Aerosmith · Done With Mirrors

She’s on Fire

She’s on Fire is in D minor at 87.3 beats per minute.

4080120160200

Tempo

87 BPM · Andantemedian of 147 analyses · 87.3–87.4 across the middle eight tenths
Key
D minor1 flat · the key most of the analyses agreed on
Agreement
99%share of analyses that agreed
Analyses
147people who ran the extractor
One beat
687.3milliseconds, 60,000 ÷ BPM
Tuning
441.5Hz · +6 cents from A 440
Dynamics
4.54dB the level wanders from its average
Loudness
0.891Essentia's 0–1 scale, not dB
Danceability
1.035Essentia's danceability, 0–3

Source: AcousticBrainz, dump of 2022-06-23 (CC0) · MusicBrainz core data, 2026-09-17 (CC0) · how each number is measured. Measured up to 23.06.2022 — AcousticBrainz stopped collecting in 2022, so nothing released after that date is here.

What the numbers say

147 independent analyses of this recording were submitted to AcousticBrainz. All but a handful of them — 99% — put it in D minor, a key signature of 1 flat. The tempo printed above is the median of the 147 readings; 100% of them land within 2% of it, and they barely differ at all.

At 87.3 BPM one beat lasts 687.3 milliseconds, so a sixteenth note is 171.8 ms and a dotted eighth 515.5 ms — the delay times for this recording. Counted half as fast it is 43.7 BPM, counted twice as fast 174.6. A score would mark that Andante, by the ranges this site uses.

The analyses put the reference pitch of the recording at 441.5 Hz, which is 6 cents above concert A at 440 Hz — the sort of drift a tape machine or a slightly different mastering leaves behind. That is a fact about this transfer of the music, not about how it was played.

The dynamic complexity of the recording measures 4.54 dB: that is how far the level wanders from its own average, so a small number means a loud, flat master and a large one means a recording that still breathes. Its average loudness is 0.891 on Essentia's 0-to-1 scale, which is not decibels and is not comparable to a streaming service's number.

10 other recordings here are in D minor; the ones listed below are the closest in tempo.

Beats per bar are not in this dataset. AcousticBrainz's analysis reports a tempo, a key and a loudness, and no time signature at all, so this page does not print one — a 4/4 here would be a guess dressed as a measurement.

Keys that fit with D minor

Each of these differs from D minor by at most one accidental, or shares its tonic. That is the whole of what a mixing wheel encodes; here the relations are named instead of numbered.

Delay times at 87 BPM

Note valueBeatsMillisecondsHertz
Whole note42749.10.36
Half note21374.60.73
Dotted quarter1.51030.90.97
Quarter note (one beat)1687.31.45
Quarter triplet0.667458.22.18
Dotted eighth0.75515.51.94
Eighth note0.5343.62.91
Eighth triplet0.333229.14.37
Dotted sixteenth0.375257.73.88
Sixteenth note0.25171.85.82
Sixteenth triplet0.167114.58.73
Thirty-second note0.12585.911.64

Half time 43.7 BPM · double time 174.6 BPM. Every row is one beat (687.3 ms) times the fraction in the second column.

Closest in key and tempo

  1. One of My TurnsPink FloydD minor88BPM
  2. Mein TeilRammsteinD minor88BPM
  3. DramaErykah BaduD minor86BPM
  4. WarningThe Notorious B.I.G.D minor86BPM
  5. She's a WomanThe BeatlesD minor89BPM
  6. PipelineThe Alan Parsons ProjectD minor86BPM
  7. 7MobyD minor89BPM
  8. So What’cha WantBeastie BoysD minor85BPM
  9. LoserBeckD minor85BPM
  10. Can’t Stop Rock ’n’ RollAC/DCD minor85BPM

Recordings in D minor, ordered by how near their tempo is to 87 BPM. A calculation, not a recommendation.

All songs in D minorAll songs at 87 BPMD minor at 80–89 BPMAerosmith

MusicBrainz collapses 8 recording ids into this one. Recording id df47dd64-5ddc-485d-83ff-a0fef6ad9b44.