Lana Del Rey · Lust for Life
Get Free
Get Free is in B flat major at 102 beats per minute.
Tempo
102 BPM · Andantemedian of 144 analyses · 102–102 across the middle eight tenths- Key
- B♭ major2 flats · the key most of the analyses agreed on
- Agreement
- 100%share of analyses that agreed
- Analyses
- 144people who ran the extractor
- One beat
- 588.2milliseconds, 60,000 ÷ BPM
- Tuning
- 434.2Hz · -23 cents from A 440
- Dynamics
- 7.43dB the level wanders from its average
- Loudness
- 0.447Essentia's 0–1 scale, not dB
- Danceability
- 1.086Essentia's danceability, 0–3
Source: AcousticBrainz, dump of 2022-06-23 (CC0) · MusicBrainz core data, 2026-09-17 (CC0) · how each number is measured. Measured up to 23.06.2022 — AcousticBrainz stopped collecting in 2022, so nothing released after that date is here.
What the numbers say
144 independent analyses of this recording were submitted to AcousticBrainz. All but a handful of them — 100% — put it in B flat major, a key signature of 2 flats. The tempo printed above is the median of the 144 readings; 100% of them land within 2% of it, and they barely differ at all.
At 102 BPM one beat lasts 588.2 milliseconds, so a sixteenth note is 147.1 ms and a dotted eighth 441.2 ms — the delay times for this recording. Counted half as fast it is 51 BPM, counted twice as fast 204. A score would mark that Andante, by the ranges this site uses.
The analyses put the reference pitch of the recording at 434.2 Hz, which is 23 cents below concert A at 440 Hz — the sort of drift a tape machine or a slightly different mastering leaves behind. That is a fact about this transfer of the music, not about how it was played.
The dynamic complexity of the recording measures 7.43 dB: that is how far the level wanders from its own average, so a small number means a loud, flat master and a large one means a recording that still breathes. Its average loudness is 0.447 on Essentia's 0-to-1 scale, which is not decibels and is not comparable to a streaming service's number.
10 other recordings here are in B flat major; the ones listed below are the closest in tempo.
Beats per bar are not in this dataset. AcousticBrainz's analysis reports a tempo, a key and a loudness, and no time signature at all, so this page does not print one — a 4/4 here would be a guess dressed as a measurement.
Keys that fit with B♭ major
Each of these differs from B♭ major by at most one accidental, or shares its tonic. That is the whole of what a mixing wheel encodes; here the relations are named instead of numbered.
Delay times at 102 BPM
| Note value | Beats | Milliseconds | Hertz |
|---|---|---|---|
| Whole note | 4 | 2352.9 | 0.43 |
| Half note | 2 | 1176.5 | 0.85 |
| Dotted quarter | 1.5 | 882.4 | 1.13 |
| Quarter note (one beat) | 1 | 588.2 | 1.7 |
| Quarter triplet | 0.667 | 392.2 | 2.55 |
| Dotted eighth | 0.75 | 441.2 | 2.27 |
| Eighth note | 0.5 | 294.1 | 3.4 |
| Eighth triplet | 0.333 | 196.1 | 5.1 |
| Dotted sixteenth | 0.375 | 220.6 | 4.53 |
| Sixteenth note | 0.25 | 147.1 | 6.8 |
| Sixteenth triplet | 0.167 | 98 | 10.2 |
| Thirty-second note | 0.125 | 73.5 | 13.6 |
Half time 51 BPM · double time 204 BPM. Every row is one beat (588.2 ms) times the fraction in the second column.
Closest in key and tempo
- I Took a Pill in Ibiza (SeeB remix)Mike PosnerB♭ major102BPM
- I Love You, GoodbyeCéline DionB♭ major102BPM
- I’m AliveCéline DionB♭ major102BPM
- Cosmic ThingThe B‐52sB♭ major102BPM
- Dr. JackleMiles DavisB♭ major102BPM
- DownerNirvanaB♭ major103BPM
- Motorola$NotB♭ major101BPM
- OverkillShotgun MessiahB♭ major103BPM
- Shake Your RumpBeastie BoysB♭ major103BPM
- Burning Down the HouseTalking HeadsB♭ major103BPM
Recordings in B flat major, ordered by how near their tempo is to 102 BPM. A calculation, not a recommendation.
All songs in B flat majorAll songs at 102 BPMB♭ major at 100–109 BPMLana Del Rey
MusicBrainz collapses 3 recording ids into this one. Recording id b6cb3eb0-1214-46ac-b8a3-1a748512e725.