Robin Gibb · Robin's Reign

Saved by the Bell

Saved by the Bell is in C major at 97.3 beats per minute.

4080120160200

Tempo

97 BPM · Andantemedian of 134 analyses · 97.2–97.4 across the middle eight tenths
Key
C majorno sharps and no flats · the key most of the analyses agreed on
Agreement
100%share of analyses that agreed
Analyses
134people who ran the extractor
One beat
616.6milliseconds, 60,000 ÷ BPM
Tuning
439Hz · -4 cents from A 440
Dynamics
4.7dB the level wanders from its average
Loudness
0.639Essentia's 0–1 scale, not dB
Danceability
0.842Essentia's danceability, 0–3

Source: AcousticBrainz, dump of 2022-06-23 (CC0) · MusicBrainz core data, 2026-09-17 (CC0) · how each number is measured. Measured up to 23.06.2022 — AcousticBrainz stopped collecting in 2022, so nothing released after that date is here.

What the numbers say

134 independent analyses of this recording were submitted to AcousticBrainz. All but a handful of them — 100% — put it in C major, a key signature of no sharps and no flats. The tempo printed above is the median of the 134 readings; 99% of them land within 2% of it, and they barely differ at all.

At 97.3 BPM one beat lasts 616.6 milliseconds, so a sixteenth note is 154.2 ms and a dotted eighth 462.5 ms — the delay times for this recording. Counted half as fast it is 48.7 BPM, counted twice as fast 194.6. A score would mark that Andante, by the ranges this site uses.

The analyses put the reference pitch of the recording at 439 Hz, which is 4 cents below concert A at 440 Hz — close enough to standard that a tuner would not argue. That is a fact about this transfer of the music, not about how it was played.

The dynamic complexity of the recording measures 4.7 dB: that is how far the level wanders from its own average, so a small number means a loud, flat master and a large one means a recording that still breathes. Its average loudness is 0.639 on Essentia's 0-to-1 scale, which is not decibels and is not comparable to a streaming service's number.

10 other recordings here are in C major; the ones listed below are the closest in tempo.

Beats per bar are not in this dataset. AcousticBrainz's analysis reports a tempo, a key and a loudness, and no time signature at all, so this page does not print one — a 4/4 here would be a guess dressed as a measurement.

Keys that fit with C major

Each of these differs from C major by at most one accidental, or shares its tonic. That is the whole of what a mixing wheel encodes; here the relations are named instead of numbered.

Delay times at 97 BPM

Note valueBeatsMillisecondsHertz
Whole note42466.60.41
Half note21233.30.81
Dotted quarter1.59251.08
Quarter note (one beat)1616.61.62
Quarter triplet0.667411.12.43
Dotted eighth0.75462.52.16
Eighth note0.5308.33.24
Eighth triplet0.333205.54.86
Dotted sixteenth0.375231.24.32
Sixteenth note0.25154.26.49
Sixteenth triplet0.167102.89.73
Thirty-second note0.12577.112.97

Half time 48.7 BPM · double time 194.6 BPM. Every row is one beat (616.6 ms) times the fraction in the second column.

Closest in key and tempo

  1. Hot Fun in the SummertimeSly & the Family StoneC major97BPM
  2. Kid CharlemagneSteely DanC major97BPM
  3. Lover of MineBeach HouseC major97BPM
  4. The Man Comes AroundJohnny CashC major97BPM
  5. PrettyThe CranberriesC major97BPM
  6. Man Overboardblink‐182C major97BPM
  7. Softly and TenderlyJohnny CashC major97BPM
  8. We’re Going to Be FriendsThe White StripesC major98BPM
  9. The SignAce of BaseC major97BPM
  10. Say No MoreCharly GarcíaC major97BPM

Recordings in C major, ordered by how near their tempo is to 97 BPM. A calculation, not a recommendation.

All songs in C majorAll songs at 97 BPMC major at 90–99 BPM

MusicBrainz collapses 24 recording ids into this one. Recording id 97dd1b21-7852-47d7-a101-b35e24cfb3e5.