Stevie Nicks · Bella Donna

Edge of Seventeen

Edge of Seventeen is in E minor at 112.2 beats per minute.

Tempo

112 BPM · Moderatomedian of 144 analyses · 111.6–112.4 across the middle eight tenths

Key: E minor1 sharp · the key most of the analyses agreed on
Agreement: 100%share of analyses that agreed
Analyses: 144people who ran the extractor
One beat: 534.8milliseconds, 60,000 ÷ BPM
Tuning: 452.1Hz · +47 cents from A 440
Dynamics: 3.72dB the level wanders from its average
Loudness: 0.808Essentia's 0–1 scale, not dB
Danceability: 1.092Essentia's danceability, 0–3

Source: AcousticBrainz, dump of 2022-06-23 (CC0) · MusicBrainz core data, 2026-09-17 (CC0) · how each number is measured. Measured up to 23.06.2022 — AcousticBrainz stopped collecting in 2022, so nothing released after that date is here.

What the numbers say

144 independent analyses of this recording were submitted to AcousticBrainz. All but a handful of them — 100% — put it in E minor, a key signature of 1 sharp. The tempo printed above is the median of the 144 readings; 99% of them land within 2% of it, and they barely differ at all.

At 112.2 BPM one beat lasts 534.8 milliseconds, so a sixteenth note is 133.7 ms and a dotted eighth 401.1 ms — the delay times for this recording. Counted half as fast it is 56.1 BPM, counted twice as fast 224.4. A score would mark that Moderato, by the ranges this site uses.

The analyses put the reference pitch of the recording at 452.1 Hz, which is 47 cents above concert A at 440 Hz — far enough that playing along at 440 Hz will sound wrong. That is a fact about this transfer of the music, not about how it was played.

The dynamic complexity of the recording measures 3.72 dB: that is how far the level wanders from its own average, so a small number means a loud, flat master and a large one means a recording that still breathes. Its average loudness is 0.808 on Essentia's 0-to-1 scale, which is not decibels and is not comparable to a streaming service's number.

10 other recordings here are in E minor; the ones listed below are the closest in tempo.

Beats per bar are not in this dataset. AcousticBrainz's analysis reports a tempo, a key and a loudness, and no time signature at all, so this page does not print one — a 4/4 here would be a guess dressed as a measurement.

Keys that fit with E minor

Each of these differs from E minor by at most one accidental, or shares its tonic. That is the whole of what a mixing wheel encodes; here the relations are named instead of numbered.

Delay times at 112 BPM

Note value	Beats	Milliseconds	Hertz
Whole note	4	2139	0.47
Half note	2	1069.5	0.94
Dotted quarter	1.5	802.1	1.25
Quarter note (one beat)	1	534.8	1.87
Quarter triplet	0.667	356.5	2.81
Dotted eighth	0.75	401.1	2.49
Eighth note	0.5	267.4	3.74
Eighth triplet	0.333	178.3	5.61
Dotted sixteenth	0.375	200.5	4.99
Sixteenth note	0.25	133.7	7.48
Sixteenth triplet	0.167	89.1	11.22
Thirty-second note	0.125	66.8	14.96

Half time 56.1 BPM · double time 224.4 BPM. Every row is one beat (534.8 ms) times the fraction in the second column.

Closest in key and tempo

Recordings in E minor, ordered by how near their tempo is to 112 BPM. A calculation, not a recommendation.

All songs in E minor All songs at 112 BPM E minor at 110–119 BPM

MusicBrainz collapses 24 recording ids into this one. Recording id e13a455e-58a2-433d-9dcf-9523126569e4.