TempoPeek

U2 · Songs of Innocence

California (There Is No End to Love)

California (There Is No End to Love) is in A major at 133 beats per minute.

4080120160200

Tempo

133 BPM · Allegromedian of 240 analyses · 133–133 across the middle eight tenths
Key
A major3 sharps · the key most of the analyses agreed on
Agreement
100%share of analyses that agreed
Analyses
240people who ran the extractor
One beat
451.1milliseconds, 60,000 ÷ BPM
Tuning
434.2Hz · -23 cents from A 440
Dynamics
4.36dB the level wanders from its average
Loudness
0.94Essentia's 0–1 scale, not dB
Danceability
1.12Essentia's danceability, 0–3

Source: AcousticBrainz, dump of 2022-06-23 (CC0) · MusicBrainz core data, 2026-09-17 (CC0) · how each number is measured. Measured up to 23.06.2022 — AcousticBrainz stopped collecting in 2022, so nothing released after that date is here.

What the numbers say

240 independent analyses of this recording were submitted to AcousticBrainz. All but a handful of them — 100% — put it in A major, a key signature of 3 sharps. The tempo printed above is the median of the 240 readings; 100% of them land within 2% of it, and they barely differ at all.

At 133 BPM one beat lasts 451.1 milliseconds, so a sixteenth note is 112.8 ms and a dotted eighth 338.3 ms — the delay times for this recording. Counted half as fast it is 66.5 BPM, counted twice as fast 266. A score would mark that Allegro, by the ranges this site uses.

The analyses put the reference pitch of the recording at 434.2 Hz, which is 23 cents below concert A at 440 Hz — the sort of drift a tape machine or a slightly different mastering leaves behind. That is a fact about this transfer of the music, not about how it was played.

The dynamic complexity of the recording measures 4.36 dB: that is how far the level wanders from its own average, so a small number means a loud, flat master and a large one means a recording that still breathes. Its average loudness is 0.94 on Essentia's 0-to-1 scale, which is not decibels and is not comparable to a streaming service's number.

10 other recordings here are in A major; the ones listed below are the closest in tempo.

Beats per bar are not in this dataset. AcousticBrainz's analysis reports a tempo, a key and a loudness, and no time signature at all, so this page does not print one — a 4/4 here would be a guess dressed as a measurement.

Keys that fit with A major

Each of these differs from A major by at most one accidental, or shares its tonic. That is the whole of what a mixing wheel encodes; here the relations are named instead of numbered.

Delay times at 133 BPM

Note valueBeatsMillisecondsHertz
Whole note41804.50.55
Half note2902.31.11
Dotted quarter1.5676.71.48
Quarter note (one beat)1451.12.22
Quarter triplet0.667300.83.33
Dotted eighth0.75338.32.96
Eighth note0.5225.64.43
Eighth triplet0.333150.46.65
Dotted sixteenth0.375169.25.91
Sixteenth note0.25112.88.87
Sixteenth triplet0.16775.213.3
Thirty-second note0.12556.417.73

Half time 66.5 BPM · double time 266 BPM. Every row is one beat (451.1 ms) times the fraction in the second column.

Closest in key and tempo

  1. Misty Mountain HopLed ZeppelinA major133BPM
  2. I’m a BoyThe WhoA major133BPM
  3. Forty or FiftySpin DoctorsA major133BPM
  4. Quiche LorraineThe B‐52sA major133BPM
  5. Please Mr. PostmanCarpentersA major133BPM
  6. For Those About to Rock (We Salute You)AC/DCA major133BPM
  7. I’m Goin’ DownBruce SpringsteenA major133BPM
  8. Givin the Dog a BoneAC/DCA major133BPM
  9. Rock ’n’ Roll DamnationAC/DCA major134BPM
  10. Happy New YearABBAA major133BPM

Recordings in A major, ordered by how near their tempo is to 133 BPM. A calculation, not a recommendation.

All songs in A majorAll songs at 133 BPMA major at 130–139 BPMU2

MusicBrainz collapses 1 recording id into this one. Recording id 6bb3c6da-1a20-4903-8186-f2997e45d860.