Ramones · Rocket to Russia

Surfin’ Bird

Surfin’ Bird is in A major at 96.6 beats per minute.

4080120160200

Tempo

97 BPM · Andantemedian of 203 analyses · 96.5–103.5 across the middle eight tenths
Key
A major3 sharps · the key most of the analyses agreed on
Agreement
50%share of analyses that agreed
Analyses
203people who ran the extractor
One beat
621.1milliseconds, 60,000 ÷ BPM
Tuning
436Hz · -16 cents from A 440
Dynamics
3.7dB the level wanders from its average
Loudness
0.922Essentia's 0–1 scale, not dB
Danceability
1.149Essentia's danceability, 0–3

Source: AcousticBrainz, dump of 2022-06-23 (CC0) · MusicBrainz core data, 2026-09-17 (CC0) · how each number is measured. Measured up to 23.06.2022 — AcousticBrainz stopped collecting in 2022, so nothing released after that date is here.

What the numbers say

203 independent analyses of this recording were submitted to AcousticBrainz. Fewer than half of them — 50% — put it in A major, a key signature of 3 sharps. The tempo printed above is the median of the 203 readings; 83% of them land within 2% of it, and the middle eight tenths of them run from 96.5 to 103.5 BPM.

At 96.6 BPM one beat lasts 621.1 milliseconds, so a sixteenth note is 155.3 ms and a dotted eighth 465.8 ms — the delay times for this recording. Counted half as fast it is 48.3 BPM, counted twice as fast 193.2. A score would mark that Andante, by the ranges this site uses.

The analyses put the reference pitch of the recording at 436 Hz, which is 16 cents below concert A at 440 Hz — the sort of drift a tape machine or a slightly different mastering leaves behind. That is a fact about this transfer of the music, not about how it was played.

The dynamic complexity of the recording measures 3.7 dB: that is how far the level wanders from its own average, so a small number means a loud, flat master and a large one means a recording that still breathes. Its average loudness is 0.922 on Essentia's 0-to-1 scale, which is not decibels and is not comparable to a streaming service's number.

10 other recordings here are in A major; the ones listed below are the closest in tempo.

Beats per bar are not in this dataset. AcousticBrainz's analysis reports a tempo, a key and a loudness, and no time signature at all, so this page does not print one — a 4/4 here would be a guess dressed as a measurement.

Keys that fit with A major

Each of these differs from A major by at most one accidental, or shares its tonic. That is the whole of what a mixing wheel encodes; here the relations are named instead of numbered.

Delay times at 97 BPM

Note valueBeatsMillisecondsHertz
Whole note42484.50.4
Half note21242.20.81
Dotted quarter1.5931.71.07
Quarter note (one beat)1621.11.61
Quarter triplet0.667414.12.42
Dotted eighth0.75465.82.15
Eighth note0.5310.63.22
Eighth triplet0.3332074.83
Dotted sixteenth0.375232.94.29
Sixteenth note0.25155.36.44
Sixteenth triplet0.167103.59.66
Thirty-second note0.12577.612.88

Half time 48.3 BPM · double time 193.2 BPM. Every row is one beat (621.1 ms) times the fraction in the second column.

The same title by somebody else

  1. Surfin’ BirdThe TrashmenE♭ major100BPM

Matched on the title alone, so this list can hold a different song that happens to share a name. Nothing here claims one is a cover of the other.

Closest in key and tempo

  1. The Rock Showblink‐182A major97BPM
  2. Slow Down BabyChristina AguileraA major97BPM
  3. 99 LuftballonsNenaA major96BPM
  4. Change the WorldEric ClaptonA major97BPM
  5. Where It’s AtBeckA major97BPM
  6. To the EndBlurA major96BPM
  7. Hots On for NowhereLed ZeppelinA major96BPM
  8. Build You Up50 Cent feat. Jamie FoxxA major97BPM
  9. E.T.I. (Extra Terrestrial Intelligence)Blue Öyster CultA major97BPM
  10. You’re All I Need to Get ByMarvin Gaye & Tammi TerrellA major97BPM

Recordings in A major, ordered by how near their tempo is to 97 BPM. A calculation, not a recommendation.

All songs in A majorAll songs at 97 BPMA major at 90–99 BPMRamones

MusicBrainz collapses 52 recording ids into this one. Recording id e7204f20-579a-45bc-88d1-6e3d4b99ef61.