Missy Elliott · Miss E... So Addictive
Get Ur Freak On
Get Ur Freak On is in B flat minor at 88.9 beats per minute.
Tempo
89 BPM · Andantemedian of 240 analyses · 88.9–118.3 across the middle eight tenths- Key
- B♭ minor5 flats · the key most of the analyses agreed on
- Agreement
- 96%share of analyses that agreed
- Analyses
- 240people who ran the extractor
- One beat
- 674.9milliseconds, 60,000 ÷ BPM
- Tuning
- 434.2Hz · -23 cents from A 440
- Dynamics
- 4.65dB the level wanders from its average
- Loudness
- 0.885Essentia's 0–1 scale, not dB
- Danceability
- 1.247Essentia's danceability, 0–3
Source: AcousticBrainz, dump of 2022-06-23 (CC0) · MusicBrainz core data, 2026-09-17 (CC0) · how each number is measured. Measured up to 23.06.2022 — AcousticBrainz stopped collecting in 2022, so nothing released after that date is here.
What the numbers say
240 independent analyses of this recording were submitted to AcousticBrainz. All but a handful of them — 96% — put it in B flat minor, a key signature of 5 flats. The tempo printed above is the median of the 240 readings; 70% of them land within 2% of it, and the middle eight tenths of them run from 88.9 to 118.3 BPM.
At 88.9 BPM one beat lasts 674.9 milliseconds, so a sixteenth note is 168.7 ms and a dotted eighth 506.2 ms — the delay times for this recording. Counted half as fast it is 44.5 BPM, counted twice as fast 177.8. A score would mark that Andante, by the ranges this site uses.
The analyses put the reference pitch of the recording at 434.2 Hz, which is 23 cents below concert A at 440 Hz — the sort of drift a tape machine or a slightly different mastering leaves behind. That is a fact about this transfer of the music, not about how it was played.
The dynamic complexity of the recording measures 4.65 dB: that is how far the level wanders from its own average, so a small number means a loud, flat master and a large one means a recording that still breathes. Its average loudness is 0.885 on Essentia's 0-to-1 scale, which is not decibels and is not comparable to a streaming service's number.
10 other recordings here are in B flat minor; the ones listed below are the closest in tempo.
Beats per bar are not in this dataset. AcousticBrainz's analysis reports a tempo, a key and a loudness, and no time signature at all, so this page does not print one — a 4/4 here would be a guess dressed as a measurement.
Keys that fit with B♭ minor
Each of these differs from B♭ minor by at most one accidental, or shares its tonic. That is the whole of what a mixing wheel encodes; here the relations are named instead of numbered.
Delay times at 89 BPM
| Note value | Beats | Milliseconds | Hertz |
|---|---|---|---|
| Whole note | 4 | 2699.7 | 0.37 |
| Half note | 2 | 1349.8 | 0.74 |
| Dotted quarter | 1.5 | 1012.4 | 0.99 |
| Quarter note (one beat) | 1 | 674.9 | 1.48 |
| Quarter triplet | 0.667 | 449.9 | 2.22 |
| Dotted eighth | 0.75 | 506.2 | 1.98 |
| Eighth note | 0.5 | 337.5 | 2.96 |
| Eighth triplet | 0.333 | 225 | 4.45 |
| Dotted sixteenth | 0.375 | 253.1 | 3.95 |
| Sixteenth note | 0.25 | 168.7 | 5.93 |
| Sixteenth triplet | 0.167 | 112.5 | 8.89 |
| Thirty-second note | 0.125 | 84.4 | 11.85 |
Half time 44.5 BPM · double time 177.8 BPM. Every row is one beat (674.9 ms) times the fraction in the second column.
Closest in key and tempo
- Good for YouSelena Gomez ft. A$AP RockyB♭ minor89BPM
- Ready or NotFugeesB♭ minor89BPM
- I’m Still StandingElton JohnB♭ minor89BPM
- Sweet LoveAnita BakerB♭ minor89BPM
- Diet Mountain DewLana Del ReyB♭ minor88BPM
- Sometimes…Erykah BaduB♭ minor90BPM
- Solo de míBad BunnyB♭ minor90BPM
- Thank You (Dedication to Fans…)Christina AguileraB♭ minor90BPM
- C.R.E.A.M.Wu‐Tang ClanB♭ minor90BPM
- Gunz Come Out50 CentB♭ minor90BPM
Recordings in B flat minor, ordered by how near their tempo is to 89 BPM. A calculation, not a recommendation.
All songs in B flat minorAll songs at 89 BPMB♭ minor at 80–89 BPM
MusicBrainz collapses 56 recording ids into this one. Recording id 67558fc1-d18a-4851-979e-099671efcc14.