The B‐52’s · Good Stuff
Vision of a Kiss
Vision of a Kiss is in D flat major at 101.4 beats per minute.
Tempo
101 BPM · Andantemedian of 179 analyses · 101.3–101.4 across the middle eight tenths- Key
- D♭ major5 flats · the key most of the analyses agreed on
- Agreement
- 100%share of analyses that agreed
- Analyses
- 179people who ran the extractor
- One beat
- 591.7milliseconds, 60,000 ÷ BPM
- Tuning
- 434.2Hz · -23 cents from A 440
- Dynamics
- 4.87dB the level wanders from its average
- Loudness
- 0.903Essentia's 0–1 scale, not dB
- Danceability
- 1.255Essentia's danceability, 0–3
Source: AcousticBrainz, dump of 2022-06-23 (CC0) · MusicBrainz core data, 2026-09-17 (CC0) · how each number is measured. Measured up to 23.06.2022 — AcousticBrainz stopped collecting in 2022, so nothing released after that date is here.
What the numbers say
179 independent analyses of this recording were submitted to AcousticBrainz. All but a handful of them — 100% — put it in D flat major, a key signature of 5 flats. The tempo printed above is the median of the 179 readings; 100% of them land within 2% of it, and they barely differ at all.
At 101.4 BPM one beat lasts 591.7 milliseconds, so a sixteenth note is 147.9 ms and a dotted eighth 443.8 ms — the delay times for this recording. Counted half as fast it is 50.7 BPM, counted twice as fast 202.8. A score would mark that Andante, by the ranges this site uses.
The analyses put the reference pitch of the recording at 434.2 Hz, which is 23 cents below concert A at 440 Hz — the sort of drift a tape machine or a slightly different mastering leaves behind. That is a fact about this transfer of the music, not about how it was played.
The dynamic complexity of the recording measures 4.87 dB: that is how far the level wanders from its own average, so a small number means a loud, flat master and a large one means a recording that still breathes. Its average loudness is 0.903 on Essentia's 0-to-1 scale, which is not decibels and is not comparable to a streaming service's number.
10 other recordings here are in D flat major; the ones listed below are the closest in tempo.
Beats per bar are not in this dataset. AcousticBrainz's analysis reports a tempo, a key and a loudness, and no time signature at all, so this page does not print one — a 4/4 here would be a guess dressed as a measurement.
Keys that fit with D♭ major
Each of these differs from D♭ major by at most one accidental, or shares its tonic. That is the whole of what a mixing wheel encodes; here the relations are named instead of numbered.
Delay times at 101 BPM
| Note value | Beats | Milliseconds | Hertz |
|---|---|---|---|
| Whole note | 4 | 2366.9 | 0.42 |
| Half note | 2 | 1183.4 | 0.85 |
| Dotted quarter | 1.5 | 887.6 | 1.13 |
| Quarter note (one beat) | 1 | 591.7 | 1.69 |
| Quarter triplet | 0.667 | 394.5 | 2.54 |
| Dotted eighth | 0.75 | 443.8 | 2.25 |
| Eighth note | 0.5 | 295.9 | 3.38 |
| Eighth triplet | 0.333 | 197.2 | 5.07 |
| Dotted sixteenth | 0.375 | 221.9 | 4.51 |
| Sixteenth note | 0.25 | 147.9 | 6.76 |
| Sixteenth triplet | 0.167 | 98.6 | 10.14 |
| Thirty-second note | 0.125 | 74 | 13.52 |
Half time 50.7 BPM · double time 202.8 BPM. Every row is one beat (591.7 ms) times the fraction in the second column.
Closest in key and tempo
- HumanThe Human LeagueD♭ major101BPM
- Talkin’ About YouRay CharlesD♭ major102BPM
- Sweet LoveCommodoresD♭ major101BPM
- A Case of YouJoni MitchellD♭ major101BPM
- Have to StayDidoD♭ major102BPM
- Young Niggaz2PacD♭ major101BPM
- The GridDaft PunkD♭ major102BPM
- TRON Legacy (End Titles)Daft PunkD♭ major102BPM
- Sunday Bloody SundayU2D♭ major101BPM
- I Still Haven’t Found What I’m Looking ForU2D♭ major101BPM
Recordings in D flat major, ordered by how near their tempo is to 101 BPM. A calculation, not a recommendation.
All songs in D flat majorAll songs at 101 BPMD♭ major at 100–109 BPMThe B‐52’s
MusicBrainz collapses 1 recording id into this one. Recording id 72d5702c-bbcf-4e40-8355-65f2608980ff.