Mumford & Sons · Sigh No More
Little Lion Man
Little Lion Man is in F major at 138.8 beats per minute.
Tempo
139 BPM · Allegromedian of 167 analyses · 138.7–138.9 across the middle eight tenths- Key
- F major1 flat · the key most of the analyses agreed on
- Agreement
- 97%share of analyses that agreed
- Analyses
- 167people who ran the extractor
- One beat
- 432.3milliseconds, 60,000 ÷ BPM
- Tuning
- 440.3Hz · +1 cents from A 440
- Dynamics
- 5.4dB the level wanders from its average
- Loudness
- 0.652Essentia's 0–1 scale, not dB
- Danceability
- 0.974Essentia's danceability, 0–3
Source: AcousticBrainz, dump of 2022-06-23 (CC0) · MusicBrainz core data, 2026-09-17 (CC0) · how each number is measured. Measured up to 23.06.2022 — AcousticBrainz stopped collecting in 2022, so nothing released after that date is here.
What the numbers say
167 independent analyses of this recording were submitted to AcousticBrainz. All but a handful of them — 97% — put it in F major, a key signature of 1 flat. The tempo printed above is the median of the 167 readings; 99% of them land within 2% of it, and they barely differ at all.
At 138.8 BPM one beat lasts 432.3 milliseconds, so a sixteenth note is 108.1 ms and a dotted eighth 324.2 ms — the delay times for this recording. Counted half as fast it is 69.4 BPM, counted twice as fast 277.6. A score would mark that Allegro, by the ranges this site uses.
The analyses put the reference pitch of the recording at 440.3 Hz, which is 1 cents above concert A at 440 Hz — close enough to standard that a tuner would not argue. That is a fact about this transfer of the music, not about how it was played.
The dynamic complexity of the recording measures 5.4 dB: that is how far the level wanders from its own average, so a small number means a loud, flat master and a large one means a recording that still breathes. Its average loudness is 0.652 on Essentia's 0-to-1 scale, which is not decibels and is not comparable to a streaming service's number.
10 other recordings here are in F major; the ones listed below are the closest in tempo.
Beats per bar are not in this dataset. AcousticBrainz's analysis reports a tempo, a key and a loudness, and no time signature at all, so this page does not print one — a 4/4 here would be a guess dressed as a measurement.
Keys that fit with F major
Each of these differs from F major by at most one accidental, or shares its tonic. That is the whole of what a mixing wheel encodes; here the relations are named instead of numbered.
Delay times at 139 BPM
| Note value | Beats | Milliseconds | Hertz |
|---|---|---|---|
| Whole note | 4 | 1729.1 | 0.58 |
| Half note | 2 | 864.6 | 1.16 |
| Dotted quarter | 1.5 | 648.4 | 1.54 |
| Quarter note (one beat) | 1 | 432.3 | 2.31 |
| Quarter triplet | 0.667 | 288.2 | 3.47 |
| Dotted eighth | 0.75 | 324.2 | 3.08 |
| Eighth note | 0.5 | 216.1 | 4.63 |
| Eighth triplet | 0.333 | 144.1 | 6.94 |
| Dotted sixteenth | 0.375 | 162.1 | 6.17 |
| Sixteenth note | 0.25 | 108.1 | 9.25 |
| Sixteenth triplet | 0.167 | 72 | 13.88 |
| Thirty-second note | 0.125 | 54 | 18.51 |
Half time 69.4 BPM · double time 277.6 BPM. Every row is one beat (432.3 ms) times the fraction in the second column.
Closest in key and tempo
- Miles to Go (Before I Sleep)Céline DionF major139BPM
- TamePixiesF major139BPM
- Everybody’s EverythingSantanaF major138BPM
- WinDavid BowieF major139BPM
- GirlsBeastie BoysF major139BPM
- Low RiderWarF major140BPM
- SmoochMiles Davis QuartetF major140BPM
- Border Song (Holy Moses)Aretha FranklinF major140BPM
- UnmistakableBackstreet BoysF major140BPM
- Another Saturday NightCat StevensF major140BPM
Recordings in F major, ordered by how near their tempo is to 139 BPM. A calculation, not a recommendation.
All songs in F majorAll songs at 139 BPMF major at 130–139 BPMMumford & Sons
MusicBrainz collapses 19 recording ids into this one. Recording id 398dcffc-8740-4b8b-8453-846fbf8c5de2.