TempoPeek

James Brown · Cold Sweat

Get on the Good Foot

Get on the Good Foot is in G major at 108.4 beats per minute.

4080120160200

Tempo

108 BPM · Moderatomedian of 127 analyses · 108.4–108.8 across the middle eight tenths
Key
G major1 sharp · the key most of the analyses agreed on
Agreement
100%share of analyses that agreed
Analyses
127people who ran the extractor
One beat
553.5milliseconds, 60,000 ÷ BPM
Tuning
443.3Hz · +13 cents from A 440
Dynamics
5.23dB the level wanders from its average
Loudness
0.873Essentia's 0–1 scale, not dB
Danceability
1.611Essentia's danceability, 0–3

Source: AcousticBrainz, dump of 2022-06-23 (CC0) · MusicBrainz core data, 2026-09-17 (CC0) · how each number is measured. Measured up to 23.06.2022 — AcousticBrainz stopped collecting in 2022, so nothing released after that date is here.

What the numbers say

127 independent analyses of this recording were submitted to AcousticBrainz. All but a handful of them — 100% — put it in G major, a key signature of 1 sharp. The tempo printed above is the median of the 127 readings; 100% of them land within 2% of it, and they barely differ at all.

At 108.4 BPM one beat lasts 553.5 milliseconds, so a sixteenth note is 138.4 ms and a dotted eighth 415.1 ms — the delay times for this recording. Counted half as fast it is 54.2 BPM, counted twice as fast 216.8. A score would mark that Moderato, by the ranges this site uses.

The analyses put the reference pitch of the recording at 443.3 Hz, which is 13 cents above concert A at 440 Hz — the sort of drift a tape machine or a slightly different mastering leaves behind. That is a fact about this transfer of the music, not about how it was played.

The dynamic complexity of the recording measures 5.23 dB: that is how far the level wanders from its own average, so a small number means a loud, flat master and a large one means a recording that still breathes. Its average loudness is 0.873 on Essentia's 0-to-1 scale, which is not decibels and is not comparable to a streaming service's number.

10 other recordings here are in G major; the ones listed below are the closest in tempo.

Beats per bar are not in this dataset. AcousticBrainz's analysis reports a tempo, a key and a loudness, and no time signature at all, so this page does not print one — a 4/4 here would be a guess dressed as a measurement.

Keys that fit with G major

Each of these differs from G major by at most one accidental, or shares its tonic. That is the whole of what a mixing wheel encodes; here the relations are named instead of numbered.

Delay times at 108 BPM

Note valueBeatsMillisecondsHertz
Whole note422140.45
Half note211070.9
Dotted quarter1.5830.31.2
Quarter note (one beat)1553.51.81
Quarter triplet0.6673692.71
Dotted eighth0.75415.12.41
Eighth note0.5276.83.61
Eighth triplet0.333184.55.42
Dotted sixteenth0.375207.64.82
Sixteenth note0.25138.47.23
Sixteenth triplet0.16792.310.84
Thirty-second note0.12569.214.45

Half time 54.2 BPM · double time 216.8 BPM. Every row is one beat (553.5 ms) times the fraction in the second column.

Closest in key and tempo

  1. SatellitesBeyoncéG major108BPM
  2. My FaultImagine DragonsG major108BPM
  3. Are You ReadyAC/DCG major108BPM
  4. More Than a FeelingBostonG major109BPM
  5. The Reason a DogAerosmithG major109BPM
  6. The Last Time I Saw RichardJoni MitchellG major109BPM
  7. Neighborhood #4 (7 Kettles)Arcade FireG major108BPM
  8. Mr. SpacemanThe ByrdsG major108BPM
  9. RunawayLinkin ParkG major109BPM
  10. ChristmasThe WhoG major109BPM

Recordings in G major, ordered by how near their tempo is to 108 BPM. A calculation, not a recommendation.

All songs in G majorAll songs at 108 BPMG major at 100–109 BPMJames Brown

MusicBrainz collapses 107 recording ids into this one. Recording id b9c58609-023b-41b5-bd64-b67144d7ad5c.