The Rolling Stones · Aftermath
Out of Time
Out of Time is in G major at 127.7 beats per minute.
Tempo
128 BPM · Allegromedian of 132 analyses · 126.8–127.9 across the middle eight tenths- Key
- G major1 sharp · the key most of the analyses agreed on
- Agreement
- 51%share of analyses that agreed
- Analyses
- 132people who ran the extractor
- One beat
- 469.9milliseconds, 60,000 ÷ BPM
- Tuning
- 434.2Hz · -23 cents from A 440
- Dynamics
- 3.91dB the level wanders from its average
- Loudness
- 0.868Essentia's 0–1 scale, not dB
- Danceability
- 1.118Essentia's danceability, 0–3
Source: AcousticBrainz, dump of 2022-06-23 (CC0) · MusicBrainz core data, 2026-09-17 (CC0) · how each number is measured. Measured up to 23.06.2022 — AcousticBrainz stopped collecting in 2022, so nothing released after that date is here.
What the numbers say
132 independent analyses of this recording were submitted to AcousticBrainz. A bare majority of them — 51% — put it in G major, a key signature of 1 sharp. The tempo printed above is the median of the 132 readings; 100% of them land within 2% of it, and the middle eight tenths of them run from 126.8 to 127.9 BPM.
At 127.7 BPM one beat lasts 469.9 milliseconds, so a sixteenth note is 117.5 ms and a dotted eighth 352.4 ms — the delay times for this recording. Counted half as fast it is 63.9 BPM, counted twice as fast 255.4. A score would mark that Allegro, by the ranges this site uses.
The analyses put the reference pitch of the recording at 434.2 Hz, which is 23 cents below concert A at 440 Hz — the sort of drift a tape machine or a slightly different mastering leaves behind. That is a fact about this transfer of the music, not about how it was played.
The dynamic complexity of the recording measures 3.91 dB: that is how far the level wanders from its own average, so a small number means a loud, flat master and a large one means a recording that still breathes. Its average loudness is 0.868 on Essentia's 0-to-1 scale, which is not decibels and is not comparable to a streaming service's number.
10 other recordings here are in G major; the ones listed below are the closest in tempo.
Beats per bar are not in this dataset. AcousticBrainz's analysis reports a tempo, a key and a loudness, and no time signature at all, so this page does not print one — a 4/4 here would be a guess dressed as a measurement.
Keys that fit with G major
Each of these differs from G major by at most one accidental, or shares its tonic. That is the whole of what a mixing wheel encodes; here the relations are named instead of numbered.
Delay times at 128 BPM
| Note value | Beats | Milliseconds | Hertz |
|---|---|---|---|
| Whole note | 4 | 1879.4 | 0.53 |
| Half note | 2 | 939.7 | 1.06 |
| Dotted quarter | 1.5 | 704.8 | 1.42 |
| Quarter note (one beat) | 1 | 469.9 | 2.13 |
| Quarter triplet | 0.667 | 313.2 | 3.19 |
| Dotted eighth | 0.75 | 352.4 | 2.84 |
| Eighth note | 0.5 | 234.9 | 4.26 |
| Eighth triplet | 0.333 | 156.6 | 6.39 |
| Dotted sixteenth | 0.375 | 176.2 | 5.68 |
| Sixteenth note | 0.25 | 117.5 | 8.51 |
| Sixteenth triplet | 0.167 | 78.3 | 12.77 |
| Thirty-second note | 0.125 | 58.7 | 17.03 |
Half time 63.9 BPM · double time 255.4 BPM. Every row is one beat (469.9 ms) times the fraction in the second column.
Closest in key and tempo
- TechnologicDaft PunkG major128BPM
- SummerCalvin HarrisG major128BPM
- Feel So CloseCalvin HarrisG major128BPM
- Sun Goes DownDavid Guetta & Showtek feat. MAGIC! & Sonny WilsonG major128BPM
- I’ll Keep Loving YouDavid Guetta feat. Jaymes Young & BirdyG major128BPM
- Whiskey in the JarThin LizzyG major128BPM
- We'll Be Coming BackCalvin Harris feat. ExampleG major128BPM
- What a ShameThe Rolling StonesG major127BPM
- HomeMichael BubléG major128BPM
- Pigs on the Wing, Part 2Pink FloydG major128BPM
Recordings in G major, ordered by how near their tempo is to 128 BPM. A calculation, not a recommendation.
All songs in G majorAll songs at 128 BPMG major at 120–129 BPMThe Rolling Stones
MusicBrainz collapses 85 recording ids into this one. Recording id 3ddec532-9edf-4abb-b032-8baa299ca22f.