TempoPeek

Metallica · …And Justice for All

Eye of the Beholder

Eye of the Beholder is in A minor at 122.6 beats per minute.

4080120160200

Tempo

123 BPM · Allegromedian of 142 analyses · 122.4–122.6 across the middle eight tenths
Key
A minorno sharps and no flats · the key most of the analyses agreed on
Agreement
61%share of analyses that agreed
Analyses
142people who ran the extractor
One beat
489.4milliseconds, 60,000 ÷ BPM
Tuning
434.2Hz · -23 cents from A 440
Dynamics
3.65dB the level wanders from its average
Loudness
0.878Essentia's 0–1 scale, not dB
Danceability
1.363Essentia's danceability, 0–3

Source: AcousticBrainz, dump of 2022-06-23 (CC0) · MusicBrainz core data, 2026-09-17 (CC0) · how each number is measured. Measured up to 23.06.2022 — AcousticBrainz stopped collecting in 2022, so nothing released after that date is here.

What the numbers say

142 independent analyses of this recording were submitted to AcousticBrainz. A bare majority of them — 61% — put it in A minor, a key signature of no sharps and no flats. The tempo printed above is the median of the 142 readings; 100% of them land within 2% of it, and they barely differ at all.

At 122.6 BPM one beat lasts 489.4 milliseconds, so a sixteenth note is 122.3 ms and a dotted eighth 367 ms — the delay times for this recording. Counted half as fast it is 61.3 BPM, counted twice as fast 245.2. A score would mark that Allegro, by the ranges this site uses.

The analyses put the reference pitch of the recording at 434.2 Hz, which is 23 cents below concert A at 440 Hz — the sort of drift a tape machine or a slightly different mastering leaves behind. That is a fact about this transfer of the music, not about how it was played.

The dynamic complexity of the recording measures 3.65 dB: that is how far the level wanders from its own average, so a small number means a loud, flat master and a large one means a recording that still breathes. Its average loudness is 0.878 on Essentia's 0-to-1 scale, which is not decibels and is not comparable to a streaming service's number.

10 other recordings here are in A minor; the ones listed below are the closest in tempo.

Beats per bar are not in this dataset. AcousticBrainz's analysis reports a tempo, a key and a loudness, and no time signature at all, so this page does not print one — a 4/4 here would be a guess dressed as a measurement.

Keys that fit with A minor

Each of these differs from A minor by at most one accidental, or shares its tonic. That is the whole of what a mixing wheel encodes; here the relations are named instead of numbered.

Delay times at 123 BPM

Note valueBeatsMillisecondsHertz
Whole note41957.60.51
Half note2978.81.02
Dotted quarter1.5734.11.36
Quarter note (one beat)1489.42.04
Quarter triplet0.667326.33.07
Dotted eighth0.753672.72
Eighth note0.5244.74.09
Eighth triplet0.333163.16.13
Dotted sixteenth0.375183.55.45
Sixteenth note0.25122.38.17
Sixteenth triplet0.16781.612.26
Thirty-second note0.12561.216.35

Half time 61.3 BPM · double time 245.2 BPM. Every row is one beat (489.4 ms) times the fraction in the second column.

Closest in key and tempo

  1. Conceal, Don’t FeelTim DaviesA minor123BPM
  2. What Is This Thing Called Love?Frank SinatraA minor123BPM
  3. Just FineMary J. BligeA minor123BPM
  4. You Don’t Fool MeQueenA minor122BPM
  5. My Boy Builds CoffinsFlorence + the MachineA minor122BPM
  6. Achy Breaky HeartBilly Ray CyrusA minor122BPM
  7. Shame on the NightDioA minor122BPM
  8. Like a StarCorinne Bailey RaeA minor123BPM
  9. Be PreparedJeremy Irons with Whoopi Goldberg, Cheech Marin, and Jim CummingsA minor122BPM
  10. Psycho KillerTalking HeadsA minor124BPM

Recordings in A minor, ordered by how near their tempo is to 123 BPM. A calculation, not a recommendation.

All songs in A minorAll songs at 123 BPMA minor at 120–129 BPMMetallica

MusicBrainz collapses 39 recording ids into this one. Recording id 1dc5bf73-b46f-48ab-82f4-3932a4e54435.