TempoPeek

The Rolling Stones · December’s Children (and Everybody’s)

Get Off of My Cloud

Get Off of My Cloud is in A major at 126.1 beats per minute.

4080120160200

Tempo

126 BPM · Allegromedian of 322 analyses · 124.1–128.1 across the middle eight tenths
Key
A major3 sharps · the key most of the analyses agreed on
Agreement
71%share of analyses that agreed
Analyses
322people who ran the extractor
One beat
475.8milliseconds, 60,000 ÷ BPM
Tuning
434.2Hz · -23 cents from A 440
Dynamics
2.75dB the level wanders from its average
Loudness
0.93Essentia's 0–1 scale, not dB
Danceability
1.189Essentia's danceability, 0–3

Source: AcousticBrainz, dump of 2022-06-23 (CC0) · MusicBrainz core data, 2026-09-17 (CC0) · how each number is measured. Measured up to 23.06.2022 — AcousticBrainz stopped collecting in 2022, so nothing released after that date is here.

What the numbers say

322 independent analyses of this recording were submitted to AcousticBrainz. A bare majority of them — 71% — put it in A major, a key signature of 3 sharps. The tempo printed above is the median of the 322 readings; 91% of them land within 2% of it, and the middle eight tenths of them run from 124.1 to 128.1 BPM.

At 126.1 BPM one beat lasts 475.8 milliseconds, so a sixteenth note is 119 ms and a dotted eighth 356.9 ms — the delay times for this recording. Counted half as fast it is 63.1 BPM, counted twice as fast 252.2. A score would mark that Allegro, by the ranges this site uses.

The analyses put the reference pitch of the recording at 434.2 Hz, which is 23 cents below concert A at 440 Hz — the sort of drift a tape machine or a slightly different mastering leaves behind. That is a fact about this transfer of the music, not about how it was played.

The dynamic complexity of the recording measures 2.75 dB: that is how far the level wanders from its own average, so a small number means a loud, flat master and a large one means a recording that still breathes. Its average loudness is 0.93 on Essentia's 0-to-1 scale, which is not decibels and is not comparable to a streaming service's number.

10 other recordings here are in A major; the ones listed below are the closest in tempo.

Beats per bar are not in this dataset. AcousticBrainz's analysis reports a tempo, a key and a loudness, and no time signature at all, so this page does not print one — a 4/4 here would be a guess dressed as a measurement.

Keys that fit with A major

Each of these differs from A major by at most one accidental, or shares its tonic. That is the whole of what a mixing wheel encodes; here the relations are named instead of numbered.

Delay times at 126 BPM

Note valueBeatsMillisecondsHertz
Whole note41903.30.53
Half note2951.61.05
Dotted quarter1.5713.71.4
Quarter note (one beat)1475.82.1
Quarter triplet0.667317.23.15
Dotted eighth0.75356.92.8
Eighth note0.5237.94.2
Eighth triplet0.333158.66.31
Dotted sixteenth0.375178.45.6
Sixteenth note0.251198.41
Sixteenth triplet0.16779.312.61
Thirty-second note0.12559.516.81

Half time 63.1 BPM · double time 252.2 BPM. Every row is one beat (475.8 ms) times the fraction in the second column.

Closest in key and tempo

  1. What Do You Do for Money HoneyAC/DCA major126BPM
  2. MoneyPink FloydA major126BPM
  3. So WhatP!nkA major126BPM
  4. HollywoodMadonnaA major126BPM
  5. CologneClean Bandit feat. Nikki Cislyn & JaveonA major126BPM
  6. Rien n’est vraiment finiCéline DionA major126BPM
  7. Cater 2 UDestiny’s ChildA major126BPM
  8. Face to Face / Short CircuitDaft PunkA major126BPM
  9. Living Next Door to AliceSmokieA major126BPM
  10. Rebel RebelDavid BowieA major126BPM

Recordings in A major, ordered by how near their tempo is to 126 BPM. A calculation, not a recommendation.

All songs in A majorAll songs at 126 BPMA major at 120–129 BPMThe Rolling Stones

MusicBrainz collapses 178 recording ids into this one. Recording id 477e06a6-2492-4647-966d-81b1141086b4.