The Beatles · Beatles for Sale

I Don’t Want to Spoil the Party

I Don’t Want to Spoil the Party is in G major at 95.6 beats per minute.

4080120160200

Tempo

96 BPM · Andantemedian of 150 analyses · 95.2–95.8 across the middle eight tenths
Key
G major1 sharp · the key most of the analyses agreed on
Agreement
89%share of analyses that agreed
Analyses
150people who ran the extractor
One beat
627.6milliseconds, 60,000 ÷ BPM
Tuning
442.5Hz · +10 cents from A 440
Dynamics
3.31dB the level wanders from its average
Loudness
0.942Essentia's 0–1 scale, not dB
Danceability
1.194Essentia's danceability, 0–3

Source: AcousticBrainz, dump of 2022-06-23 (CC0) · MusicBrainz core data, 2026-09-17 (CC0) · how each number is measured. Measured up to 23.06.2022 — AcousticBrainz stopped collecting in 2022, so nothing released after that date is here.

What the numbers say

150 independent analyses of this recording were submitted to AcousticBrainz. Most of them — 89% — put it in G major, a key signature of 1 sharp. The tempo printed above is the median of the 150 readings; 95% of them land within 2% of it, and they barely differ at all.

At 95.6 BPM one beat lasts 627.6 milliseconds, so a sixteenth note is 156.9 ms and a dotted eighth 470.7 ms — the delay times for this recording. Counted half as fast it is 47.8 BPM, counted twice as fast 191.2. A score would mark that Andante, by the ranges this site uses.

The analyses put the reference pitch of the recording at 442.5 Hz, which is 10 cents above concert A at 440 Hz — the sort of drift a tape machine or a slightly different mastering leaves behind. That is a fact about this transfer of the music, not about how it was played.

The dynamic complexity of the recording measures 3.31 dB: that is how far the level wanders from its own average, so a small number means a loud, flat master and a large one means a recording that still breathes. Its average loudness is 0.942 on Essentia's 0-to-1 scale, which is not decibels and is not comparable to a streaming service's number.

10 other recordings here are in G major; the ones listed below are the closest in tempo.

Beats per bar are not in this dataset. AcousticBrainz's analysis reports a tempo, a key and a loudness, and no time signature at all, so this page does not print one — a 4/4 here would be a guess dressed as a measurement.

Keys that fit with G major

Each of these differs from G major by at most one accidental, or shares its tonic. That is the whole of what a mixing wheel encodes; here the relations are named instead of numbered.

Delay times at 96 BPM

Note valueBeatsMillisecondsHertz
Whole note42510.50.4
Half note21255.20.8
Dotted quarter1.5941.41.06
Quarter note (one beat)1627.61.59
Quarter triplet0.667418.42.39
Dotted eighth0.75470.72.12
Eighth note0.5313.83.19
Eighth triplet0.333209.24.78
Dotted sixteenth0.375235.44.25
Sixteenth note0.25156.96.37
Sixteenth triplet0.167104.69.56
Thirty-second note0.12578.512.75

Half time 47.8 BPM · double time 191.2 BPM. Every row is one beat (627.6 ms) times the fraction in the second column.

Closest in key and tempo

  1. After ForeverBlack SabbathG major96BPM
  2. Wonderful TonightEric ClaptonG major95BPM
  3. If It Makes You HappySheryl CrowG major95BPM
  4. Set the Fire to the Third BarSnow Patrol feat. Martha WainwrightG major96BPM
  5. Rock 'n' Roll High SchoolThe AtarisG major95BPM
  6. Good Riddance (Time of Your Life)Green DayG major95BPM
  7. Just Give Me a ReasonP!nk feat. Nate RuessG major95BPM
  8. StyleTaylor SwiftG major95BPM
  9. You Rock My WorldMichael JacksonG major95BPM
  10. LingerThe CranberriesG major95BPM

Recordings in G major, ordered by how near their tempo is to 96 BPM. A calculation, not a recommendation.

All songs in G majorAll songs at 96 BPMG major at 90–99 BPMThe Beatles

MusicBrainz collapses 28 recording ids into this one. Recording id 15afd3be-63c8-4f70-b701-0b1832101fd3.