Shania Twain feat. Bryan White · Come On Over

From This Moment On

From This Moment On is in G major at 136 beats per minute.

4080120160200

Tempo

136 BPM · Allegromedian of 136 analyses · 135.9–152.9 across the middle eight tenths
Key
G major1 sharp · the key most of the analyses agreed on
Agreement
74%share of analyses that agreed
Analyses
136people who ran the extractor
One beat
441.2milliseconds, 60,000 ÷ BPM
Tuning
440Hz · 0 cents from A 440
Dynamics
5.36dB the level wanders from its average
Loudness
0.537Essentia's 0–1 scale, not dB
Danceability
0.959Essentia's danceability, 0–3

Source: AcousticBrainz, dump of 2022-06-23 (CC0) · MusicBrainz core data, 2026-09-17 (CC0) · how each number is measured. Measured up to 23.06.2022 — AcousticBrainz stopped collecting in 2022, so nothing released after that date is here.

What the numbers say

136 independent analyses of this recording were submitted to AcousticBrainz. A bare majority of them — 74% — put it in G major, a key signature of 1 sharp. The tempo printed above is the median of the 136 readings; 79% of them land within 2% of it, and the middle eight tenths of them run from 135.9 to 152.9 BPM.

At 136 BPM one beat lasts 441.2 milliseconds, so a sixteenth note is 110.3 ms and a dotted eighth 330.9 ms — the delay times for this recording. Counted half as fast it is 68 BPM, counted twice as fast 272. A score would mark that Allegro, by the ranges this site uses.

The analyses put the reference pitch of the recording at 440 Hz, which is 0 cents above concert A at 440 Hz — close enough to standard that a tuner would not argue. That is a fact about this transfer of the music, not about how it was played.

The dynamic complexity of the recording measures 5.36 dB: that is how far the level wanders from its own average, so a small number means a loud, flat master and a large one means a recording that still breathes. Its average loudness is 0.537 on Essentia's 0-to-1 scale, which is not decibels and is not comparable to a streaming service's number.

10 other recordings here are in G major; the ones listed below are the closest in tempo.

Beats per bar are not in this dataset. AcousticBrainz's analysis reports a tempo, a key and a loudness, and no time signature at all, so this page does not print one — a 4/4 here would be a guess dressed as a measurement.

Keys that fit with G major

Each of these differs from G major by at most one accidental, or shares its tonic. That is the whole of what a mixing wheel encodes; here the relations are named instead of numbered.

Delay times at 136 BPM

Note valueBeatsMillisecondsHertz
Whole note41764.70.57
Half note2882.41.13
Dotted quarter1.5661.81.51
Quarter note (one beat)1441.22.27
Quarter triplet0.667294.13.4
Dotted eighth0.75330.93.02
Eighth note0.5220.64.53
Eighth triplet0.333147.16.8
Dotted sixteenth0.375165.46.04
Sixteenth note0.25110.39.07
Sixteenth triplet0.16773.513.6
Thirty-second note0.12555.118.13

Half time 68 BPM · double time 272 BPM. Every row is one beat (441.2 ms) times the fraction in the second column.

Closest in key and tempo

  1. The Boy in the BubblePaul SimonG major136BPM
  2. Hold OnGreen DayG major136BPM
  3. Father and SonCat StevensG major136BPM
  4. Little SavageElvis Costello & The AttractionsG major136BPM
  5. Cherche encoreCéline DionG major136BPM
  6. I’m Just a Lucky So and SoLouis Armstrong & Duke EllingtonG major136BPM
  7. Does Your Mother KnowABBAG major136BPM
  8. School’s OutAlice CooperG major136BPM
  9. TroubleP!nkG major136BPM
  10. Dedicated to the One I LoveThe Mamas & the PapasG major137BPM

Recordings in G major, ordered by how near their tempo is to 136 BPM. A calculation, not a recommendation.

All songs in G majorAll songs at 136 BPMG major at 130–139 BPM

MusicBrainz collapses 3 recording ids into this one. Recording id 5f8ddb1e-a426-4b92-b57d-ad6fed915160.