The Beatles · Sgt. Pepper’s Lonely Hearts Club Band

A Day in the Life

A Day in the Life is in E minor at 163.9 beats per minute.

4080120160200

Tempo

164 BPM · Vivacemedian of 390 analyses · 154.8–164.1 across the middle eight tenths
Key
E minor1 sharp · the key most of the analyses agreed on
Agreement
96%share of analyses that agreed
Analyses
390people who ran the extractor
One beat
366.1milliseconds, 60,000 ÷ BPM
Tuning
436.7Hz · -13 cents from A 440
Dynamics
6.71dB the level wanders from its average
Loudness
0.142Essentia's 0–1 scale, not dB
Danceability
0.991Essentia's danceability, 0–3

Source: AcousticBrainz, dump of 2022-06-23 (CC0) · MusicBrainz core data, 2026-09-17 (CC0) · how each number is measured. Measured up to 23.06.2022 — AcousticBrainz stopped collecting in 2022, so nothing released after that date is here.

What the numbers say

390 independent analyses of this recording were submitted to AcousticBrainz. All but a handful of them — 96% — put it in E minor, a key signature of 1 sharp. The tempo printed above is the median of the 390 readings; 53% of them land within 2% of it, and the middle eight tenths of them run from 154.8 to 164.1 BPM.

At 163.9 BPM one beat lasts 366.1 milliseconds, so a sixteenth note is 91.5 ms and a dotted eighth 274.6 ms — the delay times for this recording. Counted half as fast it is 82 BPM, counted twice as fast 327.8. A score would mark that Vivace, by the ranges this site uses.

The analyses put the reference pitch of the recording at 436.7 Hz, which is 13 cents below concert A at 440 Hz — the sort of drift a tape machine or a slightly different mastering leaves behind. That is a fact about this transfer of the music, not about how it was played.

The dynamic complexity of the recording measures 6.71 dB: that is how far the level wanders from its own average, so a small number means a loud, flat master and a large one means a recording that still breathes. Its average loudness is 0.142 on Essentia's 0-to-1 scale, which is not decibels and is not comparable to a streaming service's number.

10 other recordings here are in E minor; the ones listed below are the closest in tempo.

Beats per bar are not in this dataset. AcousticBrainz's analysis reports a tempo, a key and a loudness, and no time signature at all, so this page does not print one — a 4/4 here would be a guess dressed as a measurement.

Keys that fit with E minor

Each of these differs from E minor by at most one accidental, or shares its tonic. That is the whole of what a mixing wheel encodes; here the relations are named instead of numbered.

Delay times at 164 BPM

Note valueBeatsMillisecondsHertz
Whole note41464.30.68
Half note2732.21.37
Dotted quarter1.5549.11.82
Quarter note (one beat)1366.12.73
Quarter triplet0.667244.14.1
Dotted eighth0.75274.63.64
Eighth note0.51835.46
Eighth triplet0.3331228.2
Dotted sixteenth0.375137.37.28
Sixteenth note0.2591.510.93
Sixteenth triplet0.1676116.39
Thirty-second note0.12545.821.85

Half time 82 BPM · double time 327.8 BPM. Every row is one beat (366.1 ms) times the fraction in the second column.

Closest in key and tempo

  1. WhiteoutTim DaviesE minor165BPM
  2. AwakenYesE minor165BPM
  3. Several Species of Small Furry Animals Gathered Together in a Cave and Grooving With a PictRoger WatersE minor165BPM
  4. MagnoliaPlayboi CartiE minor163BPM
  5. Go With the FlowQueens of the Stone AgeE minor163BPM
  6. PipelineDepeche ModeE minor162BPM
  7. Barrel of a GunDepeche ModeE minor166BPM
  8. CochiseAudioslaveE minor162BPM
  9. Crawling King SnakeThe DoorsE minor162BPM
  10. MoonBjörkE minor166BPM

Recordings in E minor, ordered by how near their tempo is to 164 BPM. A calculation, not a recommendation.

All songs in E minorAll songs at 164 BPME minor at 160–169 BPMThe Beatles

MusicBrainz collapses 59 recording ids into this one. Recording id 17c75743-6fc2-4c72-8152-25c5b45dfea7.