Pink Floyd · More: Soundtrack From the Film
More Blues
More Blues is in C major at 146.5 beats per minute.
Tempo
147 BPM · Allegromedian of 133 analyses · 146.4–146.6 across the middle eight tenths- Key
- C majorno sharps and no flats · the key most of the analyses agreed on
- Agreement
- 96%share of analyses that agreed
- Analyses
- 133people who ran the extractor
- One beat
- 409.6milliseconds, 60,000 ÷ BPM
- Tuning
- 436.5Hz · -14 cents from A 440
- Dynamics
- 5.46dB the level wanders from its average
- Loudness
- 0.033Essentia's 0–1 scale, not dB
- Danceability
- 0.952Essentia's danceability, 0–3
Source: AcousticBrainz, dump of 2022-06-23 (CC0) · MusicBrainz core data, 2026-09-17 (CC0) · how each number is measured. Measured up to 23.06.2022 — AcousticBrainz stopped collecting in 2022, so nothing released after that date is here.
What the numbers say
133 independent analyses of this recording were submitted to AcousticBrainz. All but a handful of them — 96% — put it in C major, a key signature of no sharps and no flats. The tempo printed above is the median of the 133 readings; 99% of them land within 2% of it, and they barely differ at all.
At 146.5 BPM one beat lasts 409.6 milliseconds, so a sixteenth note is 102.4 ms and a dotted eighth 307.2 ms — the delay times for this recording. Counted half as fast it is 73.3 BPM, counted twice as fast 293. A score would mark that Allegro, by the ranges this site uses.
The analyses put the reference pitch of the recording at 436.5 Hz, which is 14 cents below concert A at 440 Hz — the sort of drift a tape machine or a slightly different mastering leaves behind. That is a fact about this transfer of the music, not about how it was played.
The dynamic complexity of the recording measures 5.46 dB: that is how far the level wanders from its own average, so a small number means a loud, flat master and a large one means a recording that still breathes. Its average loudness is 0.033 on Essentia's 0-to-1 scale, which is not decibels and is not comparable to a streaming service's number.
10 other recordings here are in C major; the ones listed below are the closest in tempo.
Beats per bar are not in this dataset. AcousticBrainz's analysis reports a tempo, a key and a loudness, and no time signature at all, so this page does not print one — a 4/4 here would be a guess dressed as a measurement.
Keys that fit with C major
Each of these differs from C major by at most one accidental, or shares its tonic. That is the whole of what a mixing wheel encodes; here the relations are named instead of numbered.
Delay times at 147 BPM
| Note value | Beats | Milliseconds | Hertz |
|---|---|---|---|
| Whole note | 4 | 1638.2 | 0.61 |
| Half note | 2 | 819.1 | 1.22 |
| Dotted quarter | 1.5 | 614.3 | 1.63 |
| Quarter note (one beat) | 1 | 409.6 | 2.44 |
| Quarter triplet | 0.667 | 273 | 3.66 |
| Dotted eighth | 0.75 | 307.2 | 3.26 |
| Eighth note | 0.5 | 204.8 | 4.88 |
| Eighth triplet | 0.333 | 136.5 | 7.33 |
| Dotted sixteenth | 0.375 | 153.6 | 6.51 |
| Sixteenth note | 0.25 | 102.4 | 9.77 |
| Sixteenth triplet | 0.167 | 68.3 | 14.65 |
| Thirty-second note | 0.125 | 51.2 | 19.53 |
Half time 73.3 BPM · double time 293 BPM. Every row is one beat (409.6 ms) times the fraction in the second column.
Closest in key and tempo
- Long Road to RuinFoo FightersC major147BPM
- More Than She KnowsSpin DoctorsC major147BPM
- When I Was Your ManBruno MarsC major146BPM
- A Whiter Shade of PaleAnnie LennoxC major146BPM
- Tomorrow Never CameLana Del Rey ft. Sean Ono LennonC major146BPM
- I Don’t Wanna Live Without Your LoveChicagoC major146BPM
- RehabAmy WinehouseC major145BPM
- TimeDavid BowieC major148BPM
- Splish SplashBobby DarinC major148BPM
- Don’t CryAsiaC major148BPM
Recordings in C major, ordered by how near their tempo is to 147 BPM. A calculation, not a recommendation.
All songs in C majorAll songs at 147 BPMC major at 140–149 BPMPink Floyd
MusicBrainz collapses 2 recording ids into this one. Recording id d37dae84-8e20-49cf-a62c-3d2c1e187312.