Linkin Park · Hybrid Theory

In the End

In the End is in E flat minor at 105.1 beats per minute.

Tempo

105 BPM · Andantemedian of 344 analyses · 105–105.2 across the middle eight tenths

Key: E♭ minor6 flats · the key most of the analyses agreed on
Agreement: 64%share of analyses that agreed
Analyses: 344people who ran the extractor
One beat: 570.9milliseconds, 60,000 ÷ BPM
Tuning: 434.2Hz · -23 cents from A 440
Dynamics: 5.21dB the level wanders from its average
Loudness: 0.883Essentia's 0–1 scale, not dB
Danceability: 1.053Essentia's danceability, 0–3

Source: AcousticBrainz, dump of 2022-06-23 (CC0) · MusicBrainz core data, 2026-09-17 (CC0) · how each number is measured. Measured up to 23.06.2022 — AcousticBrainz stopped collecting in 2022, so nothing released after that date is here.

What the numbers say

344 independent analyses of this recording were submitted to AcousticBrainz. A bare majority of them — 64% — put it in E flat minor, a key signature of 6 flats. The tempo printed above is the median of the 344 readings; 100% of them land within 2% of it, and they barely differ at all.

At 105.1 BPM one beat lasts 570.9 milliseconds, so a sixteenth note is 142.7 ms and a dotted eighth 428.2 ms — the delay times for this recording. Counted half as fast it is 52.6 BPM, counted twice as fast 210.2. A score would mark that Andante, by the ranges this site uses.

The analyses put the reference pitch of the recording at 434.2 Hz, which is 23 cents below concert A at 440 Hz — the sort of drift a tape machine or a slightly different mastering leaves behind. That is a fact about this transfer of the music, not about how it was played.

The dynamic complexity of the recording measures 5.21 dB: that is how far the level wanders from its own average, so a small number means a loud, flat master and a large one means a recording that still breathes. Its average loudness is 0.883 on Essentia's 0-to-1 scale, which is not decibels and is not comparable to a streaming service's number.

10 other recordings here are in E flat minor; the ones listed below are the closest in tempo.

Beats per bar are not in this dataset. AcousticBrainz's analysis reports a tempo, a key and a loudness, and no time signature at all, so this page does not print one — a 4/4 here would be a guess dressed as a measurement.

Keys that fit with E♭ minor

Each of these differs from E♭ minor by at most one accidental, or shares its tonic. That is the whole of what a mixing wheel encodes; here the relations are named instead of numbered.

Delay times at 105 BPM

Note value	Beats	Milliseconds	Hertz
Whole note	4	2283.5	0.44
Half note	2	1141.8	0.88
Dotted quarter	1.5	856.3	1.17
Quarter note (one beat)	1	570.9	1.75
Quarter triplet	0.667	380.6	2.63
Dotted eighth	0.75	428.2	2.34
Eighth note	0.5	285.4	3.5
Eighth triplet	0.333	190.3	5.26
Dotted sixteenth	0.375	214.1	4.67
Sixteenth note	0.25	142.7	7.01
Sixteenth triplet	0.167	95.1	10.51
Thirty-second note	0.125	71.4	14.01

Half time 52.6 BPM · double time 210.2 BPM. Every row is one beat (570.9 ms) times the fraction in the second column.

The same title by somebody else

In the EndGreen DayA♭ major137BPM

Matched on the title alone, so this list can hold a different song that happens to share a name. Nothing here claims one is a cover of the other.

Closest in key and tempo

Recordings in E flat minor, ordered by how near their tempo is to 105 BPM. A calculation, not a recommendation.

All songs in E flat minor All songs at 105 BPM E♭ minor at 100–109 BPM Linkin Park

MusicBrainz collapses 52 recording ids into this one. Recording id 9d70086c-5d7a-4e7f-b1ed-c53c4b11310f.