The Beatles · 1962-1966 1967-1970

Ticket To Ride

Ticket To Ride is in A flat major at 123.5 beats per minute.

Tempo

124 BPM · Allegromedian of 352 analyses · 123.3–123.5 across the middle eight tenths

Key: A♭ major4 flats · the key most of the analyses agreed on
Agreement: 48%share of analyses that agreed
Analyses: 352people who ran the extractor
One beat: 485.8milliseconds, 60,000 ÷ BPM
Tuning: 455.3Hz · +59 cents from A 440
Dynamics: 3.08dB the level wanders from its average
Loudness: 0.946Essentia's 0–1 scale, not dB
Danceability: 1.028Essentia's danceability, 0–3

Source: AcousticBrainz, dump of 2022-06-23 (CC0) · MusicBrainz core data, 2026-09-17 (CC0) · how each number is measured. Measured up to 23.06.2022 — AcousticBrainz stopped collecting in 2022, so nothing released after that date is here.

What the numbers say

352 independent analyses of this recording were submitted to AcousticBrainz. Fewer than half of them — 48% — put it in A flat major, a key signature of 4 flats. The tempo printed above is the median of the 352 readings; 100% of them land within 2% of it, and they barely differ at all.

At 123.5 BPM one beat lasts 485.8 milliseconds, so a sixteenth note is 121.5 ms and a dotted eighth 364.4 ms — the delay times for this recording. Counted half as fast it is 61.8 BPM, counted twice as fast 247. A score would mark that Allegro, by the ranges this site uses.

The analyses put the reference pitch of the recording at 455.3 Hz, which is 59 cents above concert A at 440 Hz — far enough that playing along at 440 Hz will sound wrong. That is a fact about this transfer of the music, not about how it was played.

The dynamic complexity of the recording measures 3.08 dB: that is how far the level wanders from its own average, so a small number means a loud, flat master and a large one means a recording that still breathes. Its average loudness is 0.946 on Essentia's 0-to-1 scale, which is not decibels and is not comparable to a streaming service's number.

10 other recordings here are in A flat major; the ones listed below are the closest in tempo.

Beats per bar are not in this dataset. AcousticBrainz's analysis reports a tempo, a key and a loudness, and no time signature at all, so this page does not print one — a 4/4 here would be a guess dressed as a measurement.

Keys that fit with A♭ major

Each of these differs from A♭ major by at most one accidental, or shares its tonic. That is the whole of what a mixing wheel encodes; here the relations are named instead of numbered.

Delay times at 124 BPM

Note value	Beats	Milliseconds	Hertz
Whole note	4	1943.3	0.51
Half note	2	971.7	1.03
Dotted quarter	1.5	728.7	1.37
Quarter note (one beat)	1	485.8	2.06
Quarter triplet	0.667	323.9	3.09
Dotted eighth	0.75	364.4	2.74
Eighth note	0.5	242.9	4.12
Eighth triplet	0.333	161.9	6.18
Dotted sixteenth	0.375	182.2	5.49
Sixteenth note	0.25	121.5	8.23
Sixteenth triplet	0.167	81	12.35
Thirty-second note	0.125	60.7	16.47

Half time 61.8 BPM · double time 247 BPM. Every row is one beat (485.8 ms) times the fraction in the second column.

Closest in key and tempo

Recordings in A flat major, ordered by how near their tempo is to 124 BPM. A calculation, not a recommendation.

All songs in A flat major All songs at 124 BPM A♭ major at 120–129 BPM The Beatles

MusicBrainz collapses 149 recording ids into this one. Recording id b8759150-f1a1-4619-9c4b-0d74af33782d.