TempoPeek

Pink Floyd · Wish You Were Here

Welcome to the Machine

Welcome to the Machine is in E minor at 133 beats per minute.

4080120160200

Tempo

133 BPM · Allegromedian of 261 analyses · 132.7–133.2 across the middle eight tenths
Key
E minor1 sharp · the key most of the analyses agreed on
Agreement
90%share of analyses that agreed
Analyses
261people who ran the extractor
One beat
451.1milliseconds, 60,000 ÷ BPM
Tuning
434.2Hz · -23 cents from A 440
Dynamics
5.31dB the level wanders from its average
Loudness
0.273Essentia's 0–1 scale, not dB
Danceability
0.93Essentia's danceability, 0–3

Source: AcousticBrainz, dump of 2022-06-23 (CC0) · MusicBrainz core data, 2026-09-17 (CC0) · how each number is measured. Measured up to 23.06.2022 — AcousticBrainz stopped collecting in 2022, so nothing released after that date is here.

What the numbers say

261 independent analyses of this recording were submitted to AcousticBrainz. Most of them — 90% — put it in E minor, a key signature of 1 sharp. The tempo printed above is the median of the 261 readings; 92% of them land within 2% of it, and they barely differ at all.

At 133 BPM one beat lasts 451.1 milliseconds, so a sixteenth note is 112.8 ms and a dotted eighth 338.3 ms — the delay times for this recording. Counted half as fast it is 66.5 BPM, counted twice as fast 266. A score would mark that Allegro, by the ranges this site uses.

The analyses put the reference pitch of the recording at 434.2 Hz, which is 23 cents below concert A at 440 Hz — the sort of drift a tape machine or a slightly different mastering leaves behind. That is a fact about this transfer of the music, not about how it was played.

The dynamic complexity of the recording measures 5.31 dB: that is how far the level wanders from its own average, so a small number means a loud, flat master and a large one means a recording that still breathes. Its average loudness is 0.273 on Essentia's 0-to-1 scale, which is not decibels and is not comparable to a streaming service's number.

10 other recordings here are in E minor; the ones listed below are the closest in tempo.

Beats per bar are not in this dataset. AcousticBrainz's analysis reports a tempo, a key and a loudness, and no time signature at all, so this page does not print one — a 4/4 here would be a guess dressed as a measurement.

Keys that fit with E minor

Each of these differs from E minor by at most one accidental, or shares its tonic. That is the whole of what a mixing wheel encodes; here the relations are named instead of numbered.

Delay times at 133 BPM

Note valueBeatsMillisecondsHertz
Whole note41804.50.55
Half note2902.31.11
Dotted quarter1.5676.71.48
Quarter note (one beat)1451.12.22
Quarter triplet0.667300.83.33
Dotted eighth0.75338.32.96
Eighth note0.5225.64.43
Eighth triplet0.333150.46.65
Dotted sixteenth0.375169.25.91
Sixteenth note0.25112.88.87
Sixteenth triplet0.16775.213.3
Thirty-second note0.12556.417.73

Half time 66.5 BPM · double time 266 BPM. Every row is one beat (451.1 ms) times the fraction in the second column.

Closest in key and tempo

  1. Live WireAC/DCE minor133BPM
  2. Same Old Song and DanceAerosmithE minor133BPM
  3. LuckyRadioheadE minor133BPM
  4. Pop StyleDrakeE minor133BPM
  5. VamosPixiesE minor133BPM
  6. About a GirlNirvanaE minor133BPM
  7. Gotta Get AwayOffspringE minor132BPM
  8. Suzie QCreedence Clearwater RevivalE minor132BPM
  9. SurrenderCheap TrickE minor134BPM
  10. LowColdplayE minor132BPM

Recordings in E minor, ordered by how near their tempo is to 133 BPM. A calculation, not a recommendation.

All songs in E minorAll songs at 133 BPME minor at 130–139 BPMPink Floyd

MusicBrainz collapses 102 recording ids into this one. Recording id 3794be20-3b5c-41e8-99d5-1d5649fe3821.