Guns N’ Roses · Use Your Illusion II

Yesterdays

Yesterdays is in F sharp major at 85.5 beats per minute.

4080120160200

Tempo

86 BPM · Andantemedian of 185 analyses · 85.5–85.5 across the middle eight tenths
Key
F♯ major6 sharps · the key most of the analyses agreed on
Agreement
96%share of analyses that agreed
Analyses
185people who ran the extractor
One beat
701.8milliseconds, 60,000 ÷ BPM
Tuning
440Hz · 0 cents from A 440
Dynamics
5.23dB the level wanders from its average
Loudness
0.81Essentia's 0–1 scale, not dB
Danceability
1.087Essentia's danceability, 0–3

Source: AcousticBrainz, dump of 2022-06-23 (CC0) · MusicBrainz core data, 2026-09-17 (CC0) · how each number is measured. Measured up to 23.06.2022 — AcousticBrainz stopped collecting in 2022, so nothing released after that date is here.

What the numbers say

185 independent analyses of this recording were submitted to AcousticBrainz. All but a handful of them — 96% — put it in F sharp major, a key signature of 6 sharps. The tempo printed above is the median of the 185 readings; 100% of them land within 2% of it, and they barely differ at all.

At 85.5 BPM one beat lasts 701.8 milliseconds, so a sixteenth note is 175.4 ms and a dotted eighth 526.3 ms — the delay times for this recording. Counted half as fast it is 42.8 BPM, counted twice as fast 171. A score would mark that Andante, by the ranges this site uses.

The analyses put the reference pitch of the recording at 440 Hz, which is 0 cents above concert A at 440 Hz — close enough to standard that a tuner would not argue. That is a fact about this transfer of the music, not about how it was played.

The dynamic complexity of the recording measures 5.23 dB: that is how far the level wanders from its own average, so a small number means a loud, flat master and a large one means a recording that still breathes. Its average loudness is 0.81 on Essentia's 0-to-1 scale, which is not decibels and is not comparable to a streaming service's number.

10 other recordings here are in F sharp major; the ones listed below are the closest in tempo.

Beats per bar are not in this dataset. AcousticBrainz's analysis reports a tempo, a key and a loudness, and no time signature at all, so this page does not print one — a 4/4 here would be a guess dressed as a measurement.

Keys that fit with F♯ major

Each of these differs from F♯ major by at most one accidental, or shares its tonic. That is the whole of what a mixing wheel encodes; here the relations are named instead of numbered.

Delay times at 86 BPM

Note valueBeatsMillisecondsHertz
Whole note428070.36
Half note21403.50.71
Dotted quarter1.51052.60.95
Quarter note (one beat)1701.81.42
Quarter triplet0.667467.82.14
Dotted eighth0.75526.31.9
Eighth note0.5350.92.85
Eighth triplet0.333233.94.28
Dotted sixteenth0.375263.23.8
Sixteenth note0.25175.45.7
Sixteenth triplet0.1671178.55
Thirty-second note0.12587.711.4

Half time 42.8 BPM · double time 171 BPM. Every row is one beat (701.8 ms) times the fraction in the second column.

Closest in key and tempo

  1. Thursday’s ChildDavid BowieF♯ major86BPM
  2. RojoJ BalvinF♯ major86BPM
  3. True ColorsPhil CollinsF♯ major86BPM
  4. The RiverImagine DragonsF♯ major85BPM
  5. Scared of LonelyBeyoncéF♯ major87BPM
  6. ChandelierSiaF♯ major87BPM
  7. The Sound of SettlingDeath Cab for CutieF♯ major88BPM
  8. AloneCéline DionF♯ major88BPM
  9. Murder InkDr. Dre featuring Hittman & Ms. RoqF♯ major88BPM
  10. The Boys of SummerDon HenleyF♯ major89BPM

Recordings in F sharp major, ordered by how near their tempo is to 86 BPM. A calculation, not a recommendation.

All songs in F sharp majorAll songs at 86 BPMF♯ major at 80–89 BPMGuns N’ Roses

MusicBrainz collapses 30 recording ids into this one. Recording id ed8ced59-66bb-4497-8ba9-d6bab7f1e950.