Katy Perry · One of the Boys

Thinking of You

Thinking of You is in A major at 147 beats per minute.

4080120160200

Tempo

147 BPM · Allegromedian of 130 analyses · 146.9–147 across the middle eight tenths
Key
A major3 sharps · the key most of the analyses agreed on
Agreement
98%share of analyses that agreed
Analyses
130people who ran the extractor
One beat
408.2milliseconds, 60,000 ÷ BPM
Tuning
441.5Hz · +6 cents from A 440
Dynamics
3.07dB the level wanders from its average
Loudness
0.897Essentia's 0–1 scale, not dB
Danceability
1.055Essentia's danceability, 0–3

Source: AcousticBrainz, dump of 2022-06-23 (CC0) · MusicBrainz core data, 2026-09-17 (CC0) · how each number is measured. Measured up to 23.06.2022 — AcousticBrainz stopped collecting in 2022, so nothing released after that date is here.

What the numbers say

130 independent analyses of this recording were submitted to AcousticBrainz. All but a handful of them — 98% — put it in A major, a key signature of 3 sharps. The tempo printed above is the median of the 130 readings; 99% of them land within 2% of it, and they barely differ at all.

At 147 BPM one beat lasts 408.2 milliseconds, so a sixteenth note is 102 ms and a dotted eighth 306.1 ms — the delay times for this recording. Counted half as fast it is 73.5 BPM, counted twice as fast 294. A score would mark that Allegro, by the ranges this site uses.

The analyses put the reference pitch of the recording at 441.5 Hz, which is 6 cents above concert A at 440 Hz — the sort of drift a tape machine or a slightly different mastering leaves behind. That is a fact about this transfer of the music, not about how it was played.

The dynamic complexity of the recording measures 3.07 dB: that is how far the level wanders from its own average, so a small number means a loud, flat master and a large one means a recording that still breathes. Its average loudness is 0.897 on Essentia's 0-to-1 scale, which is not decibels and is not comparable to a streaming service's number.

10 other recordings here are in A major; the ones listed below are the closest in tempo.

Beats per bar are not in this dataset. AcousticBrainz's analysis reports a tempo, a key and a loudness, and no time signature at all, so this page does not print one — a 4/4 here would be a guess dressed as a measurement.

Keys that fit with A major

Each of these differs from A major by at most one accidental, or shares its tonic. That is the whole of what a mixing wheel encodes; here the relations are named instead of numbered.

Delay times at 147 BPM

Note valueBeatsMillisecondsHertz
Whole note41632.70.61
Half note2816.31.22
Dotted quarter1.5612.21.63
Quarter note (one beat)1408.22.45
Quarter triplet0.667272.13.68
Dotted eighth0.75306.13.27
Eighth note0.5204.14.9
Eighth triplet0.333136.17.35
Dotted sixteenth0.375153.16.53
Sixteenth note0.251029.8
Sixteenth triplet0.1676814.7
Thirty-second note0.1255119.6

Half time 73.5 BPM · double time 294 BPM. Every row is one beat (408.2 ms) times the fraction in the second column.

Closest in key and tempo

  1. Meet Me in the MorningBob DylanA major147BPM
  2. De Do Do Do, De Da Da DaThe PoliceA major147BPM
  3. How Do You?RadioheadA major147BPM
  4. GuiltyBonnie RaittA major147BPM
  5. Cemetery GatesPanteraA major147BPM
  6. Out of ControlEaglesA major146BPM
  7. Already GoneKelly ClarksonA major148BPM
  8. It’s a Vibe2 Chainz feat. Ty Dolla $ign, Trey Songz & Jhené AikoA major146BPM
  9. Happy Xmas (War Is Over)John & Yoko / The Plastic Ono Band with The Harlem Community ChoirA major146BPM
  10. The Last to KnowCéline DionA major146BPM

Recordings in A major, ordered by how near their tempo is to 147 BPM. A calculation, not a recommendation.

All songs in A majorAll songs at 147 BPMA major at 140–149 BPMKaty Perry

MusicBrainz collapses 7 recording ids into this one. Recording id 0f719e23-01f6-41ae-bb8a-27e10360e128.