TempoPeek

The Temptations · Puzzle People

I Can’t Get Next to You

I Can’t Get Next to You is in F minor at 108.5 beats per minute.

4080120160200

Tempo

109 BPM · Moderatomedian of 132 analyses · 108.3–109.2 across the middle eight tenths
Key
F minor4 flats · the key most of the analyses agreed on
Agreement
50%share of analyses that agreed
Analyses
132people who ran the extractor
One beat
553milliseconds, 60,000 ÷ BPM
Tuning
442.5Hz · +10 cents from A 440
Dynamics
5.5dB the level wanders from its average
Loudness
0.804Essentia's 0–1 scale, not dB
Danceability
1.073Essentia's danceability, 0–3

Source: AcousticBrainz, dump of 2022-06-23 (CC0) · MusicBrainz core data, 2026-09-17 (CC0) · how each number is measured. Measured up to 23.06.2022 — AcousticBrainz stopped collecting in 2022, so nothing released after that date is here.

What the numbers say

132 independent analyses of this recording were submitted to AcousticBrainz. A bare majority of them — 50% — put it in F minor, a key signature of 4 flats. The tempo printed above is the median of the 132 readings; 96% of them land within 2% of it, and they barely differ at all.

At 108.5 BPM one beat lasts 553 milliseconds, so a sixteenth note is 138.2 ms and a dotted eighth 414.7 ms — the delay times for this recording. Counted half as fast it is 54.3 BPM, counted twice as fast 217. A score would mark that Moderato, by the ranges this site uses.

The analyses put the reference pitch of the recording at 442.5 Hz, which is 10 cents above concert A at 440 Hz — the sort of drift a tape machine or a slightly different mastering leaves behind. That is a fact about this transfer of the music, not about how it was played.

The dynamic complexity of the recording measures 5.5 dB: that is how far the level wanders from its own average, so a small number means a loud, flat master and a large one means a recording that still breathes. Its average loudness is 0.804 on Essentia's 0-to-1 scale, which is not decibels and is not comparable to a streaming service's number.

10 other recordings here are in F minor; the ones listed below are the closest in tempo.

Beats per bar are not in this dataset. AcousticBrainz's analysis reports a tempo, a key and a loudness, and no time signature at all, so this page does not print one — a 4/4 here would be a guess dressed as a measurement.

Keys that fit with F minor

Each of these differs from F minor by at most one accidental, or shares its tonic. That is the whole of what a mixing wheel encodes; here the relations are named instead of numbered.

Delay times at 109 BPM

Note valueBeatsMillisecondsHertz
Whole note422120.45
Half note211060.9
Dotted quarter1.5829.51.21
Quarter note (one beat)15531.81
Quarter triplet0.667368.72.71
Dotted eighth0.75414.72.41
Eighth note0.5276.53.62
Eighth triplet0.333184.35.43
Dotted sixteenth0.375207.44.82
Sixteenth note0.25138.27.23
Sixteenth triplet0.16792.210.85
Thirty-second note0.12569.114.47

Half time 54.3 BPM · double time 217 BPM. Every row is one beat (553 ms) times the fraction in the second column.

Closest in key and tempo

  1. Dark End of the StreetAretha FranklinF minor109BPM
  2. HNSCCThe 1975F minor108BPM
  3. Brooklyn BabyLana Del ReyF minor108BPM
  4. What’s Your Flava?Craig DavidF minor108BPM
  5. Lovin’ ProofCéline DionF minor108BPM
  6. FrozenMadonnaF minor108BPM
  7. Beggin for ThreadBANKSF minor108BPM
  8. Psychedelic ShackThe TemptationsF minor109BPM
  9. FinaleDaft PunkF minor110BPM
  10. Something I Can Never HaveNine Inch NailsF minor107BPM

Recordings in F minor, ordered by how near their tempo is to 109 BPM. A calculation, not a recommendation.

All songs in F minorAll songs at 109 BPMF minor at 100–109 BPMThe Temptations

MusicBrainz collapses 33 recording ids into this one. Recording id ef7ddbed-e545-4de9-b3e9-7949edc89703.