Talking Heads · Fear of Music
I Zimbra
I Zimbra is in F minor at 113.4 beats per minute.
Tempo
113 BPM · Moderatomedian of 128 analyses · 113.3–113.4 across the middle eight tenths- Key
- F minor4 flats · the key most of the analyses agreed on
- Agreement
- 95%share of analyses that agreed
- Analyses
- 128people who ran the extractor
- One beat
- 529.1milliseconds, 60,000 ÷ BPM
- Tuning
- 434.2Hz · -23 cents from A 440
- Dynamics
- 4.4dB the level wanders from its average
- Loudness
- 0.902Essentia's 0–1 scale, not dB
- Danceability
- 1.471Essentia's danceability, 0–3
Source: AcousticBrainz, dump of 2022-06-23 (CC0) · MusicBrainz core data, 2026-09-17 (CC0) · how each number is measured. Measured up to 23.06.2022 — AcousticBrainz stopped collecting in 2022, so nothing released after that date is here.
What the numbers say
128 independent analyses of this recording were submitted to AcousticBrainz. Most of them — 95% — put it in F minor, a key signature of 4 flats. The tempo printed above is the median of the 128 readings; 100% of them land within 2% of it, and they barely differ at all.
At 113.4 BPM one beat lasts 529.1 milliseconds, so a sixteenth note is 132.3 ms and a dotted eighth 396.8 ms — the delay times for this recording. Counted half as fast it is 56.7 BPM, counted twice as fast 226.8. A score would mark that Moderato, by the ranges this site uses.
The analyses put the reference pitch of the recording at 434.2 Hz, which is 23 cents below concert A at 440 Hz — the sort of drift a tape machine or a slightly different mastering leaves behind. That is a fact about this transfer of the music, not about how it was played.
The dynamic complexity of the recording measures 4.4 dB: that is how far the level wanders from its own average, so a small number means a loud, flat master and a large one means a recording that still breathes. Its average loudness is 0.902 on Essentia's 0-to-1 scale, which is not decibels and is not comparable to a streaming service's number.
10 other recordings here are in F minor; the ones listed below are the closest in tempo.
Beats per bar are not in this dataset. AcousticBrainz's analysis reports a tempo, a key and a loudness, and no time signature at all, so this page does not print one — a 4/4 here would be a guess dressed as a measurement.
Keys that fit with F minor
Each of these differs from F minor by at most one accidental, or shares its tonic. That is the whole of what a mixing wheel encodes; here the relations are named instead of numbered.
Delay times at 113 BPM
| Note value | Beats | Milliseconds | Hertz |
|---|---|---|---|
| Whole note | 4 | 2116.4 | 0.47 |
| Half note | 2 | 1058.2 | 0.95 |
| Dotted quarter | 1.5 | 793.7 | 1.26 |
| Quarter note (one beat) | 1 | 529.1 | 1.89 |
| Quarter triplet | 0.667 | 352.7 | 2.84 |
| Dotted eighth | 0.75 | 396.8 | 2.52 |
| Eighth note | 0.5 | 264.6 | 3.78 |
| Eighth triplet | 0.333 | 176.4 | 5.67 |
| Dotted sixteenth | 0.375 | 198.4 | 5.04 |
| Sixteenth note | 0.25 | 132.3 | 7.56 |
| Sixteenth triplet | 0.167 | 88.2 | 11.34 |
| Thirty-second note | 0.125 | 66.1 | 15.12 |
Half time 56.7 BPM · double time 226.8 BPM. Every row is one beat (529.1 ms) times the fraction in the second column.
Closest in key and tempo
- Cool for the SummerDemi LovatoF minor114BPM
- Radio SongR.E.M.F minor113BPM
- The HillsThe WeekndF minor113BPM
- GetawayEarth, Wind & FireF minor113BPM
- Wendy Clearblink‐182F minor115BPM
- The Keys to Life vs. 15 Minutes of FameAtmosphereF minor115BPM
- Me, Myself & IG‐Eazy feat. Bebe RexhaF minor112BPM
- PaparazziLady GagaF minor115BPM
- Cause We’ve Ended as LoversJeff BeckF minor115BPM
- Mustang SallyThe CommitmentsF minor115BPM
Recordings in F minor, ordered by how near their tempo is to 113 BPM. A calculation, not a recommendation.
All songs in F minorAll songs at 113 BPMF minor at 110–119 BPMTalking Heads
MusicBrainz collapses 19 recording ids into this one. Recording id 87263f82-6bc9-437c-a49c-d26f845e7370.