Queen · Jazz
Jealousy
Jealousy is in E flat major at 80.6 beats per minute.
Tempo
81 BPM · Andantemedian of 130 analyses · 80.5–162.5 across the middle eight tenths- Key
- E♭ major3 flats · the key most of the analyses agreed on
- Agreement
- 82%share of analyses that agreed
- Analyses
- 130people who ran the extractor
- One beat
- 744.4milliseconds, 60,000 ÷ BPM
- Tuning
- 442.8Hz · +11 cents from A 440
- Dynamics
- 5.01dB the level wanders from its average
- Loudness
- 0.284Essentia's 0–1 scale, not dB
- Danceability
- 0.942Essentia's danceability, 0–3
Source: AcousticBrainz, dump of 2022-06-23 (CC0) · MusicBrainz core data, 2026-09-17 (CC0) · how each number is measured. Measured up to 23.06.2022 — AcousticBrainz stopped collecting in 2022, so nothing released after that date is here.
What the numbers say
130 independent analyses of this recording were submitted to AcousticBrainz. Most of them — 82% — put it in E flat major, a key signature of 3 flats. The tempo printed above is the median of the 130 readings; 81% of them land within 2% of it, and the middle eight tenths of them run from 80.5 to 162.5 BPM.
At 80.6 BPM one beat lasts 744.4 milliseconds, so a sixteenth note is 186.1 ms and a dotted eighth 558.3 ms — the delay times for this recording. Counted half as fast it is 40.3 BPM, counted twice as fast 161.2. A score would mark that Andante, by the ranges this site uses.
The analyses put the reference pitch of the recording at 442.8 Hz, which is 11 cents above concert A at 440 Hz — the sort of drift a tape machine or a slightly different mastering leaves behind. That is a fact about this transfer of the music, not about how it was played.
The dynamic complexity of the recording measures 5.01 dB: that is how far the level wanders from its own average, so a small number means a loud, flat master and a large one means a recording that still breathes. Its average loudness is 0.284 on Essentia's 0-to-1 scale, which is not decibels and is not comparable to a streaming service's number.
10 other recordings here are in E flat major; the ones listed below are the closest in tempo.
Beats per bar are not in this dataset. AcousticBrainz's analysis reports a tempo, a key and a loudness, and no time signature at all, so this page does not print one — a 4/4 here would be a guess dressed as a measurement.
Keys that fit with E♭ major
Each of these differs from E♭ major by at most one accidental, or shares its tonic. That is the whole of what a mixing wheel encodes; here the relations are named instead of numbered.
Delay times at 81 BPM
| Note value | Beats | Milliseconds | Hertz |
|---|---|---|---|
| Whole note | 4 | 2977.7 | 0.34 |
| Half note | 2 | 1488.8 | 0.67 |
| Dotted quarter | 1.5 | 1116.6 | 0.9 |
| Quarter note (one beat) | 1 | 744.4 | 1.34 |
| Quarter triplet | 0.667 | 496.3 | 2.02 |
| Dotted eighth | 0.75 | 558.3 | 1.79 |
| Eighth note | 0.5 | 372.2 | 2.69 |
| Eighth triplet | 0.333 | 248.1 | 4.03 |
| Dotted sixteenth | 0.375 | 279.2 | 3.58 |
| Sixteenth note | 0.25 | 186.1 | 5.37 |
| Sixteenth triplet | 0.167 | 124.1 | 8.06 |
| Thirty-second note | 0.125 | 93.1 | 10.75 |
Half time 40.3 BPM · double time 161.2 BPM. Every row is one beat (744.4 ms) times the fraction in the second column.
Closest in key and tempo
- Young TurksRod StewartE♭ major80BPM
- Another’s ArmsColdplayE♭ major80BPM
- Come & Get ItSelena GomezE♭ major80BPM
- Underneath the TreeKelly ClarksonE♭ major80BPM
- Chasing PavementsAdeleE♭ major80BPM
- Only TimeEnyaE♭ major83BPM
- It’s a Hard LifeQueenE♭ major83BPM
- (Night Time Is) The Right TimeRay CharlesE♭ major78BPM
- Shake, rattle and rollBig Joe TurnerE♭ major77BPM
- Intro50 CentE♭ major85BPM
Recordings in E flat major, ordered by how near their tempo is to 81 BPM. A calculation, not a recommendation.
All songs in E flat majorAll songs at 81 BPME♭ major at 80–89 BPMQueen
MusicBrainz collapses 4 recording ids into this one. Recording id cca05c80-3941-4e26-a855-d4316c9cad6d.