TempoPeek

John Travolta & Olivia Newton‐John · Grease (The Remix EP)

You’re the One That I Want

You’re the One That I Want is in C major at 106.9 beats per minute.

4080120160200

Tempo

107 BPM · Andantemedian of 135 analyses · 106.5–107 across the middle eight tenths
Key
C majorno sharps and no flats · the key most of the analyses agreed on
Agreement
94%share of analyses that agreed
Analyses
135people who ran the extractor
One beat
561.3milliseconds, 60,000 ÷ BPM
Tuning
441.8Hz · +7 cents from A 440
Dynamics
4.43dB the level wanders from its average
Loudness
0.842Essentia's 0–1 scale, not dB
Danceability
1.444Essentia's danceability, 0–3

Source: AcousticBrainz, dump of 2022-06-23 (CC0) · MusicBrainz core data, 2026-09-17 (CC0) · how each number is measured. Measured up to 23.06.2022 — AcousticBrainz stopped collecting in 2022, so nothing released after that date is here.

What the numbers say

135 independent analyses of this recording were submitted to AcousticBrainz. Most of them — 94% — put it in C major, a key signature of no sharps and no flats. The tempo printed above is the median of the 135 readings; 98% of them land within 2% of it, and they barely differ at all.

At 106.9 BPM one beat lasts 561.3 milliseconds, so a sixteenth note is 140.3 ms and a dotted eighth 421 ms — the delay times for this recording. Counted half as fast it is 53.5 BPM, counted twice as fast 213.8. A score would mark that Andante, by the ranges this site uses.

The analyses put the reference pitch of the recording at 441.8 Hz, which is 7 cents above concert A at 440 Hz — the sort of drift a tape machine or a slightly different mastering leaves behind. That is a fact about this transfer of the music, not about how it was played.

The dynamic complexity of the recording measures 4.43 dB: that is how far the level wanders from its own average, so a small number means a loud, flat master and a large one means a recording that still breathes. Its average loudness is 0.842 on Essentia's 0-to-1 scale, which is not decibels and is not comparable to a streaming service's number.

10 other recordings here are in C major; the ones listed below are the closest in tempo.

Beats per bar are not in this dataset. AcousticBrainz's analysis reports a tempo, a key and a loudness, and no time signature at all, so this page does not print one — a 4/4 here would be a guess dressed as a measurement.

Keys that fit with C major

Each of these differs from C major by at most one accidental, or shares its tonic. That is the whole of what a mixing wheel encodes; here the relations are named instead of numbered.

Delay times at 107 BPM

Note valueBeatsMillisecondsHertz
Whole note42245.10.45
Half note21122.50.89
Dotted quarter1.5841.91.19
Quarter note (one beat)1561.31.78
Quarter triplet0.667374.22.67
Dotted eighth0.754212.38
Eighth note0.5280.63.56
Eighth triplet0.333187.15.35
Dotted sixteenth0.375210.54.75
Sixteenth note0.25140.37.13
Sixteenth triplet0.16793.510.69
Thirty-second note0.12570.214.25

Half time 53.5 BPM · double time 213.8 BPM. Every row is one beat (561.3 ms) times the fraction in the second column.

Closest in key and tempo

  1. The MiddleZedd, Maren Morris & GreyC major107BPM
  2. Something He Can FeelAretha FranklinC major107BPM
  3. Where You LeadCarole KingC major107BPM
  4. BreakawayKelly ClarksonC major107BPM
  5. Pueblo NuevoBuena Vista Social ClubC major107BPM
  6. RenegadeStyxC major107BPM
  7. Top Gun AnthemHarold Faltermeyer & Steve StevensC major107BPM
  8. Monday MorningFleetwood MacC major107BPM
  9. AngelMassive AttackC major107BPM
  10. The CeltsEnyaC major107BPM

Recordings in C major, ordered by how near their tempo is to 107 BPM. A calculation, not a recommendation.

All songs in C majorAll songs at 107 BPMC major at 100–109 BPM

MusicBrainz collapses 2 recording ids into this one. Recording id 6be10f3e-e2c3-45d6-b75b-ef1ef64c94d8.