TempoPeek

Rihanna feat. JAY‐Z · Good Girl Gone Bad

Umbrella

Umbrella is in D flat major at 172.3 beats per minute.

4080120160200

Tempo

172 BPM · Vivacemedian of 250 analyses · 87–172.3 across the middle eight tenths
Key
D♭ major5 flats · the key most of the analyses agreed on
Agreement
86%share of analyses that agreed
Analyses
250people who ran the extractor
One beat
348.2milliseconds, 60,000 ÷ BPM
Tuning
434.2Hz · -23 cents from A 440
Dynamics
4.15dB the level wanders from its average
Loudness
0.928Essentia's 0–1 scale, not dB
Danceability
1.484Essentia's danceability, 0–3

Source: AcousticBrainz, dump of 2022-06-23 (CC0) · MusicBrainz core data, 2026-09-17 (CC0) · how each number is measured. Measured up to 23.06.2022 — AcousticBrainz stopped collecting in 2022, so nothing released after that date is here.

What the numbers say

250 independent analyses of this recording were submitted to AcousticBrainz. Most of them — 86% — put it in D flat major, a key signature of 5 flats. The tempo printed above is the median of the 250 readings; 66% of them land within 2% of it, and the middle eight tenths of them run from 87 to 172.3 BPM.

At 172.3 BPM one beat lasts 348.2 milliseconds, so a sixteenth note is 87.1 ms and a dotted eighth 261.2 ms — the delay times for this recording. Counted half as fast it is 86.2 BPM, counted twice as fast 344.6. A score would mark that Vivace, by the ranges this site uses.

The analyses put the reference pitch of the recording at 434.2 Hz, which is 23 cents below concert A at 440 Hz — the sort of drift a tape machine or a slightly different mastering leaves behind. That is a fact about this transfer of the music, not about how it was played.

The dynamic complexity of the recording measures 4.15 dB: that is how far the level wanders from its own average, so a small number means a loud, flat master and a large one means a recording that still breathes. Its average loudness is 0.928 on Essentia's 0-to-1 scale, which is not decibels and is not comparable to a streaming service's number.

10 other recordings here are in D flat major; the ones listed below are the closest in tempo.

Beats per bar are not in this dataset. AcousticBrainz's analysis reports a tempo, a key and a loudness, and no time signature at all, so this page does not print one — a 4/4 here would be a guess dressed as a measurement.

Keys that fit with D♭ major

Each of these differs from D♭ major by at most one accidental, or shares its tonic. That is the whole of what a mixing wheel encodes; here the relations are named instead of numbered.

Delay times at 172 BPM

Note valueBeatsMillisecondsHertz
Whole note41392.90.72
Half note2696.51.44
Dotted quarter1.5522.31.91
Quarter note (one beat)1348.22.87
Quarter triplet0.667232.24.31
Dotted eighth0.75261.23.83
Eighth note0.5174.15.74
Eighth triplet0.333116.18.62
Dotted sixteenth0.375130.67.66
Sixteenth note0.2587.111.49
Sixteenth triplet0.1675817.23
Thirty-second note0.12543.522.97

Half time 86.2 BPM · double time 344.6 BPM. Every row is one beat (348.2 ms) times the fraction in the second column.

Closest in key and tempo

  1. BurnEllie GouldingD♭ major172BPM
  2. BreakdownGuns N’ RosesD♭ major172BPM
  3. Foreign AffairMike OldfieldD♭ major172BPM
  4. Too Much HeavenBee GeesD♭ major166BPM
  5. Les Cloches du HameauCéline DionD♭ major166BPM
  6. River LeaAdeleD♭ major165BPM
  7. No Earthly GoodJohnny CashD♭ major165BPM
  8. Baby Let Me Take You (in My Arms)Detroit EmeraldsD♭ major163BPM
  9. 21st Century BreakdownGreen DayD♭ major162BPM
  10. AnthologyThriceD♭ major162BPM

Recordings in D flat major, ordered by how near their tempo is to 172 BPM. A calculation, not a recommendation.

All songs in D flat majorAll songs at 172 BPM

MusicBrainz collapses 14 recording ids into this one. Recording id 0b4b1b0c-e057-4d8d-9a47-12a97ff6fb3d.