Rammstein · Reise, Reise

Keine Lust

Keine Lust is in C minor at 138 beats per minute.

4080120160200

Tempo

138 BPM · Allegromedian of 141 analyses · 138–138 across the middle eight tenths
Key
C minor3 flats · the key most of the analyses agreed on
Agreement
93%share of analyses that agreed
Analyses
141people who ran the extractor
One beat
434.8milliseconds, 60,000 ÷ BPM
Tuning
434.2Hz · -23 cents from A 440
Dynamics
2.71dB the level wanders from its average
Loudness
0.956Essentia's 0–1 scale, not dB
Danceability
1.201Essentia's danceability, 0–3

Source: AcousticBrainz, dump of 2022-06-23 (CC0) · MusicBrainz core data, 2026-09-17 (CC0) · how each number is measured. Measured up to 23.06.2022 — AcousticBrainz stopped collecting in 2022, so nothing released after that date is here.

What the numbers say

141 independent analyses of this recording were submitted to AcousticBrainz. Most of them — 93% — put it in C minor, a key signature of 3 flats. The tempo printed above is the median of the 141 readings; 100% of them land within 2% of it, and they barely differ at all.

At 138 BPM one beat lasts 434.8 milliseconds, so a sixteenth note is 108.7 ms and a dotted eighth 326.1 ms — the delay times for this recording. Counted half as fast it is 69 BPM, counted twice as fast 276. A score would mark that Allegro, by the ranges this site uses.

The analyses put the reference pitch of the recording at 434.2 Hz, which is 23 cents below concert A at 440 Hz — the sort of drift a tape machine or a slightly different mastering leaves behind. That is a fact about this transfer of the music, not about how it was played.

The dynamic complexity of the recording measures 2.71 dB: that is how far the level wanders from its own average, so a small number means a loud, flat master and a large one means a recording that still breathes. Its average loudness is 0.956 on Essentia's 0-to-1 scale, which is not decibels and is not comparable to a streaming service's number.

10 other recordings here are in C minor; the ones listed below are the closest in tempo.

Beats per bar are not in this dataset. AcousticBrainz's analysis reports a tempo, a key and a loudness, and no time signature at all, so this page does not print one — a 4/4 here would be a guess dressed as a measurement.

Keys that fit with C minor

Each of these differs from C minor by at most one accidental, or shares its tonic. That is the whole of what a mixing wheel encodes; here the relations are named instead of numbered.

Delay times at 138 BPM

Note valueBeatsMillisecondsHertz
Whole note41739.10.57
Half note2869.61.15
Dotted quarter1.5652.21.53
Quarter note (one beat)1434.82.3
Quarter triplet0.667289.93.45
Dotted eighth0.75326.13.07
Eighth note0.5217.44.6
Eighth triplet0.333144.96.9
Dotted sixteenth0.3751636.13
Sixteenth note0.25108.79.2
Sixteenth triplet0.16772.513.8
Thirty-second note0.12554.318.4

Half time 69 BPM · double time 276 BPM. Every row is one beat (434.8 ms) times the fraction in the second column.

Closest in key and tempo

  1. Break & EnterThe ProdigyC minor138BPM
  2. A Question of TimeDepeche ModeC minor136BPM
  3. Crank That (Soulja Boy)Soulja Boy Tell ’EmC minor140BPM
  4. A Lack of ColorDeath Cab for CutieC minor136BPM
  5. Yeat’s GraveThe CranberriesC minor136BPM
  6. Beautiful LifeAce of BaseC minor135BPM
  7. Beer Drinkers & Hell RaisersZZ TopC minor135BPM
  8. Tainted LoveMarilyn MansonC minor142BPM
  9. Love ShackThe B‐52sC minor134BPM
  10. ToxicBritney SpearsC minor143BPM

Recordings in C minor, ordered by how near their tempo is to 138 BPM. A calculation, not a recommendation.

All songs in C minorAll songs at 138 BPMC minor at 130–139 BPMRammstein

MusicBrainz collapses 19 recording ids into this one. Recording id 48afe2d8-54ef-4404-a702-e84ed4309c7b.