The 1975 · I like it when you sleep, for you are so beautiful yet so unaware of it
She’s American
She’s American is in D flat major at 115.6 beats per minute.
Tempo
116 BPM · Moderatomedian of 153 analyses · 115.6–115.7 across the middle eight tenths- Key
- D♭ major5 flats · the key most of the analyses agreed on
- Agreement
- 99%share of analyses that agreed
- Analyses
- 153people who ran the extractor
- One beat
- 519milliseconds, 60,000 ÷ BPM
- Tuning
- 440.8Hz · +3 cents from A 440
- Dynamics
- 4.46dB the level wanders from its average
- Loudness
- 0.914Essentia's 0–1 scale, not dB
- Danceability
- 1.022Essentia's danceability, 0–3
Source: AcousticBrainz, dump of 2022-06-23 (CC0) · MusicBrainz core data, 2026-09-17 (CC0) · how each number is measured. Measured up to 23.06.2022 — AcousticBrainz stopped collecting in 2022, so nothing released after that date is here.
What the numbers say
153 independent analyses of this recording were submitted to AcousticBrainz. All but a handful of them — 99% — put it in D flat major, a key signature of 5 flats. The tempo printed above is the median of the 153 readings; 100% of them land within 2% of it, and they barely differ at all.
At 115.6 BPM one beat lasts 519 milliseconds, so a sixteenth note is 129.8 ms and a dotted eighth 389.3 ms — the delay times for this recording. Counted half as fast it is 57.8 BPM, counted twice as fast 231.2. A score would mark that Moderato, by the ranges this site uses.
The analyses put the reference pitch of the recording at 440.8 Hz, which is 3 cents above concert A at 440 Hz — close enough to standard that a tuner would not argue. That is a fact about this transfer of the music, not about how it was played.
The dynamic complexity of the recording measures 4.46 dB: that is how far the level wanders from its own average, so a small number means a loud, flat master and a large one means a recording that still breathes. Its average loudness is 0.914 on Essentia's 0-to-1 scale, which is not decibels and is not comparable to a streaming service's number.
10 other recordings here are in D flat major; the ones listed below are the closest in tempo.
Beats per bar are not in this dataset. AcousticBrainz's analysis reports a tempo, a key and a loudness, and no time signature at all, so this page does not print one — a 4/4 here would be a guess dressed as a measurement.
Keys that fit with D♭ major
Each of these differs from D♭ major by at most one accidental, or shares its tonic. That is the whole of what a mixing wheel encodes; here the relations are named instead of numbered.
Delay times at 116 BPM
| Note value | Beats | Milliseconds | Hertz |
|---|---|---|---|
| Whole note | 4 | 2076.1 | 0.48 |
| Half note | 2 | 1038.1 | 0.96 |
| Dotted quarter | 1.5 | 778.5 | 1.28 |
| Quarter note (one beat) | 1 | 519 | 1.93 |
| Quarter triplet | 0.667 | 346 | 2.89 |
| Dotted eighth | 0.75 | 389.3 | 2.57 |
| Eighth note | 0.5 | 259.5 | 3.85 |
| Eighth triplet | 0.333 | 173 | 5.78 |
| Dotted sixteenth | 0.375 | 194.6 | 5.14 |
| Sixteenth note | 0.25 | 129.8 | 7.71 |
| Sixteenth triplet | 0.167 | 86.5 | 11.56 |
| Thirty-second note | 0.125 | 64.9 | 15.41 |
Half time 57.8 BPM · double time 231.2 BPM. Every row is one beat (519 ms) times the fraction in the second column.
Closest in key and tempo
- LaylaDerek and the DominosD♭ major116BPM
- Soft and WetPrinceD♭ major115BPM
- The Mother We ShareCHVRCHESD♭ major115BPM
- EscapadeJanet JacksonD♭ major115BPM
- Miss You MuchJanet JacksonD♭ major115BPM
- Big TimePeter GabrielD♭ major116BPM
- Highway to HellAC/DCD♭ major117BPM
- A MessageColdplayD♭ major117BPM
- Sleeplessdeadmau5D♭ major114BPM
- Rise UpAndra DayD♭ major118BPM
Recordings in D flat major, ordered by how near their tempo is to 116 BPM. A calculation, not a recommendation.
All songs in D flat majorAll songs at 116 BPMD♭ major at 110–119 BPMThe 1975
MusicBrainz collapses 1 recording id into this one. Recording id d37e1ac9-d119-4b53-b90e-cc47ce0926a0.