TempoPeek

The Kinks · Lola Versus Powerman and the Moneygoround, Part One

Lola

Lola is in A major at 151.6 beats per minute.

4080120160200

Tempo

152 BPM · Allegromedian of 129 analyses · 148.2–152.2 across the middle eight tenths
Key
A major3 sharps · the key most of the analyses agreed on
Agreement
78%share of analyses that agreed
Analyses
129people who ran the extractor
One beat
395.8milliseconds, 60,000 ÷ BPM
Tuning
437.7Hz · -9 cents from A 440
Dynamics
3.14dB the level wanders from its average
Loudness
0.901Essentia's 0–1 scale, not dB
Danceability
1.099Essentia's danceability, 0–3

Source: AcousticBrainz, dump of 2022-06-23 (CC0) · MusicBrainz core data, 2026-09-17 (CC0) · how each number is measured. Measured up to 23.06.2022 — AcousticBrainz stopped collecting in 2022, so nothing released after that date is here.

What the numbers say

129 independent analyses of this recording were submitted to AcousticBrainz. Most of them — 78% — put it in A major, a key signature of 3 sharps. The tempo printed above is the median of the 129 readings; 81% of them land within 2% of it, and the middle eight tenths of them run from 148.2 to 152.2 BPM.

At 151.6 BPM one beat lasts 395.8 milliseconds, so a sixteenth note is 98.9 ms and a dotted eighth 296.8 ms — the delay times for this recording. Counted half as fast it is 75.8 BPM, counted twice as fast 303.2. A score would mark that Allegro, by the ranges this site uses.

The analyses put the reference pitch of the recording at 437.7 Hz, which is 9 cents below concert A at 440 Hz — the sort of drift a tape machine or a slightly different mastering leaves behind. That is a fact about this transfer of the music, not about how it was played.

The dynamic complexity of the recording measures 3.14 dB: that is how far the level wanders from its own average, so a small number means a loud, flat master and a large one means a recording that still breathes. Its average loudness is 0.901 on Essentia's 0-to-1 scale, which is not decibels and is not comparable to a streaming service's number.

10 other recordings here are in A major; the ones listed below are the closest in tempo.

Beats per bar are not in this dataset. AcousticBrainz's analysis reports a tempo, a key and a loudness, and no time signature at all, so this page does not print one — a 4/4 here would be a guess dressed as a measurement.

Keys that fit with A major

Each of these differs from A major by at most one accidental, or shares its tonic. That is the whole of what a mixing wheel encodes; here the relations are named instead of numbered.

Delay times at 152 BPM

Note valueBeatsMillisecondsHertz
Whole note41583.10.63
Half note2791.61.26
Dotted quarter1.5593.71.68
Quarter note (one beat)1395.82.53
Quarter triplet0.667263.93.79
Dotted eighth0.75296.83.37
Eighth note0.5197.95.05
Eighth triplet0.333131.97.58
Dotted sixteenth0.375148.46.74
Sixteenth note0.2598.910.11
Sixteenth triplet0.1676615.16
Thirty-second note0.12549.520.21

Half time 75.8 BPM · double time 303.2 BPM. Every row is one beat (395.8 ms) times the fraction in the second column.

Closest in key and tempo

  1. Et je t’aime encoreCéline DionA major152BPM
  2. Girl, You Have No Faith in MedicineThe White StripesA major152BPM
  3. Girl Gone BadVan HalenA major152BPM
  4. Just Like HeavenThe CureA major151BPM
  5. I’m With YouAvril LavigneA major152BPM
  6. SpacemanThe KillersA major152BPM
  7. Je T'Aime EncoreCéline DionA major152BPM
  8. Message in a BottleThe PoliceA major151BPM
  9. In the FleshPink FloydA major152BPM
  10. Done Too SoonNeil DiamondA major151BPM

Recordings in A major, ordered by how near their tempo is to 152 BPM. A calculation, not a recommendation.

All songs in A majorAll songs at 152 BPMA major at 150–159 BPMThe Kinks

MusicBrainz collapses 188 recording ids into this one. Recording id 559e771e-c10b-47b0-a058-d4a29f97a23f.