Lewis Capaldi · Divinely Uninspired to a Hellish Extent (Extended Edition)

Someone You Loved

Someone You Loved is in D flat major at 109.9 beats per minute.

Tempo

110 BPM · Moderatomedian of 233 analyses · 109.9–109.9 across the middle eight tenths

Key: D♭ major5 flats · the key most of the analyses agreed on
Agreement: 100%share of analyses that agreed
Analyses: 233people who ran the extractor
One beat: 546milliseconds, 60,000 ÷ BPM
Tuning: 439.7Hz · -1 cents from A 440
Dynamics: 4.4dB the level wanders from its average
Loudness: 0.852Essentia's 0–1 scale, not dB
Danceability: 1.014Essentia's danceability, 0–3

Source: AcousticBrainz, dump of 2022-06-23 (CC0) · MusicBrainz core data, 2026-09-17 (CC0) · how each number is measured. Measured up to 23.06.2022 — AcousticBrainz stopped collecting in 2022, so nothing released after that date is here.

What the numbers say

233 independent analyses of this recording were submitted to AcousticBrainz. All but a handful of them — 100% — put it in D flat major, a key signature of 5 flats. The tempo printed above is the median of the 233 readings; 100% of them land within 2% of it, and they barely differ at all.

At 109.9 BPM one beat lasts 546 milliseconds, so a sixteenth note is 136.5 ms and a dotted eighth 409.5 ms — the delay times for this recording. Counted half as fast it is 55 BPM, counted twice as fast 219.8. A score would mark that Moderato, by the ranges this site uses.

The analyses put the reference pitch of the recording at 439.7 Hz, which is 1 cents below concert A at 440 Hz — close enough to standard that a tuner would not argue. That is a fact about this transfer of the music, not about how it was played.

The dynamic complexity of the recording measures 4.4 dB: that is how far the level wanders from its own average, so a small number means a loud, flat master and a large one means a recording that still breathes. Its average loudness is 0.852 on Essentia's 0-to-1 scale, which is not decibels and is not comparable to a streaming service's number.

10 other recordings here are in D flat major; the ones listed below are the closest in tempo.

Beats per bar are not in this dataset. AcousticBrainz's analysis reports a tempo, a key and a loudness, and no time signature at all, so this page does not print one — a 4/4 here would be a guess dressed as a measurement.

Keys that fit with D♭ major

Each of these differs from D♭ major by at most one accidental, or shares its tonic. That is the whole of what a mixing wheel encodes; here the relations are named instead of numbered.

Delay times at 110 BPM

Note value	Beats	Milliseconds	Hertz
Whole note	4	2183.8	0.46
Half note	2	1091.9	0.92
Dotted quarter	1.5	818.9	1.22
Quarter note (one beat)	1	546	1.83
Quarter triplet	0.667	364	2.75
Dotted eighth	0.75	409.5	2.44
Eighth note	0.5	273	3.66
Eighth triplet	0.333	182	5.5
Dotted sixteenth	0.375	204.7	4.88
Sixteenth note	0.25	136.5	7.33
Sixteenth triplet	0.167	91	10.99
Thirty-second note	0.125	68.2	14.65

Half time 55 BPM · double time 219.8 BPM. Every row is one beat (546 ms) times the fraction in the second column.

Closest in key and tempo

Recordings in D flat major, ordered by how near their tempo is to 110 BPM. A calculation, not a recommendation.

All songs in D flat major All songs at 110 BPM D♭ major at 100–109 BPM Lewis Capaldi

MusicBrainz collapses 8 recording ids into this one. Recording id cc95aec7-4a2e-4b66-bf41-e60f3bff1378.