TempoPeek

Lenny Kravitz · Circus

Can’t Get You Off My Mind

Can’t Get You Off My Mind is in G major at 124.3 beats per minute.

4080120160200

Tempo

124 BPM · Allegromedian of 180 analyses · 124.2–124.3 across the middle eight tenths
Key
G major1 sharp · the key most of the analyses agreed on
Agreement
77%share of analyses that agreed
Analyses
180people who ran the extractor
One beat
482.7milliseconds, 60,000 ÷ BPM
Tuning
437.7Hz · -9 cents from A 440
Dynamics
3.37dB the level wanders from its average
Loudness
0.836Essentia's 0–1 scale, not dB
Danceability
1.108Essentia's danceability, 0–3

Source: AcousticBrainz, dump of 2022-06-23 (CC0) · MusicBrainz core data, 2026-09-17 (CC0) · how each number is measured. Measured up to 23.06.2022 — AcousticBrainz stopped collecting in 2022, so nothing released after that date is here.

What the numbers say

180 independent analyses of this recording were submitted to AcousticBrainz. Most of them — 77% — put it in G major, a key signature of 1 sharp. The tempo printed above is the median of the 180 readings; 99% of them land within 2% of it, and they barely differ at all.

At 124.3 BPM one beat lasts 482.7 milliseconds, so a sixteenth note is 120.7 ms and a dotted eighth 362 ms — the delay times for this recording. Counted half as fast it is 62.2 BPM, counted twice as fast 248.6. A score would mark that Allegro, by the ranges this site uses.

The analyses put the reference pitch of the recording at 437.7 Hz, which is 9 cents below concert A at 440 Hz — the sort of drift a tape machine or a slightly different mastering leaves behind. That is a fact about this transfer of the music, not about how it was played.

The dynamic complexity of the recording measures 3.37 dB: that is how far the level wanders from its own average, so a small number means a loud, flat master and a large one means a recording that still breathes. Its average loudness is 0.836 on Essentia's 0-to-1 scale, which is not decibels and is not comparable to a streaming service's number.

10 other recordings here are in G major; the ones listed below are the closest in tempo.

Beats per bar are not in this dataset. AcousticBrainz's analysis reports a tempo, a key and a loudness, and no time signature at all, so this page does not print one — a 4/4 here would be a guess dressed as a measurement.

Keys that fit with G major

Each of these differs from G major by at most one accidental, or shares its tonic. That is the whole of what a mixing wheel encodes; here the relations are named instead of numbered.

Delay times at 124 BPM

Note valueBeatsMillisecondsHertz
Whole note41930.80.52
Half note2965.41.04
Dotted quarter1.5724.11.38
Quarter note (one beat)1482.72.07
Quarter triplet0.667321.83.11
Dotted eighth0.753622.76
Eighth note0.5241.44.14
Eighth triplet0.333160.96.22
Dotted sixteenth0.3751815.52
Sixteenth note0.25120.78.29
Sixteenth triplet0.16780.512.43
Thirty-second note0.12560.316.57

Half time 62.2 BPM · double time 248.6 BPM. Every row is one beat (482.7 ms) times the fraction in the second column.

Closest in key and tempo

  1. PhysicalOlivia Newton‐JohnG major124BPM
  2. Eleanor RigbyAretha FranklinG major124BPM
  3. Imitation of LifeR.E.M.G major124BPM
  4. Do YaElectric Light OrchestraG major124BPM
  5. Stuck in the Middle With YouStealers WheelG major124BPM
  6. The Killing MoonEcho & the BunnymenG major124BPM
  7. 1999Charli XCX & Troye SivanG major124BPM
  8. Hold MeFleetwood MacG major125BPM
  9. Is There Something I Should Know?Duran DuranG major125BPM
  10. Who’ll Stop the RainCreedence Clearwater RevivalG major124BPM

Recordings in G major, ordered by how near their tempo is to 124 BPM. A calculation, not a recommendation.

All songs in G majorAll songs at 124 BPMG major at 120–129 BPMLenny Kravitz

MusicBrainz collapses 13 recording ids into this one. Recording id ec05d512-b2e9-4a6f-9b94-900d844781b2.