Johnny Cash · American III: Solitary Man
The Mercy Seat
The Mercy Seat is in C major at 87.5 beats per minute.
Tempo
88 BPM · Andantemedian of 172 analyses · 87.5–88.3 across the middle eight tenths- Key
- C majorno sharps and no flats · the key most of the analyses agreed on
- Agreement
- 97%share of analyses that agreed
- Analyses
- 172people who ran the extractor
- One beat
- 685.7milliseconds, 60,000 ÷ BPM
- Tuning
- 441.8Hz · +7 cents from A 440
- Dynamics
- 2.78dB the level wanders from its average
- Loudness
- 0.884Essentia's 0–1 scale, not dB
- Danceability
- 1.248Essentia's danceability, 0–3
Source: AcousticBrainz, dump of 2022-06-23 (CC0) · MusicBrainz core data, 2026-09-17 (CC0) · how each number is measured. Measured up to 23.06.2022 — AcousticBrainz stopped collecting in 2022, so nothing released after that date is here.
What the numbers say
172 independent analyses of this recording were submitted to AcousticBrainz. All but a handful of them — 97% — put it in C major, a key signature of no sharps and no flats. The tempo printed above is the median of the 172 readings; 98% of them land within 2% of it, and they barely differ at all.
At 87.5 BPM one beat lasts 685.7 milliseconds, so a sixteenth note is 171.4 ms and a dotted eighth 514.3 ms — the delay times for this recording. Counted half as fast it is 43.8 BPM, counted twice as fast 175. A score would mark that Andante, by the ranges this site uses.
The analyses put the reference pitch of the recording at 441.8 Hz, which is 7 cents above concert A at 440 Hz — the sort of drift a tape machine or a slightly different mastering leaves behind. That is a fact about this transfer of the music, not about how it was played.
The dynamic complexity of the recording measures 2.78 dB: that is how far the level wanders from its own average, so a small number means a loud, flat master and a large one means a recording that still breathes. Its average loudness is 0.884 on Essentia's 0-to-1 scale, which is not decibels and is not comparable to a streaming service's number.
10 other recordings here are in C major; the ones listed below are the closest in tempo.
Beats per bar are not in this dataset. AcousticBrainz's analysis reports a tempo, a key and a loudness, and no time signature at all, so this page does not print one — a 4/4 here would be a guess dressed as a measurement.
Keys that fit with C major
Each of these differs from C major by at most one accidental, or shares its tonic. That is the whole of what a mixing wheel encodes; here the relations are named instead of numbered.
Delay times at 88 BPM
| Note value | Beats | Milliseconds | Hertz |
|---|---|---|---|
| Whole note | 4 | 2742.9 | 0.36 |
| Half note | 2 | 1371.4 | 0.73 |
| Dotted quarter | 1.5 | 1028.6 | 0.97 |
| Quarter note (one beat) | 1 | 685.7 | 1.46 |
| Quarter triplet | 0.667 | 457.1 | 2.19 |
| Dotted eighth | 0.75 | 514.3 | 1.94 |
| Eighth note | 0.5 | 342.9 | 2.92 |
| Eighth triplet | 0.333 | 228.6 | 4.38 |
| Dotted sixteenth | 0.375 | 257.1 | 3.89 |
| Sixteenth note | 0.25 | 171.4 | 5.83 |
| Sixteenth triplet | 0.167 | 114.3 | 8.75 |
| Thirty-second note | 0.125 | 85.7 | 11.67 |
Half time 43.8 BPM · double time 175 BPM. Every row is one beat (685.7 ms) times the fraction in the second column.
Closest in key and tempo
- She’s Got Her TicketTracy ChapmanC major87BPM
- No FreedomDidoC major88BPM
- LA CANCIÓNJ Balvin & Bad BunnyC major88BPM
- The Doo‐Bop SongMiles DavisC major88BPM
- The Road I’m On3 Doors DownC major88BPM
- Apprends‐moiCéline DionC major87BPM
- All I NeedRadioheadC major88BPM
- EmotionDestiny’s ChildC major87BPM
- Coming Back to LifePink FloydC major88BPM
- Sheena Is a Punk RockerRamonesC major88BPM
Recordings in C major, ordered by how near their tempo is to 88 BPM. A calculation, not a recommendation.
All songs in C majorAll songs at 88 BPMC major at 80–89 BPMJohnny Cash
MusicBrainz collapses 2 recording ids into this one. Recording id a342133f-251e-47b6-b5fd-51b4a895ec81.