TempoPeek

Pink Floyd · The Wall

In the Flesh

In the Flesh is in A major at 152.1 beats per minute.

4080120160200

Tempo

152 BPM · Allegromedian of 368 analyses · 122.9–152.4 across the middle eight tenths
Key
A major3 sharps · the key most of the analyses agreed on
Agreement
93%share of analyses that agreed
Analyses
368people who ran the extractor
One beat
394.5milliseconds, 60,000 ÷ BPM
Tuning
448.7Hz · +34 cents from A 440
Dynamics
6.5dB the level wanders from its average
Loudness
0.482Essentia's 0–1 scale, not dB
Danceability
1.077Essentia's danceability, 0–3

Source: AcousticBrainz, dump of 2022-06-23 (CC0) · MusicBrainz core data, 2026-09-17 (CC0) · how each number is measured. Measured up to 23.06.2022 — AcousticBrainz stopped collecting in 2022, so nothing released after that date is here.

What the numbers say

368 independent analyses of this recording were submitted to AcousticBrainz. Most of them — 93% — put it in A major, a key signature of 3 sharps. The tempo printed above is the median of the 368 readings; 86% of them land within 2% of it, and the middle eight tenths of them run from 122.9 to 152.4 BPM.

At 152.1 BPM one beat lasts 394.5 milliseconds, so a sixteenth note is 98.6 ms and a dotted eighth 295.9 ms — the delay times for this recording. Counted half as fast it is 76.1 BPM, counted twice as fast 304.2. A score would mark that Allegro, by the ranges this site uses.

The analyses put the reference pitch of the recording at 448.7 Hz, which is 34 cents above concert A at 440 Hz — the sort of drift a tape machine or a slightly different mastering leaves behind. That is a fact about this transfer of the music, not about how it was played.

The dynamic complexity of the recording measures 6.5 dB: that is how far the level wanders from its own average, so a small number means a loud, flat master and a large one means a recording that still breathes. Its average loudness is 0.482 on Essentia's 0-to-1 scale, which is not decibels and is not comparable to a streaming service's number.

10 other recordings here are in A major; the ones listed below are the closest in tempo.

Beats per bar are not in this dataset. AcousticBrainz's analysis reports a tempo, a key and a loudness, and no time signature at all, so this page does not print one — a 4/4 here would be a guess dressed as a measurement.

Keys that fit with A major

Each of these differs from A major by at most one accidental, or shares its tonic. That is the whole of what a mixing wheel encodes; here the relations are named instead of numbered.

Delay times at 152 BPM

Note valueBeatsMillisecondsHertz
Whole note41577.90.63
Half note27891.27
Dotted quarter1.5591.71.69
Quarter note (one beat)1394.52.54
Quarter triplet0.6672633.8
Dotted eighth0.75295.93.38
Eighth note0.5197.25.07
Eighth triplet0.333131.57.61
Dotted sixteenth0.375147.96.76
Sixteenth note0.2598.610.14
Sixteenth triplet0.16765.715.21
Thirty-second note0.12549.320.28

Half time 76.1 BPM · double time 304.2 BPM. Every row is one beat (394.5 ms) times the fraction in the second column.

The same title by somebody else

  1. In the FleshBlondieA major101BPM

Matched on the title alone, so this list can hold a different song that happens to share a name. Nothing here claims one is a cover of the other.

Closest in key and tempo

  1. SnowballedAC/DCA major152BPM
  2. Hang FireThe Rolling StonesA major152BPM
  3. I’m With YouAvril LavigneA major152BPM
  4. SpacemanThe KillersA major152BPM
  5. Je T'Aime EncoreCéline DionA major152BPM
  6. We Got the BeatGo‐Go’sA major152BPM
  7. Sgt. MajorJetA major152BPM
  8. Suite: Judy Blue EyesCrosby, Stills & NashA major153BPM
  9. Living Loving Maid (She's Just a Woman)Led ZeppelinA major153BPM
  10. Et je t’aime encoreCéline DionA major152BPM

Recordings in A major, ordered by how near their tempo is to 152 BPM. A calculation, not a recommendation.

All songs in A majorAll songs at 152 BPMA major at 150–159 BPMPink Floyd

MusicBrainz collapses 65 recording ids into this one. Recording id 1be4459a-4bda-4530-bf8e-421fdddbdbfc.