The Doors · Morrison Hotel

Roadhouse Blues

Roadhouse Blues is in A minor at 121.2 beats per minute.

4080120160200

Tempo

121 BPM · Allegromedian of 284 analyses · 120.5–127.2 across the middle eight tenths
Key
A minorno sharps and no flats · the key most of the analyses agreed on
Agreement
70%share of analyses that agreed
Analyses
284people who ran the extractor
One beat
495milliseconds, 60,000 ÷ BPM
Tuning
445.1Hz · +20 cents from A 440
Dynamics
3.04dB the level wanders from its average
Loudness
0.886Essentia's 0–1 scale, not dB
Danceability
1.174Essentia's danceability, 0–3

Source: AcousticBrainz, dump of 2022-06-23 (CC0) · MusicBrainz core data, 2026-09-17 (CC0) · how each number is measured. Measured up to 23.06.2022 — AcousticBrainz stopped collecting in 2022, so nothing released after that date is here.

What the numbers say

284 independent analyses of this recording were submitted to AcousticBrainz. A bare majority of them — 70% — put it in A minor, a key signature of no sharps and no flats. The tempo printed above is the median of the 284 readings; 69% of them land within 2% of it, and the middle eight tenths of them run from 120.5 to 127.2 BPM.

At 121.2 BPM one beat lasts 495 milliseconds, so a sixteenth note is 123.8 ms and a dotted eighth 371.3 ms — the delay times for this recording. Counted half as fast it is 60.6 BPM, counted twice as fast 242.4. A score would mark that Allegro, by the ranges this site uses.

The analyses put the reference pitch of the recording at 445.1 Hz, which is 20 cents above concert A at 440 Hz — the sort of drift a tape machine or a slightly different mastering leaves behind. That is a fact about this transfer of the music, not about how it was played.

The dynamic complexity of the recording measures 3.04 dB: that is how far the level wanders from its own average, so a small number means a loud, flat master and a large one means a recording that still breathes. Its average loudness is 0.886 on Essentia's 0-to-1 scale, which is not decibels and is not comparable to a streaming service's number.

10 other recordings here are in A minor; the ones listed below are the closest in tempo.

Beats per bar are not in this dataset. AcousticBrainz's analysis reports a tempo, a key and a loudness, and no time signature at all, so this page does not print one — a 4/4 here would be a guess dressed as a measurement.

Keys that fit with A minor

Each of these differs from A minor by at most one accidental, or shares its tonic. That is the whole of what a mixing wheel encodes; here the relations are named instead of numbered.

Delay times at 121 BPM

Note valueBeatsMillisecondsHertz
Whole note41980.20.51
Half note2990.11.01
Dotted quarter1.5742.61.35
Quarter note (one beat)14952.02
Quarter triplet0.6673303.03
Dotted eighth0.75371.32.69
Eighth note0.5247.54.04
Eighth triplet0.3331656.06
Dotted sixteenth0.375185.65.39
Sixteenth note0.25123.88.08
Sixteenth triplet0.16782.512.12
Thirty-second note0.12561.916.16

Half time 60.6 BPM · double time 242.4 BPM. Every row is one beat (495 ms) times the fraction in the second column.

Closest in key and tempo

  1. Savoy TruffleThe BeatlesA minor121BPM
  2. ÆnemaToolA minor121BPM
  3. Be PreparedJeremy Irons with Whoopi Goldberg, Cheech Marin, and Jim CummingsA minor122BPM
  4. Money, Money, MoneyABBAA minor120BPM
  5. You Don’t Fool MeQueenA minor122BPM
  6. My Boy Builds CoffinsFlorence + the MachineA minor122BPM
  7. Achy Breaky HeartBilly Ray CyrusA minor122BPM
  8. Shame on the NightDioA minor122BPM
  9. Violently HappyBjörkA minor120BPM
  10. SuperflyCurtis MayfieldA minor120BPM

Recordings in A minor, ordered by how near their tempo is to 121 BPM. A calculation, not a recommendation.

All songs in A minorAll songs at 121 BPMA minor at 120–129 BPMThe Doors

MusicBrainz collapses 75 recording ids into this one. Recording id bbe7328d-e03f-4a3f-98ea-320789302ed3.