Led Zeppelin · Led Zeppelin II
What Is and What Should Never Be
What Is and What Should Never Be is in A major at 164.6 beats per minute.
Tempo
165 BPM · Vivacemedian of 323 analyses · 164.4–172.3 across the middle eight tenths- Key
- A major3 sharps · the key most of the analyses agreed on
- Agreement
- 95%share of analyses that agreed
- Analyses
- 323people who ran the extractor
- One beat
- 364.5milliseconds, 60,000 ÷ BPM
- Tuning
- 439.5Hz · -2 cents from A 440
- Dynamics
- 7.75dB the level wanders from its average
- Loudness
- 0.531Essentia's 0–1 scale, not dB
- Danceability
- 0.942Essentia's danceability, 0–3
Source: AcousticBrainz, dump of 2022-06-23 (CC0) · MusicBrainz core data, 2026-09-17 (CC0) · how each number is measured. Measured up to 23.06.2022 — AcousticBrainz stopped collecting in 2022, so nothing released after that date is here.
What the numbers say
323 independent analyses of this recording were submitted to AcousticBrainz. All but a handful of them — 95% — put it in A major, a key signature of 3 sharps. The tempo printed above is the median of the 323 readings; 84% of them land within 2% of it, and the middle eight tenths of them run from 164.4 to 172.3 BPM.
At 164.6 BPM one beat lasts 364.5 milliseconds, so a sixteenth note is 91.1 ms and a dotted eighth 273.4 ms — the delay times for this recording. Counted half as fast it is 82.3 BPM, counted twice as fast 329.2. A score would mark that Vivace, by the ranges this site uses.
The analyses put the reference pitch of the recording at 439.5 Hz, which is 2 cents below concert A at 440 Hz — close enough to standard that a tuner would not argue. That is a fact about this transfer of the music, not about how it was played.
The dynamic complexity of the recording measures 7.75 dB: that is how far the level wanders from its own average, so a small number means a loud, flat master and a large one means a recording that still breathes. Its average loudness is 0.531 on Essentia's 0-to-1 scale, which is not decibels and is not comparable to a streaming service's number.
10 other recordings here are in A major; the ones listed below are the closest in tempo.
Beats per bar are not in this dataset. AcousticBrainz's analysis reports a tempo, a key and a loudness, and no time signature at all, so this page does not print one — a 4/4 here would be a guess dressed as a measurement.
Keys that fit with A major
Each of these differs from A major by at most one accidental, or shares its tonic. That is the whole of what a mixing wheel encodes; here the relations are named instead of numbered.
Delay times at 165 BPM
| Note value | Beats | Milliseconds | Hertz |
|---|---|---|---|
| Whole note | 4 | 1458.1 | 0.69 |
| Half note | 2 | 729 | 1.37 |
| Dotted quarter | 1.5 | 546.8 | 1.83 |
| Quarter note (one beat) | 1 | 364.5 | 2.74 |
| Quarter triplet | 0.667 | 243 | 4.12 |
| Dotted eighth | 0.75 | 273.4 | 3.66 |
| Eighth note | 0.5 | 182.3 | 5.49 |
| Eighth triplet | 0.333 | 121.5 | 8.23 |
| Dotted sixteenth | 0.375 | 136.7 | 7.32 |
| Sixteenth note | 0.25 | 91.1 | 10.97 |
| Sixteenth triplet | 0.167 | 60.8 | 16.46 |
| Thirty-second note | 0.125 | 45.6 | 21.95 |
Half time 82.3 BPM · double time 329.2 BPM. Every row is one beat (364.5 ms) times the fraction in the second column.
Closest in key and tempo
- IrresistibleFall Out BoyA major165BPM
- Wild in the StreetsBon JoviA major165BPM
- DeepPearl JamA major165BPM
- Holy SmokeIron MaidenA major165BPM
- That I Would Be GoodAlanis MorissetteA major164BPM
- I’ve Got a FeelingThe BeatlesA major165BPM
- Church on SundayGreen DayA major164BPM
- Wicked WorldBlack SabbathA major165BPM
- Nervous ShakedownAC/DCA major165BPM
- Black DogLed ZeppelinA major164BPM
Recordings in A major, ordered by how near their tempo is to 165 BPM. A calculation, not a recommendation.
All songs in A majorAll songs at 165 BPMA major at 160–169 BPMLed Zeppelin
MusicBrainz collapses 285 recording ids into this one. Recording id edf5afb6-7c9b-403d-aad9-6e5323711cc9.