Tears for Fears · The Seeds of Love

Advice for the Young at Heart

Advice for the Young at Heart is in C major at 122.6 beats per minute.

4080120160200

Tempo

123 BPM · Allegromedian of 146 analyses · 122.5–122.7 across the middle eight tenths
Key
C majorno sharps and no flats · the key most of the analyses agreed on
Agreement
72%share of analyses that agreed
Analyses
146people who ran the extractor
One beat
489.4milliseconds, 60,000 ÷ BPM
Tuning
450.3Hz · +40 cents from A 440
Dynamics
5.15dB the level wanders from its average
Loudness
0.777Essentia's 0–1 scale, not dB
Danceability
1.117Essentia's danceability, 0–3

Source: AcousticBrainz, dump of 2022-06-23 (CC0) · MusicBrainz core data, 2026-09-17 (CC0) · how each number is measured. Measured up to 23.06.2022 — AcousticBrainz stopped collecting in 2022, so nothing released after that date is here.

What the numbers say

146 independent analyses of this recording were submitted to AcousticBrainz. A bare majority of them — 72% — put it in C major, a key signature of no sharps and no flats. The tempo printed above is the median of the 146 readings; 99% of them land within 2% of it, and they barely differ at all.

At 122.6 BPM one beat lasts 489.4 milliseconds, so a sixteenth note is 122.3 ms and a dotted eighth 367 ms — the delay times for this recording. Counted half as fast it is 61.3 BPM, counted twice as fast 245.2. A score would mark that Allegro, by the ranges this site uses.

The analyses put the reference pitch of the recording at 450.3 Hz, which is 40 cents above concert A at 440 Hz — the sort of drift a tape machine or a slightly different mastering leaves behind. That is a fact about this transfer of the music, not about how it was played.

The dynamic complexity of the recording measures 5.15 dB: that is how far the level wanders from its own average, so a small number means a loud, flat master and a large one means a recording that still breathes. Its average loudness is 0.777 on Essentia's 0-to-1 scale, which is not decibels and is not comparable to a streaming service's number.

10 other recordings here are in C major; the ones listed below are the closest in tempo.

Beats per bar are not in this dataset. AcousticBrainz's analysis reports a tempo, a key and a loudness, and no time signature at all, so this page does not print one — a 4/4 here would be a guess dressed as a measurement.

Keys that fit with C major

Each of these differs from C major by at most one accidental, or shares its tonic. That is the whole of what a mixing wheel encodes; here the relations are named instead of numbered.

Delay times at 123 BPM

Note valueBeatsMillisecondsHertz
Whole note41957.60.51
Half note2978.81.02
Dotted quarter1.5734.11.36
Quarter note (one beat)1489.42.04
Quarter triplet0.667326.33.07
Dotted eighth0.753672.72
Eighth note0.5244.74.09
Eighth triplet0.333163.16.13
Dotted sixteenth0.375183.55.45
Sixteenth note0.25122.38.17
Sixteenth triplet0.16781.612.26
Thirty-second note0.12561.216.35

Half time 61.3 BPM · double time 245.2 BPM. Every row is one beat (489.4 ms) times the fraction in the second column.

Closest in key and tempo

  1. BlackoutDavid BowieC major123BPM
  2. People Ain’t No GoodNick Cave & the Bad SeedsC major123BPM
  3. Let’s Hear It for the BoyDeniece WilliamsC major123BPM
  4. Winter WonderlandDarlene LoveC major123BPM
  5. Famous Blue RaincoatLeonard CohenC major123BPM
  6. I Can’t Let GoLinda RonstadtC major122BPM
  7. Love TrainThe O’JaysC major123BPM
  8. Our HouseMadnessC major122BPM
  9. Grace KellyMIKAC major122BPM
  10. The Man Who Married a Robot / Love ThemeThe 1975C major123BPM

Recordings in C major, ordered by how near their tempo is to 123 BPM. A calculation, not a recommendation.

All songs in C majorAll songs at 123 BPMC major at 120–129 BPMTears for Fears

MusicBrainz collapses 10 recording ids into this one. Recording id e06e0227-3877-4479-9c95-ae340013a220.