Robin Gibb · Robin's Reign
Saved by the Bell
Saved by the Bell is in C major at 97.3 beats per minute.
Tempo
97 BPM · Andantemedian of 134 analyses · 97.2–97.4 across the middle eight tenths- Key
- C majorno sharps and no flats · the key most of the analyses agreed on
- Agreement
- 100%share of analyses that agreed
- Analyses
- 134people who ran the extractor
- One beat
- 616.6milliseconds, 60,000 ÷ BPM
- Tuning
- 439Hz · -4 cents from A 440
- Dynamics
- 4.7dB the level wanders from its average
- Loudness
- 0.639Essentia's 0–1 scale, not dB
- Danceability
- 0.842Essentia's danceability, 0–3
Source: AcousticBrainz, dump of 2022-06-23 (CC0) · MusicBrainz core data, 2026-09-17 (CC0) · how each number is measured. Measured up to 23.06.2022 — AcousticBrainz stopped collecting in 2022, so nothing released after that date is here.
What the numbers say
134 independent analyses of this recording were submitted to AcousticBrainz. All but a handful of them — 100% — put it in C major, a key signature of no sharps and no flats. The tempo printed above is the median of the 134 readings; 99% of them land within 2% of it, and they barely differ at all.
At 97.3 BPM one beat lasts 616.6 milliseconds, so a sixteenth note is 154.2 ms and a dotted eighth 462.5 ms — the delay times for this recording. Counted half as fast it is 48.7 BPM, counted twice as fast 194.6. A score would mark that Andante, by the ranges this site uses.
The analyses put the reference pitch of the recording at 439 Hz, which is 4 cents below concert A at 440 Hz — close enough to standard that a tuner would not argue. That is a fact about this transfer of the music, not about how it was played.
The dynamic complexity of the recording measures 4.7 dB: that is how far the level wanders from its own average, so a small number means a loud, flat master and a large one means a recording that still breathes. Its average loudness is 0.639 on Essentia's 0-to-1 scale, which is not decibels and is not comparable to a streaming service's number.
10 other recordings here are in C major; the ones listed below are the closest in tempo.
Beats per bar are not in this dataset. AcousticBrainz's analysis reports a tempo, a key and a loudness, and no time signature at all, so this page does not print one — a 4/4 here would be a guess dressed as a measurement.
Keys that fit with C major
Each of these differs from C major by at most one accidental, or shares its tonic. That is the whole of what a mixing wheel encodes; here the relations are named instead of numbered.
Delay times at 97 BPM
| Note value | Beats | Milliseconds | Hertz |
|---|---|---|---|
| Whole note | 4 | 2466.6 | 0.41 |
| Half note | 2 | 1233.3 | 0.81 |
| Dotted quarter | 1.5 | 925 | 1.08 |
| Quarter note (one beat) | 1 | 616.6 | 1.62 |
| Quarter triplet | 0.667 | 411.1 | 2.43 |
| Dotted eighth | 0.75 | 462.5 | 2.16 |
| Eighth note | 0.5 | 308.3 | 3.24 |
| Eighth triplet | 0.333 | 205.5 | 4.86 |
| Dotted sixteenth | 0.375 | 231.2 | 4.32 |
| Sixteenth note | 0.25 | 154.2 | 6.49 |
| Sixteenth triplet | 0.167 | 102.8 | 9.73 |
| Thirty-second note | 0.125 | 77.1 | 12.97 |
Half time 48.7 BPM · double time 194.6 BPM. Every row is one beat (616.6 ms) times the fraction in the second column.
Closest in key and tempo
- Hot Fun in the SummertimeSly & the Family StoneC major97BPM
- Kid CharlemagneSteely DanC major97BPM
- Lover of MineBeach HouseC major97BPM
- The Man Comes AroundJohnny CashC major97BPM
- PrettyThe CranberriesC major97BPM
- Man Overboardblink‐182C major97BPM
- Softly and TenderlyJohnny CashC major97BPM
- We’re Going to Be FriendsThe White StripesC major98BPM
- The SignAce of BaseC major97BPM
- Say No MoreCharly GarcíaC major97BPM
Recordings in C major, ordered by how near their tempo is to 97 BPM. A calculation, not a recommendation.
All songs in C majorAll songs at 97 BPMC major at 90–99 BPM
MusicBrainz collapses 24 recording ids into this one. Recording id 97dd1b21-7852-47d7-a101-b35e24cfb3e5.