Neil Young · After the Gold Rush
When You Dance I Can Really Love
When You Dance I Can Really Love is in D minor at 99.3 beats per minute.
Tempo
99 BPM · Andantemedian of 131 analyses · 99.3–99.4 across the middle eight tenths- Key
- D minor1 flat · the key most of the analyses agreed on
- Agreement
- 80%share of analyses that agreed
- Analyses
- 131people who ran the extractor
- One beat
- 604.2milliseconds, 60,000 ÷ BPM
- Tuning
- 441.8Hz · +7 cents from A 440
- Dynamics
- 3.27dB the level wanders from its average
- Loudness
- 0.83Essentia's 0–1 scale, not dB
- Danceability
- 1.203Essentia's danceability, 0–3
Source: AcousticBrainz, dump of 2022-06-23 (CC0) · MusicBrainz core data, 2026-09-17 (CC0) · how each number is measured. Measured up to 23.06.2022 — AcousticBrainz stopped collecting in 2022, so nothing released after that date is here.
What the numbers say
131 independent analyses of this recording were submitted to AcousticBrainz. Most of them — 80% — put it in D minor, a key signature of 1 flat. The tempo printed above is the median of the 131 readings; 95% of them land within 2% of it, and they barely differ at all.
At 99.3 BPM one beat lasts 604.2 milliseconds, so a sixteenth note is 151.1 ms and a dotted eighth 453.2 ms — the delay times for this recording. Counted half as fast it is 49.7 BPM, counted twice as fast 198.6. A score would mark that Andante, by the ranges this site uses.
The analyses put the reference pitch of the recording at 441.8 Hz, which is 7 cents above concert A at 440 Hz — the sort of drift a tape machine or a slightly different mastering leaves behind. That is a fact about this transfer of the music, not about how it was played.
The dynamic complexity of the recording measures 3.27 dB: that is how far the level wanders from its own average, so a small number means a loud, flat master and a large one means a recording that still breathes. Its average loudness is 0.83 on Essentia's 0-to-1 scale, which is not decibels and is not comparable to a streaming service's number.
10 other recordings here are in D minor; the ones listed below are the closest in tempo.
Beats per bar are not in this dataset. AcousticBrainz's analysis reports a tempo, a key and a loudness, and no time signature at all, so this page does not print one — a 4/4 here would be a guess dressed as a measurement.
Keys that fit with D minor
Each of these differs from D minor by at most one accidental, or shares its tonic. That is the whole of what a mixing wheel encodes; here the relations are named instead of numbered.
Delay times at 99 BPM
| Note value | Beats | Milliseconds | Hertz |
|---|---|---|---|
| Whole note | 4 | 2416.9 | 0.41 |
| Half note | 2 | 1208.5 | 0.83 |
| Dotted quarter | 1.5 | 906.3 | 1.1 |
| Quarter note (one beat) | 1 | 604.2 | 1.66 |
| Quarter triplet | 0.667 | 402.8 | 2.48 |
| Dotted eighth | 0.75 | 453.2 | 2.21 |
| Eighth note | 0.5 | 302.1 | 3.31 |
| Eighth triplet | 0.333 | 201.4 | 4.97 |
| Dotted sixteenth | 0.375 | 226.6 | 4.41 |
| Sixteenth note | 0.25 | 151.1 | 6.62 |
| Sixteenth triplet | 0.167 | 100.7 | 9.93 |
| Thirty-second note | 0.125 | 75.5 | 13.24 |
Half time 49.7 BPM · double time 198.6 BPM. Every row is one beat (604.2 ms) times the fraction in the second column.
Closest in key and tempo
- Another Brick in the Wall, Part 1Pink FloydD minor99BPM
- The WizardBlack SabbathD minor99BPM
- OutsiderRamonesD minor99BPM
- Smash ’n’ GrabAC/DCD minor99BPM
- Cover You in OilAC/DCD minor99BPM
- Head BobsBlack Eyed PeasD minor99BPM
- Little QueenHeartD minor99BPM
- Something About UsDaft PunkD minor100BPM
- Something About Us (Love Theme From Interstella 5555)Daft PunkD minor100BPM
- Mr Self DestructNine Inch NailsD minor100BPM
Recordings in D minor, ordered by how near their tempo is to 99 BPM. A calculation, not a recommendation.
All songs in D minorAll songs at 99 BPMD minor at 90–99 BPMNeil Young
MusicBrainz collapses 18 recording ids into this one. Recording id 2d7bd7d5-facd-4649-82b2-89e59a469f01.