Stockard Channing · Grease: The Original Soundtrack From the Motion Picture

Look at Me, I’m Sandra Dee

Look at Me, I’m Sandra Dee is in A minor at 184.6 beats per minute.

Tempo

185 BPM · Prestomedian of 156 analyses · 184.6–184.6 across the middle eight tenths

Key: A minorno sharps and no flats · the key most of the analyses agreed on
Agreement: 99%share of analyses that agreed
Analyses: 156people who ran the extractor
One beat: 325milliseconds, 60,000 ÷ BPM
Tuning: 440Hz · 0 cents from A 440
Dynamics: 7.79dB the level wanders from its average
Loudness: 0.828Essentia's 0–1 scale, not dB
Danceability: 1.193Essentia's danceability, 0–3

Source: AcousticBrainz, dump of 2022-06-23 (CC0) · MusicBrainz core data, 2026-09-17 (CC0) · how each number is measured. Measured up to 23.06.2022 — AcousticBrainz stopped collecting in 2022, so nothing released after that date is here.

What the numbers say

156 independent analyses of this recording were submitted to AcousticBrainz. All but a handful of them — 99% — put it in A minor, a key signature of no sharps and no flats. The tempo printed above is the median of the 156 readings; 100% of them land within 2% of it, and they barely differ at all.

At 184.6 BPM one beat lasts 325 milliseconds, so a sixteenth note is 81.3 ms and a dotted eighth 243.8 ms — the delay times for this recording. Counted half as fast it is 92.3 BPM, counted twice as fast 369.2. A score would mark that Presto, by the ranges this site uses.

The analyses put the reference pitch of the recording at 440 Hz, which is 0 cents above concert A at 440 Hz — close enough to standard that a tuner would not argue. That is a fact about this transfer of the music, not about how it was played.

The dynamic complexity of the recording measures 7.79 dB: that is how far the level wanders from its own average, so a small number means a loud, flat master and a large one means a recording that still breathes. Its average loudness is 0.828 on Essentia's 0-to-1 scale, which is not decibels and is not comparable to a streaming service's number.

10 other recordings here are in A minor; the ones listed below are the closest in tempo.

Beats per bar are not in this dataset. AcousticBrainz's analysis reports a tempo, a key and a loudness, and no time signature at all, so this page does not print one — a 4/4 here would be a guess dressed as a measurement.

Keys that fit with A minor

Each of these differs from A minor by at most one accidental, or shares its tonic. That is the whole of what a mixing wheel encodes; here the relations are named instead of numbered.

Delay times at 185 BPM

Note value	Beats	Milliseconds	Hertz
Whole note	4	1300.1	0.77
Half note	2	650.1	1.54
Dotted quarter	1.5	487.5	2.05
Quarter note (one beat)	1	325	3.08
Quarter triplet	0.667	216.7	4.61
Dotted eighth	0.75	243.8	4.1
Eighth note	0.5	162.5	6.15
Eighth triplet	0.333	108.3	9.23
Dotted sixteenth	0.375	121.9	8.2
Sixteenth note	0.25	81.3	12.31
Sixteenth triplet	0.167	54.2	18.46
Thirty-second note	0.125	40.6	24.61

Half time 92.3 BPM · double time 369.2 BPM. Every row is one beat (325 ms) times the fraction in the second column.

Closest in key and tempo

Recordings in A minor, ordered by how near their tempo is to 185 BPM. A calculation, not a recommendation.

All songs in A minor All songs at 185 BPM

MusicBrainz collapses 1 recording id into this one. Recording id 560f5693-1b98-49f9-a479-7856520ae5d3.