Paul Simon · Graceland
Graceland
Graceland is in E major at 117.8 beats per minute.
Tempo
118 BPM · Moderatomedian of 187 analyses · 117.2–117.9 across the middle eight tenths- Key
- E major4 sharps · the key most of the analyses agreed on
- Agreement
- 95%share of analyses that agreed
- Analyses
- 187people who ran the extractor
- One beat
- 509.3milliseconds, 60,000 ÷ BPM
- Tuning
- 443.3Hz · +13 cents from A 440
- Dynamics
- 4.53dB the level wanders from its average
- Loudness
- 0.718Essentia's 0–1 scale, not dB
- Danceability
- 1.246Essentia's danceability, 0–3
Source: AcousticBrainz, dump of 2022-06-23 (CC0) · MusicBrainz core data, 2026-09-17 (CC0) · how each number is measured. Measured up to 23.06.2022 — AcousticBrainz stopped collecting in 2022, so nothing released after that date is here.
What the numbers say
187 independent analyses of this recording were submitted to AcousticBrainz. All but a handful of them — 95% — put it in E major, a key signature of 4 sharps. The tempo printed above is the median of the 187 readings; 100% of them land within 2% of it, and they barely differ at all.
At 117.8 BPM one beat lasts 509.3 milliseconds, so a sixteenth note is 127.3 ms and a dotted eighth 382 ms — the delay times for this recording. Counted half as fast it is 58.9 BPM, counted twice as fast 235.6. A score would mark that Moderato, by the ranges this site uses.
The analyses put the reference pitch of the recording at 443.3 Hz, which is 13 cents above concert A at 440 Hz — the sort of drift a tape machine or a slightly different mastering leaves behind. That is a fact about this transfer of the music, not about how it was played.
The dynamic complexity of the recording measures 4.53 dB: that is how far the level wanders from its own average, so a small number means a loud, flat master and a large one means a recording that still breathes. Its average loudness is 0.718 on Essentia's 0-to-1 scale, which is not decibels and is not comparable to a streaming service's number.
10 other recordings here are in E major; the ones listed below are the closest in tempo.
Beats per bar are not in this dataset. AcousticBrainz's analysis reports a tempo, a key and a loudness, and no time signature at all, so this page does not print one — a 4/4 here would be a guess dressed as a measurement.
Keys that fit with E major
Each of these differs from E major by at most one accidental, or shares its tonic. That is the whole of what a mixing wheel encodes; here the relations are named instead of numbered.
Delay times at 118 BPM
| Note value | Beats | Milliseconds | Hertz |
|---|---|---|---|
| Whole note | 4 | 2037.4 | 0.49 |
| Half note | 2 | 1018.7 | 0.98 |
| Dotted quarter | 1.5 | 764 | 1.31 |
| Quarter note (one beat) | 1 | 509.3 | 1.96 |
| Quarter triplet | 0.667 | 339.6 | 2.95 |
| Dotted eighth | 0.75 | 382 | 2.62 |
| Eighth note | 0.5 | 254.7 | 3.93 |
| Eighth triplet | 0.333 | 169.8 | 5.89 |
| Dotted sixteenth | 0.375 | 191 | 5.24 |
| Sixteenth note | 0.25 | 127.3 | 7.85 |
| Sixteenth triplet | 0.167 | 84.9 | 11.78 |
| Thirty-second note | 0.125 | 63.7 | 15.71 |
Half time 58.9 BPM · double time 235.6 BPM. Every row is one beat (509.3 ms) times the fraction in the second column.
Closest in key and tempo
- Get Up Offa That ThingJames BrownE major118BPM
- 49 Bye‐ByesCrosby, Stills & NashE major118BPM
- For Whom the Bell TollsMetallicaE major118BPM
- Guess I’m Doing FineBeckE major117BPM
- Girl From Ipanema Goes to GreenlandThe B‐52sE major117BPM
- Winter WonderlandNeil DiamondE major117BPM
- Grantchester MeadowsRoger WatersE major117BPM
- Surprise SurpriseCéline DionE major119BPM
- Love BombAC/DCE major119BPM
- Hard as a RockAC/DCE major117BPM
Recordings in E major, ordered by how near their tempo is to 118 BPM. A calculation, not a recommendation.
All songs in E majorAll songs at 118 BPME major at 110–119 BPMPaul Simon
MusicBrainz collapses 42 recording ids into this one. Recording id 263798a5-ccb7-49d1-8478-da1d6f2b7c1e.