Sam Cooke · Twistin’ the Night Away

Sugar Dumpling

Sugar Dumpling is in C major at 137.4 beats per minute.

4080120160200

Tempo

137 BPM · Allegromedian of 132 analyses · 137.2–137.4 across the middle eight tenths
Key
C majorno sharps and no flats · the key most of the analyses agreed on
Agreement
93%share of analyses that agreed
Analyses
132people who ran the extractor
One beat
436.7milliseconds, 60,000 ÷ BPM
Tuning
434.4Hz · -22 cents from A 440
Dynamics
4.65dB the level wanders from its average
Loudness
0.879Essentia's 0–1 scale, not dB
Danceability
1.191Essentia's danceability, 0–3

Source: AcousticBrainz, dump of 2022-06-23 (CC0) · MusicBrainz core data, 2026-09-17 (CC0) · how each number is measured. Measured up to 23.06.2022 — AcousticBrainz stopped collecting in 2022, so nothing released after that date is here.

What the numbers say

132 independent analyses of this recording were submitted to AcousticBrainz. Most of them — 93% — put it in C major, a key signature of no sharps and no flats. The tempo printed above is the median of the 132 readings; 93% of them land within 2% of it, and they barely differ at all.

At 137.4 BPM one beat lasts 436.7 milliseconds, so a sixteenth note is 109.2 ms and a dotted eighth 327.5 ms — the delay times for this recording. Counted half as fast it is 68.7 BPM, counted twice as fast 274.8. A score would mark that Allegro, by the ranges this site uses.

The analyses put the reference pitch of the recording at 434.4 Hz, which is 22 cents below concert A at 440 Hz — the sort of drift a tape machine or a slightly different mastering leaves behind. That is a fact about this transfer of the music, not about how it was played.

The dynamic complexity of the recording measures 4.65 dB: that is how far the level wanders from its own average, so a small number means a loud, flat master and a large one means a recording that still breathes. Its average loudness is 0.879 on Essentia's 0-to-1 scale, which is not decibels and is not comparable to a streaming service's number.

10 other recordings here are in C major; the ones listed below are the closest in tempo.

Beats per bar are not in this dataset. AcousticBrainz's analysis reports a tempo, a key and a loudness, and no time signature at all, so this page does not print one — a 4/4 here would be a guess dressed as a measurement.

Keys that fit with C major

Each of these differs from C major by at most one accidental, or shares its tonic. That is the whole of what a mixing wheel encodes; here the relations are named instead of numbered.

Delay times at 137 BPM

Note valueBeatsMillisecondsHertz
Whole note41746.70.57
Half note2873.41.15
Dotted quarter1.56551.53
Quarter note (one beat)1436.72.29
Quarter triplet0.667291.13.44
Dotted eighth0.75327.53.05
Eighth note0.5218.34.58
Eighth triplet0.333145.66.87
Dotted sixteenth0.375163.86.11
Sixteenth note0.25109.29.16
Sixteenth triplet0.16772.813.74
Thirty-second note0.12554.618.32

Half time 68.7 BPM · double time 274.8 BPM. Every row is one beat (436.7 ms) times the fraction in the second column.

Closest in key and tempo

  1. MinorityGreen DayC major138BPM
  2. Don’t Let the Sun Go Down on MeElton JohnC major137BPM
  3. Knives OutRadioheadC major137BPM
  4. Will You Love Me TomorrowThe ShirellesC major137BPM
  5. Take It AllAdeleC major137BPM
  6. She BopCyndi LauperC major137BPM
  7. From Me to YouThe BeatlesC major137BPM
  8. See SawAretha FranklinC major136BPM
  9. Material GirlMadonnaC major136BPM
  10. Red Hill Mining TownU2C major139BPM

Recordings in C major, ordered by how near their tempo is to 137 BPM. A calculation, not a recommendation.

All songs in C majorAll songs at 137 BPMC major at 130–139 BPMSam Cooke

MusicBrainz collapses 13 recording ids into this one. Recording id c579522c-9df4-4da4-ac8a-c57cbd2c6df9.