Blood, Sweat & Tears · Blood, Sweat & Tears
Spinning Wheel
Spinning Wheel is in G major at 96.7 beats per minute.
Tempo
97 BPM · Andantemedian of 197 analyses · 96.4–97.3 across the middle eight tenths- Key
- G major1 sharp · the key most of the analyses agreed on
- Agreement
- 95%share of analyses that agreed
- Analyses
- 197people who ran the extractor
- One beat
- 620.5milliseconds, 60,000 ÷ BPM
- Tuning
- 444.1Hz · +16 cents from A 440
- Dynamics
- 5.19dB the level wanders from its average
- Loudness
- 0.787Essentia's 0–1 scale, not dB
- Danceability
- 1.133Essentia's danceability, 0–3
Source: AcousticBrainz, dump of 2022-06-23 (CC0) · MusicBrainz core data, 2026-09-17 (CC0) · how each number is measured. Measured up to 23.06.2022 — AcousticBrainz stopped collecting in 2022, so nothing released after that date is here.
What the numbers say
197 independent analyses of this recording were submitted to AcousticBrainz. All but a handful of them — 95% — put it in G major, a key signature of 1 sharp. The tempo printed above is the median of the 197 readings; 100% of them land within 2% of it, and they barely differ at all.
At 96.7 BPM one beat lasts 620.5 milliseconds, so a sixteenth note is 155.1 ms and a dotted eighth 465.4 ms — the delay times for this recording. Counted half as fast it is 48.4 BPM, counted twice as fast 193.4. A score would mark that Andante, by the ranges this site uses.
The analyses put the reference pitch of the recording at 444.1 Hz, which is 16 cents above concert A at 440 Hz — the sort of drift a tape machine or a slightly different mastering leaves behind. That is a fact about this transfer of the music, not about how it was played.
The dynamic complexity of the recording measures 5.19 dB: that is how far the level wanders from its own average, so a small number means a loud, flat master and a large one means a recording that still breathes. Its average loudness is 0.787 on Essentia's 0-to-1 scale, which is not decibels and is not comparable to a streaming service's number.
10 other recordings here are in G major; the ones listed below are the closest in tempo.
Beats per bar are not in this dataset. AcousticBrainz's analysis reports a tempo, a key and a loudness, and no time signature at all, so this page does not print one — a 4/4 here would be a guess dressed as a measurement.
Keys that fit with G major
Each of these differs from G major by at most one accidental, or shares its tonic. That is the whole of what a mixing wheel encodes; here the relations are named instead of numbered.
Delay times at 97 BPM
| Note value | Beats | Milliseconds | Hertz |
|---|---|---|---|
| Whole note | 4 | 2481.9 | 0.4 |
| Half note | 2 | 1241 | 0.81 |
| Dotted quarter | 1.5 | 930.7 | 1.07 |
| Quarter note (one beat) | 1 | 620.5 | 1.61 |
| Quarter triplet | 0.667 | 413.7 | 2.42 |
| Dotted eighth | 0.75 | 465.4 | 2.15 |
| Eighth note | 0.5 | 310.2 | 3.22 |
| Eighth triplet | 0.333 | 206.8 | 4.84 |
| Dotted sixteenth | 0.375 | 232.7 | 4.3 |
| Sixteenth note | 0.25 | 155.1 | 6.45 |
| Sixteenth triplet | 0.167 | 103.4 | 9.67 |
| Thirty-second note | 0.125 | 77.6 | 12.89 |
Half time 48.4 BPM · double time 193.4 BPM. Every row is one beat (620.5 ms) times the fraction in the second column.
Closest in key and tempo
- Don’t Cross the RiverAmericaG major97BPM
- I’ll Cry InsteadThe BeatlesG major97BPM
- The Magic of Christmas Day (God Bless Us Everyone)Céline DionG major97BPM
- Black Diamond BayBob DylanG major97BPM
- The Man’s Too StrongDire StraitsG major98BPM
- Hotel YorbaThe White StripesG major98BPM
- You Can’t Hurry LovePhil CollinsG major98BPM
- BackstreetsBruce SpringsteenG major98BPM
- Set the Fire to the Third BarSnow Patrol feat. Martha WainwrightG major96BPM
- I Don’t Want to Spoil the PartyThe BeatlesG major96BPM
Recordings in G major, ordered by how near their tempo is to 97 BPM. A calculation, not a recommendation.
All songs in G majorAll songs at 97 BPMG major at 90–99 BPM
MusicBrainz collapses 95 recording ids into this one. Recording id 34c997b0-4295-4c00-b149-610b49bf9985.