TempoPeek

Pink Floyd · The Piper at the Gates of Dawn

Pow R. Toc H.

Pow R. Toc H. is in C major at 122.2 beats per minute.

4080120160200

Tempo

122 BPM · Allegromedian of 180 analyses · 120.7–122.5 across the middle eight tenths
Key
C majorno sharps and no flats · the key most of the analyses agreed on
Agreement
72%share of analyses that agreed
Analyses
180people who ran the extractor
One beat
491milliseconds, 60,000 ÷ BPM
Tuning
438.2Hz · -7 cents from A 440
Dynamics
2.71dB the level wanders from its average
Loudness
0.868Essentia's 0–1 scale, not dB
Danceability
1.111Essentia's danceability, 0–3

Source: AcousticBrainz, dump of 2022-06-23 (CC0) · MusicBrainz core data, 2026-09-17 (CC0) · how each number is measured. Measured up to 23.06.2022 — AcousticBrainz stopped collecting in 2022, so nothing released after that date is here.

What the numbers say

180 independent analyses of this recording were submitted to AcousticBrainz. A bare majority of them — 72% — put it in C major, a key signature of no sharps and no flats. The tempo printed above is the median of the 180 readings; 97% of them land within 2% of it, and the middle eight tenths of them run from 120.7 to 122.5 BPM.

At 122.2 BPM one beat lasts 491 milliseconds, so a sixteenth note is 122.7 ms and a dotted eighth 368.2 ms — the delay times for this recording. Counted half as fast it is 61.1 BPM, counted twice as fast 244.4. A score would mark that Allegro, by the ranges this site uses.

The analyses put the reference pitch of the recording at 438.2 Hz, which is 7 cents below concert A at 440 Hz — the sort of drift a tape machine or a slightly different mastering leaves behind. That is a fact about this transfer of the music, not about how it was played.

The dynamic complexity of the recording measures 2.71 dB: that is how far the level wanders from its own average, so a small number means a loud, flat master and a large one means a recording that still breathes. Its average loudness is 0.868 on Essentia's 0-to-1 scale, which is not decibels and is not comparable to a streaming service's number.

10 other recordings here are in C major; the ones listed below are the closest in tempo.

Beats per bar are not in this dataset. AcousticBrainz's analysis reports a tempo, a key and a loudness, and no time signature at all, so this page does not print one — a 4/4 here would be a guess dressed as a measurement.

Keys that fit with C major

Each of these differs from C major by at most one accidental, or shares its tonic. That is the whole of what a mixing wheel encodes; here the relations are named instead of numbered.

Delay times at 122 BPM

Note valueBeatsMillisecondsHertz
Whole note419640.51
Half note29821.02
Dotted quarter1.5736.51.36
Quarter note (one beat)14912.04
Quarter triplet0.667327.33.06
Dotted eighth0.75368.22.72
Eighth note0.5245.54.07
Eighth triplet0.333163.76.11
Dotted sixteenth0.375184.15.43
Sixteenth note0.25122.78.15
Sixteenth triplet0.16781.812.22
Thirty-second note0.12561.416.29

Half time 61.1 BPM · double time 244.4 BPM. Every row is one beat (491 ms) times the fraction in the second column.

Closest in key and tempo

  1. Our HouseMadnessC major122BPM
  2. Grace KellyMIKAC major122BPM
  3. Who’s Crying NowJourneyC major122BPM
  4. Wild HoneyThe Beach BoysC major122BPM
  5. The World’s Green LaughterThe B‐52’sC major122BPM
  6. Raise Your GlassP!nkC major122BPM
  7. New Moon on MondayDuran DuranC major122BPM
  8. I Can’t Let GoLinda RonstadtC major122BPM
  9. BlackoutDavid BowieC major123BPM
  10. Because You’re YoungDavid BowieC major122BPM

Recordings in C major, ordered by how near their tempo is to 122 BPM. A calculation, not a recommendation.

All songs in C majorAll songs at 122 BPMC major at 120–129 BPMPink Floyd

MusicBrainz collapses 21 recording ids into this one. Recording id 2bf00fb2-7ec0-469e-82be-b72b1eaaf467.