NOAH CYRUS · JULY
JULY
JULY is in F major at 72.4 beats per minute.
Tempo
72 BPM · Adagiomedian of 129 analyses · 72.4–72.6 across the middle eight tenths- Key
- F major1 flat · the key most of the analyses agreed on
- Agreement
- 100%share of analyses that agreed
- Analyses
- 129people who ran the extractor
- One beat
- 828.7milliseconds, 60,000 ÷ BPM
- Tuning
- 437.5Hz · -10 cents from A 440
- Dynamics
- 5.6dB the level wanders from its average
- Loudness
- 0.866Essentia's 0–1 scale, not dB
- Danceability
- 1.041Essentia's danceability, 0–3
Source: AcousticBrainz, dump of 2022-06-23 (CC0) · MusicBrainz core data, 2026-09-17 (CC0) · how each number is measured. Measured up to 23.06.2022 — AcousticBrainz stopped collecting in 2022, so nothing released after that date is here.
What the numbers say
129 independent analyses of this recording were submitted to AcousticBrainz. All but a handful of them — 100% — put it in F major, a key signature of 1 flat. The tempo printed above is the median of the 129 readings; 100% of them land within 2% of it, and they barely differ at all.
At 72.4 BPM one beat lasts 828.7 milliseconds, so a sixteenth note is 207.2 ms and a dotted eighth 621.5 ms — the delay times for this recording. Counted half as fast it is 36.2 BPM, counted twice as fast 144.8. A score would mark that Adagio, by the ranges this site uses.
The analyses put the reference pitch of the recording at 437.5 Hz, which is 10 cents below concert A at 440 Hz — the sort of drift a tape machine or a slightly different mastering leaves behind. That is a fact about this transfer of the music, not about how it was played.
The dynamic complexity of the recording measures 5.6 dB: that is how far the level wanders from its own average, so a small number means a loud, flat master and a large one means a recording that still breathes. Its average loudness is 0.866 on Essentia's 0-to-1 scale, which is not decibels and is not comparable to a streaming service's number.
10 other recordings here are in F major; the ones listed below are the closest in tempo.
Beats per bar are not in this dataset. AcousticBrainz's analysis reports a tempo, a key and a loudness, and no time signature at all, so this page does not print one — a 4/4 here would be a guess dressed as a measurement.
Keys that fit with F major
Each of these differs from F major by at most one accidental, or shares its tonic. That is the whole of what a mixing wheel encodes; here the relations are named instead of numbered.
Delay times at 72 BPM
| Note value | Beats | Milliseconds | Hertz |
|---|---|---|---|
| Whole note | 4 | 3314.9 | 0.3 |
| Half note | 2 | 1657.5 | 0.6 |
| Dotted quarter | 1.5 | 1243.1 | 0.8 |
| Quarter note (one beat) | 1 | 828.7 | 1.21 |
| Quarter triplet | 0.667 | 552.5 | 1.81 |
| Dotted eighth | 0.75 | 621.5 | 1.61 |
| Eighth note | 0.5 | 414.4 | 2.41 |
| Eighth triplet | 0.333 | 276.2 | 3.62 |
| Dotted sixteenth | 0.375 | 310.8 | 3.22 |
| Sixteenth note | 0.25 | 207.2 | 4.83 |
| Sixteenth triplet | 0.167 | 138.1 | 7.24 |
| Thirty-second note | 0.125 | 103.6 | 9.65 |
Half time 36.2 BPM · double time 144.8 BPM. Every row is one beat (828.7 ms) times the fraction in the second column.
Closest in key and tempo
- Have a HeartCéline DionF major73BPM
- Ride OnAC/DCF major71BPM
- Baby GrandBilly Joel feat. Ray CharlesF major70BPM
- SignsBeyoncé feat. Missy ElliottF major76BPM
- That’s How You Like ItBeyoncé feat. Jay‐ZF major67BPM
- DisappearBeyoncéF major78BPM
- Let’s Do It (Let’s Fall in Love)Ella FitzgeraldF major78BPM
- TimeBackstreet BoysF major79BPM
- I’m Supposed to Die Tonight50 CentF major80BPM
- End GameTaylor Swift feat. Ed Sheeran & FutureF major80BPM
Recordings in F major, ordered by how near their tempo is to 72 BPM. A calculation, not a recommendation.
All songs in F majorF major at 70–79 BPM
MusicBrainz collapses 2 recording ids into this one. Recording id 4c942fb5-398c-4dd0-be78-e61e91e5b70a.