TempoPeek

Michael Jackson · Off the Wall

Don’t Stop ’Til You Get Enough

Don’t Stop ’Til You Get Enough is in B major at 119.1 beats per minute.

4080120160200

Tempo

119 BPM · Moderatomedian of 254 analyses · 118.7–119.4 across the middle eight tenths
Key
B major5 sharps · the key most of the analyses agreed on
Agreement
82%share of analyses that agreed
Analyses
254people who ran the extractor
One beat
503.8milliseconds, 60,000 ÷ BPM
Tuning
437Hz · -12 cents from A 440
Dynamics
4.77dB the level wanders from its average
Loudness
0.911Essentia's 0–1 scale, not dB
Danceability
1.563Essentia's danceability, 0–3

Source: AcousticBrainz, dump of 2022-06-23 (CC0) · MusicBrainz core data, 2026-09-17 (CC0) · how each number is measured. Measured up to 23.06.2022 — AcousticBrainz stopped collecting in 2022, so nothing released after that date is here.

What the numbers say

254 independent analyses of this recording were submitted to AcousticBrainz. Most of them — 82% — put it in B major, a key signature of 5 sharps. The tempo printed above is the median of the 254 readings; 100% of them land within 2% of it, and they barely differ at all.

At 119.1 BPM one beat lasts 503.8 milliseconds, so a sixteenth note is 125.9 ms and a dotted eighth 377.8 ms — the delay times for this recording. Counted half as fast it is 59.6 BPM, counted twice as fast 238.2. A score would mark that Moderato, by the ranges this site uses.

The analyses put the reference pitch of the recording at 437 Hz, which is 12 cents below concert A at 440 Hz — the sort of drift a tape machine or a slightly different mastering leaves behind. That is a fact about this transfer of the music, not about how it was played.

The dynamic complexity of the recording measures 4.77 dB: that is how far the level wanders from its own average, so a small number means a loud, flat master and a large one means a recording that still breathes. Its average loudness is 0.911 on Essentia's 0-to-1 scale, which is not decibels and is not comparable to a streaming service's number.

10 other recordings here are in B major; the ones listed below are the closest in tempo.

Beats per bar are not in this dataset. AcousticBrainz's analysis reports a tempo, a key and a loudness, and no time signature at all, so this page does not print one — a 4/4 here would be a guess dressed as a measurement.

Keys that fit with B major

Each of these differs from B major by at most one accidental, or shares its tonic. That is the whole of what a mixing wheel encodes; here the relations are named instead of numbered.

Delay times at 119 BPM

Note valueBeatsMillisecondsHertz
Whole note42015.10.5
Half note21007.60.99
Dotted quarter1.5755.71.32
Quarter note (one beat)1503.81.99
Quarter triplet0.667335.92.98
Dotted eighth0.75377.82.65
Eighth note0.5251.93.97
Eighth triplet0.333167.95.96
Dotted sixteenth0.375188.95.29
Sixteenth note0.25125.97.94
Sixteenth triplet0.1678411.91
Thirty-second note0.1256315.88

Half time 59.6 BPM · double time 238.2 BPM. Every row is one beat (503.8 ms) times the fraction in the second column.

Closest in key and tempo

  1. You Are Not AloneMichael JacksonB major120BPM
  2. Calling ElvisDire StraitsB major120BPM
  3. Stupid GirlGarbageB major120BPM
  4. CalgaryBon IverB major120BPM
  5. True BlueMadonnaB major118BPM
  6. Good Day SunshineThe BeatlesB major117BPM
  7. Lord Only KnowsBeckB major117BPM
  8. All I DoStevie WonderB major117BPM
  9. Hole in the SkyBlack SabbathB major117BPM
  10. Last of the American GirlsGreen DayB major122BPM

Recordings in B major, ordered by how near their tempo is to 119 BPM. A calculation, not a recommendation.

All songs in B majorAll songs at 119 BPMB major at 110–119 BPMMichael Jackson

MusicBrainz collapses 25 recording ids into this one. Recording id 2797d6d2-c735-4b48-ae00-8efbf5393517.