Phil Collins · No Jacket Required

One More Night

One More Night is in E flat major at 68.2 beats per minute.

Tempo

68 BPM · Adagiomedian of 357 analyses · 68.1–68.3 across the middle eight tenths

Key: E♭ major3 flats · the key most of the analyses agreed on
Agreement: 98%share of analyses that agreed
Analyses: 357people who ran the extractor
One beat: 879.8milliseconds, 60,000 ÷ BPM
Tuning: 437.5Hz · -10 cents from A 440
Dynamics: 3.25dB the level wanders from its average
Loudness: 0.943Essentia's 0–1 scale, not dB
Danceability: 1.131Essentia's danceability, 0–3

Source: AcousticBrainz, dump of 2022-06-23 (CC0) · MusicBrainz core data, 2026-09-17 (CC0) · how each number is measured. Measured up to 23.06.2022 — AcousticBrainz stopped collecting in 2022, so nothing released after that date is here.

What the numbers say

357 independent analyses of this recording were submitted to AcousticBrainz. All but a handful of them — 98% — put it in E flat major, a key signature of 3 flats. The tempo printed above is the median of the 357 readings; 94% of them land within 2% of it, and they barely differ at all.

At 68.2 BPM one beat lasts 879.8 milliseconds, so a sixteenth note is 219.9 ms and a dotted eighth 659.8 ms — the delay times for this recording. Counted half as fast it is 34.1 BPM, counted twice as fast 136.4. A score would mark that Adagio, by the ranges this site uses.

The analyses put the reference pitch of the recording at 437.5 Hz, which is 10 cents below concert A at 440 Hz — the sort of drift a tape machine or a slightly different mastering leaves behind. That is a fact about this transfer of the music, not about how it was played.

The dynamic complexity of the recording measures 3.25 dB: that is how far the level wanders from its own average, so a small number means a loud, flat master and a large one means a recording that still breathes. Its average loudness is 0.943 on Essentia's 0-to-1 scale, which is not decibels and is not comparable to a streaming service's number.

10 other recordings here are in E flat major; the ones listed below are the closest in tempo.

Beats per bar are not in this dataset. AcousticBrainz's analysis reports a tempo, a key and a loudness, and no time signature at all, so this page does not print one — a 4/4 here would be a guess dressed as a measurement.

Keys that fit with E♭ major

Each of these differs from E♭ major by at most one accidental, or shares its tonic. That is the whole of what a mixing wheel encodes; here the relations are named instead of numbered.

Delay times at 68 BPM

Note value	Beats	Milliseconds	Hertz
Whole note	4	3519.1	0.28
Half note	2	1759.5	0.57
Dotted quarter	1.5	1319.6	0.76
Quarter note (one beat)	1	879.8	1.14
Quarter triplet	0.667	586.5	1.71
Dotted eighth	0.75	659.8	1.52
Eighth note	0.5	439.9	2.27
Eighth triplet	0.333	293.3	3.41
Dotted sixteenth	0.375	329.9	3.03
Sixteenth note	0.25	219.9	4.55
Sixteenth triplet	0.167	146.6	6.82
Thirty-second note	0.125	110	9.09

Half time 34.1 BPM · double time 136.4 BPM. Every row is one beat (879.8 ms) times the fraction in the second column.

The same title by somebody else

One More NightMaroon 5F minor93BPM

Matched on the title alone, so this list can hold a different song that happens to share a name. Nothing here claims one is a cover of the other.

Closest in key and tempo

Recordings in E flat major, ordered by how near their tempo is to 68 BPM. A calculation, not a recommendation.

All songs in E flat major Phil Collins

MusicBrainz collapses 24 recording ids into this one. Recording id 631c12f0-acee-469c-bfc8-9f0a43ec5902.