Coldplay · Ghost Stories
Oceans
Oceans is in F sharp major at 74.5 beats per minute.
Tempo
75 BPM · Adagiomedian of 127 analyses · 74.3–74.5 across the middle eight tenths- Key
- F♯ major6 sharps · the key most of the analyses agreed on
- Agreement
- 99%share of analyses that agreed
- Analyses
- 127people who ran the extractor
- One beat
- 805.4milliseconds, 60,000 ÷ BPM
- Tuning
- 439.2Hz · -3 cents from A 440
- Dynamics
- 5.95dB the level wanders from its average
- Loudness
- 0.256Essentia's 0–1 scale, not dB
- Danceability
- 0.986Essentia's danceability, 0–3
Source: AcousticBrainz, dump of 2022-06-23 (CC0) · MusicBrainz core data, 2026-09-17 (CC0) · how each number is measured. Measured up to 23.06.2022 — AcousticBrainz stopped collecting in 2022, so nothing released after that date is here.
What the numbers say
127 independent analyses of this recording were submitted to AcousticBrainz. All but a handful of them — 99% — put it in F sharp major, a key signature of 6 sharps. The tempo printed above is the median of the 127 readings; 100% of them land within 2% of it, and they barely differ at all.
At 74.5 BPM one beat lasts 805.4 milliseconds, so a sixteenth note is 201.3 ms and a dotted eighth 604 ms — the delay times for this recording. Counted half as fast it is 37.3 BPM, counted twice as fast 149. A score would mark that Adagio, by the ranges this site uses.
The analyses put the reference pitch of the recording at 439.2 Hz, which is 3 cents below concert A at 440 Hz — close enough to standard that a tuner would not argue. That is a fact about this transfer of the music, not about how it was played.
The dynamic complexity of the recording measures 5.95 dB: that is how far the level wanders from its own average, so a small number means a loud, flat master and a large one means a recording that still breathes. Its average loudness is 0.256 on Essentia's 0-to-1 scale, which is not decibels and is not comparable to a streaming service's number.
10 other recordings here are in F sharp major; the ones listed below are the closest in tempo.
Beats per bar are not in this dataset. AcousticBrainz's analysis reports a tempo, a key and a loudness, and no time signature at all, so this page does not print one — a 4/4 here would be a guess dressed as a measurement.
Keys that fit with F♯ major
Each of these differs from F♯ major by at most one accidental, or shares its tonic. That is the whole of what a mixing wheel encodes; here the relations are named instead of numbered.
Delay times at 75 BPM
| Note value | Beats | Milliseconds | Hertz |
|---|---|---|---|
| Whole note | 4 | 3221.5 | 0.31 |
| Half note | 2 | 1610.7 | 0.62 |
| Dotted quarter | 1.5 | 1208.1 | 0.83 |
| Quarter note (one beat) | 1 | 805.4 | 1.24 |
| Quarter triplet | 0.667 | 536.9 | 1.86 |
| Dotted eighth | 0.75 | 604 | 1.66 |
| Eighth note | 0.5 | 402.7 | 2.48 |
| Eighth triplet | 0.333 | 268.5 | 3.72 |
| Dotted sixteenth | 0.375 | 302 | 3.31 |
| Sixteenth note | 0.25 | 201.3 | 4.97 |
| Sixteenth triplet | 0.167 | 134.2 | 7.45 |
| Thirty-second note | 0.125 | 100.7 | 9.93 |
Half time 37.3 BPM · double time 149 BPM. Every row is one beat (805.4 ms) times the fraction in the second column.
The same title by somebody else
Matched on the title alone, so this list can hold a different song that happens to share a name. Nothing here claims one is a cover of the other.
Closest in key and tempo
- Since I Don’t Have YouGuns N’ RosesF♯ major71BPM
- Ex‐FactorLauryn HillF♯ major80BPM
- The RiverImagine DragonsF♯ major85BPM
- YesterdaysGuns N’ RosesF♯ major86BPM
- Thursday’s ChildDavid BowieF♯ major86BPM
- RojoJ BalvinF♯ major86BPM
- True ColorsPhil CollinsF♯ major86BPM
- Scared of LonelyBeyoncéF♯ major87BPM
- ChandelierSiaF♯ major87BPM
- The Sound of SettlingDeath Cab for CutieF♯ major88BPM
Recordings in F sharp major, ordered by how near their tempo is to 75 BPM. A calculation, not a recommendation.
All songs in F sharp majorAll songs at 75 BPMColdplay
MusicBrainz collapses 7 recording ids into this one. Recording id 4f11e0e7-185e-4103-9416-a45953bf0f8d.