D minor, a key signature of 1 flat. The tempo printed above is the median of the 212 readings; 84% of them land within 2% of it, and the middle eight tenths of them run from 83.6 to 93.5 BPM.

At 83.6 BPM one beat lasts 717.7 milliseconds, so a sixteenth note is 179.4 ms and a dotted eighth 538.3 ms — the delay times for this recording. Counted half as fast it is 41.8 BPM, counted twice as fast 167.2. A score would mark that Andante, by the ranges this site uses.

The analyses put the reference pitch of the recording at 448.7 Hz, which is 34 cents above concert A at 440 Hz — the sort of drift a tape machine or a slightly different mastering leaves behind. That is a fact about this transfer of the music, not about how it was played.

The dynamic complexity of the recording measures 3.38 dB: that is how far the level wanders from its own average, so a small number means a loud, flat master and a large one means a recording that still breathes. Its average loudness is 0.862 on Essentia's 0-to-1 scale, which is not decibels and is not comparable to a streaming service's number.

10 other recordings here are in D minor; the ones listed below are the closest in tempo.

Beats per bar are not in this dataset. AcousticBrainz's analysis reports a tempo, a key and a loudness, and no time signature at all, so this page does not print one — a 4/4 here would be a guess dressed as a measurement.

Keys that fit with D minor

Each of these differs from D minor by at most one accidental, or shares its tonic. That is the whole of what a mixing wheel encodes; here the relations are named instead of numbered.

Delay times at 84 BPM

Note valueBeatsMillisecondsHertz
Whole note42870.80.35
Half note21435.40.7
Dotted quarter1.51076.60.93
Quarter note (one beat)1717.71.39
Quarter triplet0.667478.52.09
Dotted eighth0.75538.31.86
Eighth note0.5358.92.79
Eighth triplet0.333239.24.18
Dotted sixteenth0.375269.13.72
Sixteenth note0.25179.45.57
Sixteenth triplet0.167119.68.36
Thirty-second note0.12589.711.15

Half time 41.8 BPM · double time 167.2 BPM. Every row is one beat (717.7 ms) times the fraction in the second column.

Closest in key and tempo

  1. Negative CreepNirvanaD minor83BPM
  2. Slice of Your PieMötley CrüeD minor83BPM
  3. On the RunPink FloydD minor83BPM
  4. I Knew I Loved YouSavage GardenD minor85BPM
  5. KarmaAlicia KeysD minor85BPM
  6. Obscured by CloudsPink FloydD minor82BPM
  7. Can’t Stop Rock ’n’ RollAC/DCD minor85BPM
  8. LoserBeckD minor85BPM
  9. So What’cha WantBeastie BoysD minor85BPM
  10. PipelineThe Alan Parsons ProjectD minor86BPM

Recordings in D minor, ordered by how near their tempo is to 84 BPM. A calculation, not a recommendation.

All songs in D minorAll songs at 84 BPMD minor at 80–89 BPMJay‐Z

MusicBrainz collapses 4 recording ids into this one. Recording id c0a3492c-2c95-4eac-b755-5db085294a60.