The 1975 · The 1975
Robbers
Robbers is in E major at 99.6 beats per minute.
Tempo
100 BPM · Andantemedian of 148 analyses · 99.6–99.6 across the middle eight tenths- Key
- E major4 sharps · the key most of the analyses agreed on
- Agreement
- 100%share of analyses that agreed
- Analyses
- 148people who ran the extractor
- One beat
- 602.4milliseconds, 60,000 ÷ BPM
- Tuning
- 434.2Hz · -23 cents from A 440
- Dynamics
- 5.43dB the level wanders from its average
- Loudness
- 0.838Essentia's 0–1 scale, not dB
- Danceability
- 1.052Essentia's danceability, 0–3
Source: AcousticBrainz, dump of 2022-06-23 (CC0) · MusicBrainz core data, 2026-09-17 (CC0) · how each number is measured. Measured up to 23.06.2022 — AcousticBrainz stopped collecting in 2022, so nothing released after that date is here.
What the numbers say
148 independent analyses of this recording were submitted to AcousticBrainz. All but a handful of them — 100% — put it in E major, a key signature of 4 sharps. The tempo printed above is the median of the 148 readings; 100% of them land within 2% of it, and they barely differ at all.
At 99.6 BPM one beat lasts 602.4 milliseconds, so a sixteenth note is 150.6 ms and a dotted eighth 451.8 ms — the delay times for this recording. Counted half as fast it is 49.8 BPM, counted twice as fast 199.2. A score would mark that Andante, by the ranges this site uses.
The analyses put the reference pitch of the recording at 434.2 Hz, which is 23 cents below concert A at 440 Hz — the sort of drift a tape machine or a slightly different mastering leaves behind. That is a fact about this transfer of the music, not about how it was played.
The dynamic complexity of the recording measures 5.43 dB: that is how far the level wanders from its own average, so a small number means a loud, flat master and a large one means a recording that still breathes. Its average loudness is 0.838 on Essentia's 0-to-1 scale, which is not decibels and is not comparable to a streaming service's number.
10 other recordings here are in E major; the ones listed below are the closest in tempo.
Beats per bar are not in this dataset. AcousticBrainz's analysis reports a tempo, a key and a loudness, and no time signature at all, so this page does not print one — a 4/4 here would be a guess dressed as a measurement.
Keys that fit with E major
Each of these differs from E major by at most one accidental, or shares its tonic. That is the whole of what a mixing wheel encodes; here the relations are named instead of numbered.
Delay times at 100 BPM
| Note value | Beats | Milliseconds | Hertz |
|---|---|---|---|
| Whole note | 4 | 2409.6 | 0.41 |
| Half note | 2 | 1204.8 | 0.83 |
| Dotted quarter | 1.5 | 903.6 | 1.11 |
| Quarter note (one beat) | 1 | 602.4 | 1.66 |
| Quarter triplet | 0.667 | 401.6 | 2.49 |
| Dotted eighth | 0.75 | 451.8 | 2.21 |
| Eighth note | 0.5 | 301.2 | 3.32 |
| Eighth triplet | 0.333 | 200.8 | 4.98 |
| Dotted sixteenth | 0.375 | 225.9 | 4.43 |
| Sixteenth note | 0.25 | 150.6 | 6.64 |
| Sixteenth triplet | 0.167 | 100.4 | 9.96 |
| Thirty-second note | 0.125 | 75.3 | 13.28 |
Half time 49.8 BPM · double time 199.2 BPM. Every row is one beat (602.4 ms) times the fraction in the second column.
Closest in key and tempo
- An EncounterThe 1975E major100BPM
- Dark as a DungeonJohnny CashE major100BPM
- My WeaknessMobyE major99BPM
- Love YourselfJustin BieberE major100BPM
- I Wanna Be Your ManThe BeatlesE major99BPM
- We Don’t Talk AnymoreCharlie Puth feat. Selena GomezE major100BPM
- IsobelBjörkE major100BPM
- La isla bonitaMadonnaE major100BPM
- Extreme WaysMobyE major100BPM
- BlueJoni MitchellE major100BPM
Recordings in E major, ordered by how near their tempo is to 100 BPM. A calculation, not a recommendation.
All songs in E majorAll songs at 100 BPME major at 90–99 BPMThe 1975
MusicBrainz collapses 5 recording ids into this one. Recording id d8d6827d-a1e7-4bf6-a182-969794fd9432.